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DVD Broadway Melody of 1940
One of the most famous tap numbers in film history distinguishes Broadway Melody of 1940, the fourth and final installment in MGM's Broadway Melody series. When Clare Bennett (Eleanor Powell, who had appeared in Broadway Melody of 1936 and 1938) needs a new partner for her hit Broadway show, small-time hoofers Johnny Brett (Fred Astaire in his MGM debut) and King Shaw (George Murphy) get their big chance. But due to a case of mistaken identity, King, rather than the more talented Johnny, gets the job, and the girl. Astaire and Powell can't match the chemistry he had with Ginger Rogers at RKO, but she was the best technical dancer he was ever teamed with, and the sense of fun they share is infectious. Their above-mentioned tap duet to Cole Porter's "Begin the Beguine" is legendary, but there are other fine moments as well: Astaire and Murphy's duet "Please Don't Monkey with Broadway," Powell's athletic number with a chorus of sailors "I Am the Captain," Astaire playing the piano and singing "I've Got My Eyes on You," and his and Powell's high-velocity duet "Jukebox Dance." --David Horiuchi
Most of this movie is terrible, but who's complaining? The epically long "Begin the Beguine" is the climax of the movie & it makes the whole mess worthwhile. The last 11 minutes of this movie are mind-blowingly great -- absolute perfection. The sets, the cinematography, the costumes, the orchestrations & the extraordinary routine itself -- everything combines to make "Begin the Beguine" the most ravishing, glamorous black & white production number ever put on film. It's Hollywood at its apogee, the quintessence of silver screen glamor.
A few of the other numbers are fun: the first, "Don't Monkey with Broadway" is clever & pleasant; later on, Fred Astaire's lovely "I've Got My Eyes on You" is also winning: a charming routine that he dances to a delightful, cheerful orchestration. Some other numbers are worth seeing, as well, but "Begin the Beguine" outshines everything else in this picture.
In between the numbers, there's a lot of dreary silliness afoot. Happily, DVD technology makes it easy to skip over the dross & go straight for the gold.
Eleanor Powell was a very odd actress. She was rather pretty & decidedly perky (how much you go for perky will determine how agreeable you find her personality); she was also quite feminine. Why, then, does she speak out of the side of her mouth like a gangster? She often sounds like a distaff Edward G. Robinson ("Dat was SWELL, Johnny, SWELL! Nyah!"). But man oh man, could she dance!
Astaire, Powell, Begin the Beguine!
There's little reason to see this Fred Astaire-Eleanor Powell movie except for the dance numbers--and they provide the best reasons in the world. The plot involves a song-and-dance team (Astaire and George Murphy), a Broadway show with a big star (Eleanor Powell), mistaken identity, true friendship and boy gets girl.
Most of the dance numbers, however, are extraordinary, with songs by Cole Porter. Powell sings and taps out "I Am the Captain" in a major production number featuring big sets and lots of chorus boys. She shows why she was a great tap dancer and a major musical star who could carry a movie by herself. Astaire and Murphy do "Please Don't Monkey With Broadway," a fine example of a song-and-dance tap act that involves intricate patterns, humor, even a mock duel. "I Concentrate on You" is a great Porter standard written for the movie. "I've Got My Eyes on You" is a first-rate light romantic ballad that is a solid Astaire solo number. He was a good piano player and shows it with this number. He's backstage and dances with a photograph of Powell over and around props and furniture, and at one point uses a small ball which he seems to have mesmerized to do his bidding. He was always great using objects, and he was great because he rehearsed endlessly. He's got that ball's number. The showstopper, of course, is "Begin the Beguine." It's a big production number that starts with Astaire and Powell in costume, then moves to singers, then moves back to Astaire and Powell. This is the portion that gets the raves. She's in a white dress, he's in a white tux. They're tap dancing on a mirror-finish black floor. Off camera Artie Shaw and his orchestra continues with the song. They start tapping together, move to a challenge tap, then come back together in an extraordinary tap routine that involves them circling each other, throwing up their arms in counterpoint to their tapping and to each other. This part is excerpted in That's Entertainment. Sinatra introduces the excerpt by saying that you won't see anything like it again. I don't think anyone would disagree.
Fans of Astaire might consider getting a copy of Arlene Croce's The Fred Astaire and Ginger Rogers Book. Croce was the dance critic for the New Yorker. She goes through each of the Astaire-Rogers movies explaining the background, how the dance numbers were developed and analysing why Astaire was as great as he was. It's an interesting book.
Astaire and Powell together!
I've always loved this movie. True it's one of the MGM Broadway Melody series of films but, in my humble opinion, it is the best one and that's because of one ingredient that was missing from the others - Mr. Astaire.
