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DVD The Upside of Anger:

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  • Actor(s): Joan Allen - Kevin Costner - Erika Christensen - Keri Russell - Alicia Witt 
  • Director(s): Mike Binder 
  • Editor: New Line Home Entertainment
  • Category: Feature Film-comedy
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    List Price: $27.95
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  • DVD The Upside of Anger


    The sight of two lost souls finding something unavoidably necessary in each other carries The Upside of Anger through it pleasant episodic drift. When Terry Wolfmeyer (Joan Allen) realizes that her husband won't be coming home again, she hits the skids and the bottle, leaving her four thunderstruck daughters (Alicia Witt, Keri Russell, Erika Christensen, and Evan Rachel Wood) to fend for themselves while she fends off the attentions of concerned neighbor Denny Davies (Kevin Costner). Writer/director Mike Binder (who has a good bit as Costner's sleazy producer) juggles too many subplots in this comedy/drama--his charming young actresses are all but wasted--then tosses in a wrongheaded climactic twist and terrible explanatory narration from young Wood. But the two leads do career-best turns: If you've given up hope on Costner, you'll be surprised by his shaggy dog appeal as a perpetually soused radio show host/faded ex-baseball star, while Allen's boozy, brittle performance is so remarkable that even her comic drunkenness is nuanced. --Steve Wiecking
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    Review(s): DVD The Upside of Anger
    One of the Best Films of 2005


    I must admit that when I bought this film, I was expecting the storyline to follow the same, stale, husband-done-me-wrong plot. It was Joan Allen that eventually forced me to whip out the checkbook. And so, I was incredibly surprised to find this to be a movie of such depth.

    First of all, as practically all reviewers have raved, Allen and Costner are phenomenal. It was mid-way through the film that I realized how superb the acting was, as they were actually making me fall in love with utterly unlikable characters. Joan Allen has long-since been the most underappreciated actress in Hollywood. It was hard for me to watch Julia Roberts walk away with her 2001 Oscar for the lackluster "Erin Brockovich," while Ms. Allen's amazingly convincing performance in "The Contender" went without even a nod. As for the coming award season, yes Charlize Theron was wonderful in "North Country," and I'm sure that Reese Witherspoon will be lovely in "Walk the Line" (or at least I think I'm sure), but come on people, Joan Allen's moment to shine is years past due. But Ms. Allen doesn't carry this film on her own. As stated earlier, Kevin Costner is amazing. I liked his performance in this film more than any of his previous roles. Yes, he has a heart for sweeping epics, and yes "Dances with Wolves" was a great film, but to see him so subdued, and really capturing the essence of this man he was portraying was truly enjoyable to watch. He has reinvented his career.

    And finally, all of the whining about the plot redirecting its aim. I honestly don't understand all of the problems so many people seem to have with this. To me, it only made the film all the more enjoyable, proving that in that end, perhaps the only champion to anger is divine irony. Life, fairly often, will throw both at you.

    This is a great film and highly recommended on my part.


    She got gaps. I got gaps. Together we ain't got no gaps.


    Stallone's response to Burt Young's question 'what do you see in my sister?' (Talia Shire) is kind of like Costner, drifting in an alcoholic fugue, the glory days as a Detroit Tiger (Denny McClain?) over, with the horribly emotionally wounded Joan Allen.

    This movie is reminiscent of the Diane Lane "Under the Tuscan Sun" story several years back. I found "Anger" much more engaging and was frankly bored by "Tuscan Sun."

    Part of that is due to Allen's brilliance and her ability to do more with what she was given than Lane was. And, frankly, Costner is better now aging than he was before saving the world and being heroic. I liked "For the Love of the Game" and I thought "Open Range" was one of the best westerns ever made.

    Here we deal with Allen's anger and the impact it has on her four daughters ranging from 15 to I imagine 23-24. Mike Binder knows that anger is like a drug and like a drug it allows us destructive self-pity and the excuse for not changing.

    Why Allen's husband disappeared is almost irrevelant as her rage is so close to the surface. That rage fuels the first 3/4ths of the movie.

    Costner plays sort of a sounding board and his accptance by the daughters as a friend-father-figure comes really earlier than his acceptance by Allen as a partner and a friend.

    My only criticism is that Binder does too much with the issues. The acting talents of the daughters are never really used and they drift from one crisis to another. Allen's 'my life just fell apart so let me be a psycho-witch' becomes tedious and her explosions, while brilliantly acted, causes one to wonder if her husband had the right idea.

    All of which is a credit to Allen and her own range. Here's a note on Costner. In both "Open Range" and "Anger" he acts a secondary role with brilliant actors (Duvall; Allen) and they draw from him his own deep talent. 4 stars. Larry Scantlebury

    Misses the mark


    This movie features Joan Allen as a woman whose husband has left her. She drowns herself in booze and anger and leaves her four daughters in exasperated confusion as she flounders around trying to make sense of a new life without her husband. As her daughters are going through important passages in their lives, she continues on her bitter way, showing little support for their hopes and dreams. Her only solace is her next-door neighbor, a former professional baseball player (Kevin Costner) who offers her companionship and understanding. The movie seems to have an identity crisis and has moments of comedy, drama, and darkness which alternate in no particular order and for no particular purpose. I spent the first 3/4 of the movie trying to decide where it was going and the last part, marveling at the ill-advised twist at the end. The acting was good, but the writing and plot were not and the results were very unsatisfying for this viewer.


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