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DVD Island of Lost Souls / Mystery of the Wax Museum:

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  • Actor(s): Charles Laughton - Richard Arlen 
  • Director(s): Erle C. Kenton 
  • Editor: Studio K7/Mvd
  • Category: Horror
  • Availability: 01 January 2010

    List Price: $24.95
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  • DVD Island of Lost Souls / Mystery of the Wax Museum


    When you've got Charles Laughton and Bela Lugosi, how can you go wrong? Shipwreck victim Edward Parker (Richard Arlen) is stranded on an island run by the mysterious Dr. Moreau (Laughton). Moreau is hospitable enough, but the jungle is full of menacing shapes--and what about those ominous references to the House of Pain? Parker gradually learns of Moreau's unholy experiments and worries that he'll never escape. Though it has aged a bit, Island of Lost Souls is surprisingly spine-tingling, particularly the horrifying climax. Light and shadows are used especially well--occasionally, Moreau speaks with his face entirely hidden, except for his glittering eyes. Laughton turns in yet another superbly evil performance and even the somewhat worse-for-wear Lugosi is creepy as the pronouncer of the law. ("Are we not men?" Well, no, not exactly.) This is a nicely chilling classic that may even make you think twice about modern science's experimentation with genetics. Don't miss it. Remade as The Island of Dr. Moreau in 1977 and 1996. --Ali Davis
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    Review(s): DVD Island of Lost Souls / Mystery of the Wax Museum
    This 1932 creepy classic may give you nightmares


    I remember seeing this as a kid on TV's "Creature Features" in the early '70s, and it really embedded itself into my consciousness. Edward Parker (Richard Arlen) ends up on an isolated island run by Dr. Moreau (Charles Laughton) in this first film version of the H.G. Wells story.

    And the film was banned in Britain and many other countries for many years. Perhaps because of what Dr. Moreau is doing: transforming animals into humans. Yes, you heard that right. He found out how to speed up evolution (recall this was only a few years after the Scopes Monkey Trial) and when he does so to animals they become humanlike, but very freaky looking humans...

    Anyway, Parker becomes attracted to this strange girl (Kathleen Burke) until he sees shes not exactly a girl, she's a former panther. This is the last straw for him and he vows to expose Moreau, but the problem is how to get off the island.

    If you watch this film, don't be surprised if you have a nightmare containing a man with a whip asking, "What is the law?"

    "The natives are restless tonight!"


    H. G. Wells' novel "The Island of Dr. Moreau" is the source for this exciting sci-fi/horror flick. Charles Laughton as Moreau prissily poses and preens as the mad doctor conducting forbidden experiments in vivisection, a variation of Frankenstein's theory of life and death. As a twisted god, he rules a remote tropical island populated by terrifying animal-man mutants, the failed results of his dark science. Into this menagerie of lost souls stumbles shipwrecked Edward Parker. Moreau has the insane idea to mate Parker to Lota, the delectable panther girl. Lota is Moreau's greatest success, and he wants to verify that she will react sexually to Parker (she does). By 1933 standards, Lota is the sexiest near human around. Her cat-like body movements and brief jungle attire add to her erotic appeal. Bela Lugosi, as a wolf man with a thick accent, is eerily effective as the "Sayer of the Law." His plaintive wailing and drawn out syllables raise the hackles as this jungle Moses articulates "the law" before Moreau. The scary make-up of the animal men conveys dread and fear nicely. The night scenes in the steaming jungle of huge bonfires surrounded by hellish shambling creatures are the stuff of troubled dreams. Moreau's island is Dante's Inferno retold. Things get very grim when the animal men revolt. As the animal men howl and growl in the distance, in a side-splitting moment of unintended humor, Moreau utters that great cliche of old movies: "The natives are restless tonight!" The movie is competently directed by Erle C. Kenton who went on to direct some of Universal's best horror movie programmers. Relax and enjoy the thrills. ;-)

    That is the law! Are we not men?


    The earliest and best H.G. Wells' adaptations is Island Of Lost Souls, based on The Island of Dr. Moreau. After being rescued from a lifeboat by the S.S. Covena, Edward Parker ends up on an island run by the mysterious Dr. Moreau and his assistant Montgomery. The Covena was delivering some animals, mostly dogs, for Moreau.

    The island also has some pretty strange natives, who are hirsute and barely human. Fortunately, Moreau has a whip that scares them off. Apart from Moreau, Montgomery, and M'ling the servant, there's Lota, a ravishing young girl whom Moreau introduces to Parker. He is curious as to their interractions, as he secretly observes them.

    The natives also have a strange ritual. Moreau asks them "What is the law?" To which they reply "Not to eat meat. That is the law. Are we not men?" And other replies. The leader of the natives says of Moreau: "His is the hand that makes/His is the hand that heals/His is the house of pain." Those who have read the book will know what's going on, but does not exactly follow it, as is the case with most future Moreau adaptations.

    Charles Laughton plays Moreau in a variety of shades, far from the typical mad scientist. He's refined, reserved in speech (for the most part), and cunning. His smile, and that weird twinkle in his eyes lends the hint to his (Laughton's) homosexuality, but his performance here demonstrates why Hollywood decided to protect him.

    Richard Arlen plays Parker as a bit of an uptight and conventional prude, and Leila Hyams as his fiancee Ruth is a perfect match for him.

    Kathleen Burke is a wonder as Lota--pity she didn't appear in that many films. She gives a sensitive, sympathetic portrayal, speaking in a soft, child-like voice. If I were Parker, I'd dump Ruth for Lota anyday.

    Bela Lugosi is barely recognizable in furry makeup as the leader of the natives, but once one sees those unmistakable eyes... one instantly recognizes the man who lost his identity playing Dracula ad nauseum. And whoever played the giant Ouran did so with great menace.

    As this was made before the Hays Code, some of the scenes and implied dialogue on the island is strong for that era. That this was initially banned in many countries and in some parts of the U.S. is not surprising. Pity they don't make movies like this anymore, because it stands heads over many.


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