DVD The Deathmaster
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Review(s): DVD The Deathmaster |  |
| Cheesmaster! Recently Resurrected on DVD |
If you're a fan of vampire movies in general, then you're probably familiar with the Count Yorga films, which would mean that you are also at least somewhat familiar with Robert Quarry.In my opinion, with the possible exceptions of Frank Langella (Dracula -1979), and Richard Lynch (Vampire - 1979), Robert Quarry brought the dapper, aristocratic, unrepentant vampire to the screen like none other. And while I would credit Christopher Lee with the definitive screen portrayal of Dracula himself, Lee was more a character of mysterious menace rather than the more personable yet just-as-menacing vampires brought to life by Langella, Lynch, and Quarry. After the enormous success of Quarry's "Count Yorga, Vampire" at the box-office, he signed up for something of a departure from the proper, Bulgarian count that he had previously portrayed. The storyline that was eventually decided upon by Quarry and others, called for him to portray an ancient, evil vampire who interposes himself into the troubled world of a group of youthful hippies, earns their trust with various philosophical manipulations and sheer force of personality, and eventually attempts to turn them all into a coven of the undead. Faced with lawsuits over similarities to "Count Yorga, Vampire," the producers of "Deathmaster" were forced to sell their work to American International Pictures, which released it to a minimum of screens in order to recoup costs, and then promptly buried it. Deathmaster made appearances on television throughout the 70's and 80's, and then seemed to vanish from the airwaves. I myself caught it in the 80's on Count Gore DeVol's "Creature Feature" program on Channel 20 in the Washington DC area, and always wondered what became of it. For those of you who have posted here, as well as others who may have wondered what happened to this bit of 70's horror cheese, fear not! It was resurrected on DVD in September, 2002, and is now available for purchase for the first time in the U.S. This DVD is packed, too. It features a theatrical trailer, radio spots, film commentary with Robert Quarry (and, I believe, the director...), scene selection, etc. Beware of one thing in regard to this DVD though: my copy says "widescreen" on the DVD snap-case, but the film is actually presented in full screen format, which would be fine except for that fact that it cuts the title credits off a bit. DEATHMASTER becomes EATHMASTE. Otherwise the DVD transfer is excellent. Others I know actually do have widescreen versions. My copy must have been an error of some type. For the uninitiated, this film is indeed a prime sampling of 70's horror cheese, but Robert Quarry gives his usual stand-out performance as Khourda, the millennia-old vampire who has come to corrupt and prey upon our modern, wayward youths. This film features a big, lovin' spoonful of hippie-dom, hippie-music, etc., and is quite amusing at the very least. But Quarry's performance is very well done indeed, and is worth the price alone. Feel free to give the rest a healthy dose of the MST-3000 treatment though. Contents: Minimal blood, minimal language, moderate violence, no sexual scenes, one brief glimpse of partial nudity (girl, from the back). Rating: 3 out of 4. Quarry's performance is excellent, the movie is just plain fun, and the DVD quality/extras are excellent.
