I've been avoiding Audie Murphy for years, copping the attitude Howard Cosell had for the Frank Giffords of the world. Cosell devoted a good portion of at least one book attacking "jockocracy," the invasion of the professional broadcasting booth by unqualified ex-jocks. Audie Murphy was a war hero but the bits and clips I've seen of his work always made it look like he was in over his head. Murphy's appearance in a movie meant one unemployed real actor. So I was a little trepidatious when I hit the play button on DUEL AT SILVER CREEK. I hung with it through the slow opening exposition scenes (a pod of claim jumpers are terrorizing silver miners, forcing them to sign over their deeds and then shooting them.) By the time Murphy's pa was kilt and he morphed into the poker playing Silver Kid I was hooked. DUEL AT SILVER CREEK is a fun little flick. Look, this movie made me laugh at things decent folks don't laugh at, but I believe these elements were put in deliberately. This is director Don Siegel's first western and his first Technicolor production. He would go on to work with the likes of Clint Eastwood (Dirty Harry) and John Wayne (The Shootist.) Siegel knew what he was doing. One of the humorous elements, to me at least, was the proliferation of nicknames. Murphy's Luke Cromwell is the "Silver Kid," or just "Kid." Sheriff Stephen McNally is "Lightning," there's a character called "Rat Face." Lee Marvin plays a heavy nicked "Tinhorn." The lovely Faith Domergue (Opal Lacy) is nicked "Brown Eyes" early on by "Lightning." Then there's mondo-heavy Eugene Iglesias, who plays Johnny Sombrero. I honestly couldn't refrain from laughing every time he was on screen. Dressed in red and white striped pants and wearing an impossibly large sombrero pushed back off his head he was a caricature of... something. How can a guy in candy stripe pants and a balloon hat intimidate? Wisely the film-makers don't overload Murphy in this one. Although he's the nominal star, McNally does most of the heavy lifting. Murphy is along more as a wise-cracking (!?) sidekick. My uninformed take on Murphy was that he was a Roy Rogers/Gene Autry type. Squeaky clean, you know. Siegel gives the Silver Kid an edge, and to Murphy credit that edge remains sharp. Still and all it was a bit of a surprise to see Lightning and The Kid interrogating Brown Eyes and hearing The Kid impulsively say "I bet I can get it out of her." Heeheehee. I was half expecting The Kid to call her a punk and ask her if she was feeling lucky. DUEL AT SILVER CREEK is a dandy little horse opera. It will satisfy without offense those who love traditional westerns, and sate those with less conventional tastes.
Overlooked but very good....
I had forgotten just how enjoyable this little Audie Murphy Western was until I recently purchased this handsome Universal DVD release. Murphy in this venture is "the silver kid," and his co-star Stephen McNally actually steals the show. The action is fast-paced and believable, the plot way above average. There are shoot outs, claim jumping, and some humor thrown in--Audie has some droll lines. Universal-International made a number of fine Murphy Westerns in the 1950s into the mid 1960s. DUEL AT SILVER CREEK is one of the better ones. Now let's hope that Murphy's finest outing in the genre, NO NAME ON THE BULLET, and some of his other, better films---RIDE CLEAR OF DIABLO, GUNSMOKE, SEVEN WAYS FROM SUNDOWN, TUMBLEWEEDS, get the nod from the engineers at Universal.
As others reviewers have noted, 1959's "No Name on the Bullet" is far from being a typical Audie Murphy western. Under Jack Arnold's expert direction, the focus here is on suspense and tension, rather than action. When gunman John Gant rides into town, most of the local citizens are justifiably nervous. Gant is a hired killer, and he seldom visits a town just to see the sights. Much of the film revolves around the questions--why is he here ? Who is he after ? Which of the town's citizens will die ? Since Gant isn't the talkative type, the suspense keeps building, not to mention the nervous paranoia of the townfolk.
As Gant, Murphy delivers a chilling performance. You never doubt that, behind that baby face and modest build, is a man not to be crossed ( by all accounts, in real life, as... More Info about this DVD Director(s): Jack Arnold DVD Release Date: Released the 01 June 2004 Usually ships within 24 hours
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Thanks to ultracrisp Technirama photography of great mountainside and river gorge locations in Colorado, Night Passage is often terrific to look at; you can almost feel the autumn sun and brisk air. This should have been another classic Western pairing James Stewart with director Anthony Mann. But after choosing the locations, cast, and crew, and directing the precredit sequence, Mann abruptly resigned. He found Borden Chase's screenplay an "incoherent" rehash of relationships and setups from their previous films, nor was he encouraged by Stewart's determination to play the accordion and sing. Stewart's an ex-railroad cop who became a pariah by letting a prisoner--Audie Murphy's "The Utica Kid"--escape. The two cross paths again in a ghost town where Dan Duryea, doing a zany... More Info about this DVD Actor(s): James Stewart - Audie Murphy Director(s): James Neilson DVD Release Date: Released the 06 May 2003 Usually ships in 24 hours
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The formula of 'bad guy turned good' works quite well. In spite of the charisma of Randolph Scott and Robert Young, I think that Dean Jagger is the leading light in this whilst, Virginia Gilmore adds the female charm. I liked it but then I am a western lover!!! More Info about this DVD Director(s): Ray Enright DVD Release Date: Released the 01 June 2004 Usually ships in 24 hours
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Good western scripts are rare. This one is excellent. The acting is very good. Robert Preston delivers his usual complex baddy performance to excellent effect. The character of "Whispering Smith" is tailormade for Alan Ladd. There is great support from all other members of the cast - which means very good direction. The only disappointment is the ending which is something of a let-down. More Info about this DVD Director(s): Leslie Fenton DVD Release Date: Released the 01 June 2004 Usually ships in 24 hours
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