Tough but not swaggering, serious but not solemn,
S.W.A.T. won over its 1970s television audience with several unexpectedly interesting elements: A degree of storytelling sophistication; visually exciting, guerrilla-like street violence; and a subtle but determined fascination with the psyches of the show's five principal characters. To a non-viewer,
S.W.A.T. looked like a fatuously reassuring, law-and-order shill in the aftermath of the Vietnam war and Watergate. In reality, creator-producer Robert Hammer (a Peabody Award winner for the 1979 POW TV drama,
When Hell Was in Session) managed to make an ideal, mid-'70s Aaron Spelling cop show with an extra emphasis on the human factor in peacekeeping.
Spun off from an earlier Spelling series, The Rookies,... Learn More
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