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| Best Retromedia DVD yet for campy but fun Quarry shocker |  |
My experience with Retromedia DVDs has been pretty spotty, and I had never seen Deathmaster before buying this, so I'm glad to say I'm very pleased on both counts. Deathmaster was concocted as an indie production by Quarry and actor/first-time director Ray Danton to cash in on the huge success of AIP's Count Yorga: Vampire and make a subtle comment on the then-recent Manson family murders. AIP chief Sam Arkoff, angered by Quarry's swift and bold move, threatened a lawsuit, eventually buying the picture and giving it a very limited release. After a run on TV in the '70s it disappeared, never available on video. The movie starts with a surfer finding the coffin of Khorda (Quarry) washed ashore, but he's soon dispatched by Khorda's creepy flute-playing henchman Barbado. We're then introduced to the main characters, a bunch of disaffected but 'lovable' guitar-strumming Hollywoodized 'hippies' squatting in a huge old mansion who smoke lots of weed, run from 'the heat,' sing dippy inspirational folk songs, and use lots of hilarious sixties jargon. (The main folksinging hippie is a nearly unrecognizable Bobby 'Boris' Pickett of Monster Mash fame.) Khorda just sort of shows up in their midst, spouting existentialist/cosmic mumbo-jumbo (some of it improvised by Quarry) that the simple-minded flower children instantly 'groove' to even though they have no idea what he's talking about. Only biker dude Monk (whose iron cross repels Khorda) is skeptical, and bolts in search of whiskey and steak, leaving girlfriend Esslin to be seduced/attacked later by the vampiric 'guru.' The other hippies are so inspired by Khorda's rhetoric that they clean up their pad and start digging lame muzak, co-written by Ray Conniff (!!) and Pickett. Despite their copious herbal consumption these hippies apparently don't believe in free love: the guys and gals retire to separate quarters at night! Monk returns, is promptly dispatched by Khorda, and, inexplicably, everyone except 'gung fu' practicing hero Pico (who's hair looks like a really fake wig but is apparently his own) and heroine Rona go into a mystical dance-trance while Barbado plays congas (unconvincingly) and Khorda mingles. Pico and Rona try to escape the house, but are captured by Barbado, though Pico eventually gets away to seek help from balding serape-wearing hippie entrepreneur Pop (John Fiedler, ubiquitous professional milquetoast character actor and voice of piglet in the Walt Disney Winnie the Pooh cartoons). Pop just happens to have one of those old occult books (in paperback!) that explains what's going on (with handy pictures of the amulets the newly-baptized vampire cult are wearing). They mount their assault on Khorda and his minions with mallets and broom-handle stakes, and the movie finishes with one of those typically '70s 'shock/twist' endings and the only moment of actual 'special effects' in the picture. Amazingly, despite being surrounded by some really bad acting and dated dialogue, Quarry acquits himself quite admirably, creating a fairly menacing, believable character (ignoring of course all the psychobabble he's given to mouth). He looks great in an assortment of groovy custom-made robes, is occasionally introduced by sitar licks on the soundtrack, and has the same multi-pointed fangs as in Count Yorga (although everyone else is stuck with obvious dime-store 'goofy teeth'). There is no real nudity and minimal gore, even for 1972 (though the leeches are a nice, if unexplained, touch). The plot has its holes, and the relentless hippie-ness gives the film a goofy, campy aura, but Danton keeps the camera and the story moving so its quite enjoyable, never boring, and worth it for Quarry's magnetic performance and a few effectively creepy sequences. A little-seen treat for all Yorga/Quarry fans or anyone who loves the old AIP drive-in sleaze in general. Fortunately, Fred Olen Ray/Retromedia have actually done a surprisingly decent job in rescuing this from rights-issues limbo. The print is very clean, with virtually no spotting or other damage, and matted to 1.85:1 (although it looks a little closer 1.75:1 or so to me). The color is not spectacular but quite serviceable, and isn't going to look any better since the transfer is from the original 35mm camera negative. The black level, brightness, contrast, and detail are all fine, and I didn't notice any artifacting or other weirdness that plagues other Retromedia discs I own (King Dinosaur, Faceless Monster). There are four still galleries: publicity, behind-the-scenes, Quarry portraits, Quarry on stage and screen; 30- and 60-second radio spots for Count Yorga; really scratchy TV promos for Count Yorga and Sugar Hill, a Lucky Strike commercial featuring Quarry, and a classic, funny Shasta orange soda commercial featuring Fiedler and Frankenstein's monster. While these extras are nice and generally well done, the real highlight of the set is Quarry's audio commentary (with Fred Olen Ray, who directed Quarry in dozens of low-budet indies in the 1980s and '90s), which is nearly as entertaining as the feature. Quarry is sophisticated and witty, as expected, providing much interesting behind-the-scenes production info and some amusing anecdotes, with little if any dead air. Finally a Retromedia disc worthy of my unqualified highest recommendation. Get it!
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