Crime cinema has never been so meticulously and coolly executed. Taciturn thief Alain Delon (intense and dapper in trenchcoat and fedora) and escaped prisoner Gian Maria Volonte cross paths as if by fate, bound by saving each other's life, and join with disgraced ex-cop Yves Montand for their next job: a daring jewel robbery.
Le Cercle Rouge is the ultimate expression of the romantic doom that Jean-Pierre Melville established in his masterpieces
Bob Le Flambeur and
Le Samourai. The centerpiece heist, a wordless 20-minute sequence with masked men communicating in codified gestures, is a tour de force of cinematic efficiency that tops even
Rififi in its celebration of criminal skill and nerve. Melville's cool detachment doesn't allow us to really warm up to these...
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