The Allies had barely driven the Nazis out of Rome when Roberto Rosselini went to work on
Open City, considered by most to be his greatest work. Shot on bits and short ends of scavenged film, this film helped define Italian neorealism. Audiences were convinced that the actors were all amateurs (they weren't) and the whole film was improvised (it wasn't; the three screenwriters included Federico Fellini). With its semidocumentary camera style and use of actual locations, the film does feel very real. Of course, so does the opening half-hour of
Saving Private Ryan, and like that film
Open City is at its heart a classic war yarn any Hollywood studio would feel at home with. The story involves members of the Italian underground trying to smuggle badly needed cash out...
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