I'm not going to write a lot leaving that to others.
"The Iceman Cometh" is good writing, good acting and fun.
It questions life in a light way.
It's wonderfully uncertain regarding meanings.
If you haven't seen it, see it.
It's terriffic.
SOLID ACTING; AND ONE REVELATION!
I originally saw this many years ago wondering what Lee Marvin was doing in such a high brow production and was rewarded with a memorable experience and new respect for the actors involved. I was surprised to find Fredric March in this. A movie star from the early days of the sound era, a two tme Oscar winner, I always knew March was a good and well respected actor, and there were two times when he shocked me and I realised HOW good he was: one was the original A STAR IS BORN where his performance surpassed the era it came from, playing more modern amidst the hokum and phony sentimentality that surrounded everything else in the picture, giving the film a lasting relevancy; the other was INHERIT THE WIND, where I was all geared up to watch Spencer Tracy in a great role and wound up picking my jaw off the floor at March in the Brady role. No Academy nomination, no lasting hossanahs, was anybody else aware of what March was doing here? Well his performance here surpasses those two. Amazing how his acting style kept changing, permitting him to give relevant performances for over forty years in quality films. His work here is fully shaded and from an aesthetic viewpoint, a joy to watch. But even his performance is not the outstanding one in the picture. That honor goes to Robert Ryan. ROBERT RYAN??!!??!! Always a solid performer, whether playing the hard-bitten good guy or the hard-bitten bad guy (usually), there is nothing in his canon of work that will prepare you for the magnitude or the depth of his performance here. Who knew there was a giant, and I do mean GIANT, talent lurking in that lean boxer frame. It will make you angry, and sad, that his talent was barely scratched in all those movies. But it is ultimately a blessing that in this, his last film, he was able to get a role that would utilize his full range as an actor. An incredible revelation. Since these AFT productions only played for 2 screenings, they fell under the radar of the Academy Awards' stipulation that a film must play for a week to be eligible for nominations, which is why you won't see any of these AFT productions in the Academy books on excellence. Marvin doesn't hit the mark of these two performances, but he is very good, at times excellent. Tough going, but a rewarding, memorable experience..
Acting tour de force
All the performances in this film are excellent. A fine example of cohesive ensemble playing. Lee Marvin has been described by various critics as being miscast as Hickey. I suppose this is based upon comparisons with Robards. I haven't seen any other versions of this play but I think Marvin's performance is fine. Certainly Ryan and March are brilliant and for these two performances this video is worth owning. For those of you who have seen this version on TV in the past note: this is the 4 hour uncut version rarely seen outside of the original season of 1973. Only O'Neill can sustain drama over such a long time. You Americans should be proud of him he was a genius and this is his masterpiece.
Jason Robards burst onto the Broadway scene in 1956 with his performance in Eugene O'Neill's devastating Iceman Cometh, playing the central role of Hickey, a salesman who comes to a rundown bar on a mission to bring peace to its boozing denizens by lifting their illusions--only to wreak disaster on them and himself. Four years later, director Sidney Lumet (later to direct such classics as Dog Day Afternoon and Network) made this skillful television version of the play, bringing back Robards, along with a sterling collection of character actors (particularly Myron McCormick as a former communist who comes to see his reasonableness as a form of cowardice) and a young Robert Redford (in a strikingly unheroic role). Robards became famous for his roles in many... More Info about this DVD Director(s): Sidney Lumet DVD Release Date: Released the 15 January 2002 Usually ships in 24 hours
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I am delighted to be able to add this to my DVD collection. This production of the play is easily the finest ever put on film or tape, infinitely superior to that rather tired film with Katherine Hepburn and Ralph Richardson. This was taped in the studio after a famed production of the play was a major success at England's National Theatre.
Olivier's James Tyrone is indelible, the only actor I have ever seen to make the character a real living person rather than a hard-hearted tyrant. Olivier's performance is heart breaking, one of the most beautiful and moving performances I've ever seen. His James Tyrone manages to be achingly human and sad at all times, without ever once sugar-coating the character's less admirable qualities. That the same can be said of Constance Cummings as Mary... More Info about this DVD Director(s): Peter Wood DVD Release Date: Released the 14 October 2003 Usually ships within 24 hours
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This 1966 masterpiece by Michelangelo Antonioni (The Passenger) is set in the heady atmosphere of Swinging London, and stars David Hemmings as an unsmiling fashion photographer hooked on ephemeral meaning attached to anything: art, sex, work, relationships, drugs, events. When a real mystery falls into his lap, he probes the evidence for some reliable truth, but finds it hard to reckon with. Vanessa Redgrave plays an enigmatic woman whose desperation to cover something up only seems like one more phenomenon in Hemmings's disinterested purview. This is one of the key films of the decade, and still an unsettling and lasting experience. --Tom KeoghMore Info about this DVD Actor(s): Vanessa Redgrave - David Hemmings Director(s): Michelangelo Antonioni DVD Release Date: Released the 17 February 2004 Usually ships in 24 hours
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With this magnificent Criterion DVD release, Luchino Visconti's 1963 historical drama The Leopard will finally earn widespread recognition as one of the most beautiful epics ever produced. In adapting the popular novel by Giuseppe Tomassi di Lampedusa (an Italian equivalent to Gone with the Wind, set during the tumultuous Garibaldi revolution of 1860-62), Visconti was initially reluctant to cast Burt Lancaster as the melancholy Prince of Salina--the aging aristocrat "leopard" of the title--who accepts change as inevitable during the struggle for a unified Italy. But Lancaster (even with his voice dubbed in the fully restored Italian release) delivered one of his finest performances, modeled after Visconti himself, and reacting to political and familial upheavals with the... More Info about this DVD Actor(s): Burt Lancaster DVD Release Date: Released the 08 June 2004 Usually ships in 24 hours
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