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DVD The Searchers:

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  • Actor(s): John Wayne - Jeffrey Hunter 
  • Director(s): John Ford 
  • Editor: Warner Studios
  • Category: Western
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  • DVD The Searchers


    A favorite film of some of the world's greatest filmmakers, including Martin Scorsese and Steven Spielberg, John Ford's The Searchers has earned its place in the legacy of great American films for a variety of reasons. Perhaps most notably, it's the definitive role for John Wayne as an icon of the classic Western--the hero (or antihero) who must stand alone according to the unwritten code of the West. The story takes place in Texas in 1868; Wayne plays Ethan Edwards, a Confederate veteran who visits his brother and sister-in-law at their ranch and is horrified when they are killed by marauding Comanches. Ethan's search for a surviving niece (played by young Natalie Wood) becomes an all-consuming obsession. With the help of a family friend (Jeffrey Hunter) who is himself part Cherokee, Ethan hits the trail on a five-year quest for revenge. At the peak of his masterful talent, director Ford crafts this classic tale as an embittered examination of racism and blind hatred, provoking Wayne to give one of the best performances of his career. As with many of Ford's classic Westerns, The Searchers must contend with revisionism in its stereotypical treatment of "savage" Native Americans, and the film's visual beauty (the final shot is one of the great images in all of Western culture) is compromised by some uneven performances and stilted dialogue. Still, this is undeniably one of the greatest Westerns ever made. --Jeff Shannon
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    Review(s): DVD The Searchers
    A bleak and overrated western classic



    John Ford's THE SEARCHERS (1956) is considered one of the five greatest westerns of all time. How about if we knock it down a peg and call it merely very good or excellent? In 1868 Texas, Cavalry officer Ethan Edwards (John Wayne at his most unsympathetic) finally returns home-only to find that Comanche Indians have kidnapped his two granddaughters and killed the younger of the two. With son or grandson Jeffrey Hunter, Wayne goes on a ten year vendetta all over beautiful Monument Valley in search of the kidnapped Debbie (Natalie Wood, one year after REBEL WITHOUT A CAUSE). Does he find her alive? Dead? Does she want to come home with a veritable stranger after years of being raised as a Comanche? And what does Wayne do to the Comanche villain Scar? This is a profoundly unhappy family saga.

    Ravishingly photographed, in Technicolor and VistaVision, THE SEARCHERS is basically a bleak character study of an existential loner. He is warmly welcomed home at the beginning as a door opens; he is left outside alone at the end as the same door closes, in a classic scene. The film is helped by superb supporting work by some of Ford's repertory cast, especially Vera Miles, Ward Bond, and Olive Carey. But it is done in, for me personally, by Hank Worden's bald-headed idiot Moze and by whoever plays the guitar and laughs "Haw, haw, haw, haw, haw." I simply can't stand either of them here. On the other hand, Wayne has one of his finest roles and gives one of his greatest performances; he deserved an Oscar nomination.

    THE SEARCHERS is not one of the greatest westerns of all time for me, but it certainly is superb and one of director/producer Ford's best films of the 1950's. And, yes, I love "Annie Laurie" over the legendary opening and closing scenes. Just lower your expectations and expect a beautifully crafted and finely acted western downer.




    "We'll find 'em. Just as sure as a turnin' of the earth."


    What is The Great American Film? THE SEARCHERS has a claim to this title. Released at very nearly the midpoint of the American filmmaking experience (1956), directed by The Great American Director (John Ford), starring The Great American Actor (John Wayne), and filmed in The Great American Genre (The Western), THE SEARCHERS embodies American film as perhaps none other. But John Ford filmed other westerns starring John Wayne in the middle of the last century. What makes THE SEARCHERS stand out?

    THE SEARCHERS is an adult western which addresses themes largely absent in the genre up to that point: psychological conflict, racism, rape, and massacre. The film is far more violent than any other Ford western up to that point, and the line between hero and villain is blurrier. Disaster strikes early in this film, and the rest of the movie is a complex narrative about picking up those broken pieces that remain after such a tragedy. The epic timeframe of the movie allows complexity to seep into the characters realistically and believably.

    Most old-time westerns seem dated to me today; I grew up after the heyday of cowboy films. THE SEARCHERS is one of those rare movies, however that transcends not only its genre, but the decade in which it was made. A fan of classic cinema, I steered away from westerns for many years, not thinking them worthy of being considered great films. After viewing THE SEARCHERS, I knew that I was wrong. No library of classic American film would be complete without this movie.

    Jeremy W. Forstadt

    Ford, Wayne, and Monument Valley Epic...


    John Ford seemed to be able to get the most out of John Wayne and this film really shows just how good an actor Wayne could be. This is the epic western tale of survival in a hostile land. John Wayne plays Ethan Edwards, an outsider, who comes back to his brother's ranch several years after the Civil War. Ethan was on the 'lost cause' side of the conflict. As a Confederate war veteran, he tries to find his place once again in this reconstruction phase of his life...he has been lost and wandering for several years. Once back home with his brother, he starts to slowly unwind. This conflicted character soon find himself with Marty (Jeff Hunter), and the Texas Rangers..lead by Ward Bond..chasing stolen cattle only to find themselves fooled by the Commache..(who are on a raiding party). Upon returning to the ranch, Commaches have massacred the brother, wife and stolen Lucy and Debbie..the two daughters. This leads to the downs and ups of them searching all over the territory for the stolen daughters.

    Watch this film for the cinematography as well as the fine acting by John Wayne. As the movie opens the film starts inside the cabin home and as the door opens we are sweeped into the Monument Valley vistas. All throughout the film, Ford used the landscape as another actor. When the movie closes, the camera pulls back into the same cabin view, just in reverse. With everyone going back to loved ones, the door closes leaving Ethan..much as he started...outside the door and homeless...clutching just himself.

    This is a great movie especially for those who want to learn more about the art and technique of movie making. Well worth adding to any collection.


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