He and Powell work magic as they dance together. Needless to say, the Begin the Beguine number is the absolute ultimate, with its mirror and lights and perfect syncopation. If you're a tap dancer, you have to see it. If you're not, you'll love it anyway!
But another gem that's overlooked far too often is the Jukebox Dance - Fred and Ellie at the sidewalk cafe. Now that had to have been a hard number to do - take it from a tap dancer. And yet it came off beautifully and looked like they had a lot of fun doing it.
Beyond the dancing, the film has the wonderful Frank Morgan ("...the great and powerful Wizard of Oz..." and the engaging George Murphy in it. With a supporting cast like this, it doesn't miss. It's a silly and fun MGM movie musical - pure entertainment, which is what we go to the movies for, isn't it?
Check this one out! You'll enjoy yourself - maybe even as much as I did!
Fred Astaire took one of his final musical turns in this delightful 1957 comedy, a cold war update of the classic Ninotchka. Cyd Charisse, having previously wrapped her endless legs around Fred in The Band Wagon, plays the Greta Garbo role: a humorless Soviet functionary who sternly refuses the allure of Paris… for a while, anyway. Like some of the first widescreen musicals, Silk Stockings feels a little slowed down by the horizontal format, but nothing can dim the sparkle of Astaire and Charisse, nor quench the razzmatazz of Janis Paige. Paige and Astaire assess the current state of movies by singing that films today need "glorious Technicolor, breathtaking CinemaScope, and Stereophonic sound!" In the hands of Cole Porter, that phrase becomes wonderfully... More Info about this DVD Actor(s): Fred Astaire - Cyd Charisse Director(s): Rouben Mamoulian DVD Release Date: Released the 22 April 2003 Usually ships in 24 hours
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The devil is in the details when it comes to this effervescent Fred Astaire and Rita Hayworth musical. The slight storyline is a hook upon which to hang dance sequences, bits of humor, and songs by Jerome Kern and Johnny Mercer. Set in Buenos Aires, it's a remake of an Argentine feature from the previous year and followed You'll Never Get Rich. Astaire stars as a professional hoofer and Hayworth is Adolphe Menjou's second oldest daughter. The wealthy businessman won't let his youngest daughters marry until Maria (Hayworth) ties the knot. She couldn't care less--until a case of mistaken identity leads her to believe that Robert (Astaire) is in love with her (he's just looking for a job at her father's club). Highlights include a tap dance set to "Shorty George" and the... More Info about this DVD Actor(s): Fred Astaire - Rita Hayworth Director(s): William A. Seiter DVD Release Date: Released the 25 May 2004 Usually ships in 24 hours
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They don't make the most obvious screen couple--if you squint, you might think Stan Laurel had gotten together with Lauren Bacall--but their differences only serve to make this effervescent musical all the more entertaining. You'll Never Get Rich is the first of two that Fred Astaire and Rita Hayworth made together (followed by You Were Never Lovelier). Astaire, who stars as choreographer-turned-soldier Robert Curtis, has rarely been looser, and Hayworth, as dancer Sheila Winthrop, has rarely been more graceful. As in Royal Wedding, Astaire also engages in some fancy solo footwork. Robert Benchley and Frieda Inescort provide priceless support as Robert's philandering boss and his clever wife, and Cole Porter composed the music, including "So Near and Yet So Far,"... More Info about this DVD Actor(s): Fred Astaire - Rita Hayworth Director(s): Sidney Lanfield DVD Release Date: Released the 21 October 2003 Usually ships in 24 hours
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Fans of classic movie musicals will be in heaven with Astaire & Rogers Collection, Vol. 1, featuring the DVD debut of five films of Fred Astaire and Ginger Rogers, the quintessential dancing duo. The two gems of the set are Top Hat (1935), generally considered their definitive movie, and Swing Time (1936), which many consider their most enjoyable. Follow the Fleet (1936), Shall We Dance (1937), and The Barkleys of Broadway (1949) fill out the set, each with its own charms.
The Band Wagon (1953) marked the culmination of a series of near-autobiographical pictures Fred Astaire made for MGM following his return from premature retirement in the late '40s. Astaire plays Tony Hunter, a fading film star (his big hit: Flying Down to Panama) who decides to return to his former glory, the Broadway stage. (In 1931, Astaire had starred on Broadway with sister Adele in The Band Wagon, a revue that lent some of its songs to this film.) His playwright-songwriter friends (Nanette Fabray and Oscar Levant) hook him up with Broadway's hottest director, Jeffrey Cordova (a nicely hammy Jack Buchanan), who proves that the "new" theater traditions can be an awkward fit with the old. Hunter also finds himself at odds with his prima ballerina leading lady (Cyd... More Info about this DVD Actor(s): Fred Astaire - Cyd Charisse Director(s): Vincente Minnelli DVD Release Date: Released the 15 March 2005 Usually ships in 24 hours
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