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DVD The Desperate Hours:

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  • Actor(s): Humphrey Bogart - Fredric March - Arthur Kennedy 
  • Director(s): William Wyler 
  • Editor: Paramount Home Video
  • Category: Feature Film-drama
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    List Price: $14.99
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  • DVD The Desperate Hours


    Humphrey Bogart is at his villainous best in William Wyler's taut home-invasion thriller, The Desperate Hours. Sharply adapted by John Hayes from his own fact-based novel and Broadway play, this marked a slight departure for Wyler, whose celebrated versatility is on ready display as Bogart--leading a panicky trio of escaped convicts--seizes control of a suburban family in the (dis)comfort of their own home. The domestic terror (similarly dramatized in the 1954 potboiler Suddenly) escalates as cautious patriarch Frederic March waits for an opportunity to retaliate, while the police (led by Arthur Kennedy) close in for an ambush. Viewers may recognize the home's exterior from TV's Leave It to Beaver, while its interior gives Wyler a sealed chamber for nail-biting advances and setbacks--and Bogey was rarely better at portraying ruthless, unpredictable menace. Poorly remade in 1990, The Desperate Hours remains a potent precursor to the many similar films (like Panic Room) that followed its enduring example. --Jeff Shannon
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    Review(s): DVD The Desperate Hours
    Methodical Drama With Stilted 50's Sensibilities!


    Humphrey Bogart leads a trio of cons who have violently broken out of prison. On the run, they randomly select a suburban house in which to hole up and take hostages. This happens to be the home of Fredric March, and a tense battle of wits and wills ensue. March's dilemma is simple: if the police show up, Bogart will make sure his family dies. But if he doesn't get help, what guarantee does he have that Bogart won't kill them all anyway? Though film adaptations of plays are often awkwardly bound to one set, The Desperate Hours works despite minimal opening up, as the house becomes a claustrophobic prison for both characters and audience. Bogart and March are believably well-matched antagonists, each one perfectly embodying everything the other man despises about the American experience. Terrific stuff.

    Mono sound, but you really won't miss the stereo. For one thing, the risks involved with stereo remixes often outweigh potential benefits. For another, after the opening credits, there is no music score. This is a film much more about the crackling dialogue and tension between the characters, and no surround is needed. The film's original ratio is 1.85:1 (VistaVision). What we have here looks to me like the 1.78:1 cheat that is becoming all too frequent. That aside, the video transfer is gorgeous.

    Special features: none whatsoever. Not even a trailer.

    The total lack of extras is, of course, disappointing. That should not discourage you from tracking down the film, however, which remains a sterling exercise in suspense.

    A Popular Broadway Play Made into a Movie


    In an attempt to rank all of Bogart's popular movies, I have viewed most of Bogart's films and put together two Listmania lists that are posted on Amazon.com. The rankings are based on his overall acting contribution, the entertainment value of the movie, the other actors, plot, etc. I ranked this movie #20 out of 50 Bogart films. One can argue if it is 4 or 5 stars and I suspect is probably deserves 4 stars. Some might rank it higher, but it is not a top 10 Bogart movie in my opinion, but closer to the average.

    This is a 1954 film made late in Bogart's career with Fredric March playing opposite Bogart - he made just one more before his death. When first conceived as a movie by the producer, it was to be with co-star Spencer Tray but differences over first billing could not be resolved - according to Bogart's biographer Meyers. The movie is based on a novel by Joseph Hayes and a successful Broadway production starring Paul Newman and Karl Malden, here Bogart playing the Newman role. According to the critics of the time, the movie did not live up to the quality and drama of the play. The original stage play takes place only in the home of a family held hostage in a semi-claustrophobic and pressure cooker environment set in suburban Indianapolis. The movie version spills out of this confined setting with street scenes, rural scenes, etc. and that extension of the movie outside the home is perhaps the weakness of the movie. The movie is in black and white in an era of color - and marketed as a return to classic Bogart movies of the 1930s and early 1940s. But the movie lacks certain ingredients and does not quite capture the old Warner Brothers film noire ambiance, while perhaps losing the intense drama of the stage play.

    In the story, Bogart is the brains among three escaped convicts who invade the home of an executive and his wife who have a good looking twenty year old daughter and a young son. There is a certain element of drama since one of the convicts - not Bogart - is unpredictable, while the third convict lusts after the daughter.

    The movie is entertaining and it is interesting, but overall it lacks a certain level of movie magic and attraction compared to some of Bogart's other works, so I would rate it just average. There is some drama but no intense acting scenes with Bogart. The plot contains a level of predictability and has some elements of the plot similar The Petrified Forest, a 1935 movie of roughly equal quality but starring Bette Davis and Leslie Howard, and where Bogart holds another group hostage. Similarly there is an element from the Bogart-Bacall film to Have and Have Not, where he shoots out the light to escape.

    This is a good Bogart effort, but just slightly better than average among his 50 movies. I saw the movie first as a rental from a small video store that had a good inventory of 1930s and 1940s Bogart movies. After viewing about 30 or 40 of his movies, I was not excited enough to buy the movie, although I ended up buying about a dozen Bogart DVDs on Amazon.com, some at stores, plus the Bogart biography by Jeffrey Meyers: Bogart. The Meyers biography makes an excellent Bogart movie guide if you are interested in more details on the movies and his life.

    Great movie, great price, weak audio sound


    Overall, the movie is very enjoyable and has typical Bogie characteristics; picture is very sharp but audio could have been better. Audio was very clear provided you dramatically increase the volume on the TV. Recommended for all Bogart fans!


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