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DVD Rhapsody in August
The final film released in the U.S. by Japanese master Akira Kurosawa looks at the atomic blast at Nagasaki from a distance of more than 40 years, through the eyes of a woman who survived it--and the grandchildren who are spending the summer with her. Though she tries not to think about it, the memory of the bombing is with her every day, in the family she lost and the scars she still carries. But the grandchildren insist on seeing the memorial, which brings it home to her once again--and to us. Though sometimes slow going (and what is Richard Gere doing in this movie, as her Amer-Asian nephew?), Rhapsody in August is a story about family and about living in the present while never being allowed to forget the past. --Marshall Fine
Kurosawa's Majesty on a Low Flame in Minor League Anti-War Film
The best of intentions certainly infuse Akira Kurosawa's penultimate film released in 1991, but unfortunately it really doesn't move me despite the worthy subject of dealing with the years-later aftermath of the atomic bomb dropped in Japan. Much of the problem is the glacial pacing and the stilted emphasis on the children's perspective which prevents the film from gaining any subtlety or emotional resonance. Set forty-five years after the end of WWII, the plot centers on four Japanese children who visit their grandmother Kane in Nagasaki for the summer. As the anniversary of the atomic attack draws near, they learn about the bomb's deadly legacy. Their grandfather died in the blast, and as we learn, Kane has never really resolved her quiet resentment. Every August, she pays tribute to her dead husband at a religious shrine. Unfortunately, Kurosawa paints the children in such broad, sitcom-level strokes that make it nearly impossible to empathize with their inquisitive concern about their grandmother.
On the other hand, 86-year old Sachiko Murase is exquisite as the wizened Kane as she exhibits the inner conflict within her character when she realizes she may have to face the prospect of meeting Japanese-American relatives in Hawaii, including an older brother she cannot recall knowing among ten siblings. The brother, who has become a naturalized American citizen and married a Caucasian, is ailing and wants to see Kane before he dies. Desperate to visit Hawaii, one of the children writes a letter to the brother, which prompts the brother's son to visit to apologize for the bombing. The weight of a national conscience seems overemphasized here, especially as embodied by Richard Gere in an extended cameo as the brother's half-Japanese son, Clark. Gere's appearance, despite his good intentions in light of his pacifist position, is distracting to say the least, especially since he does not look the least bit Japanese. While his accent is decent enough, his cadence when speaking is halting to the point of sounding rather Berlitz-trained. It's actually not a bad performance but certainly not a necessary one given the number of Japanese-American actors who could have played the part with greater ease.
The film ends on a rather surreal note as Kane fights a rainstorm that has clouds that remind her of the bomb's immediate aftermath. This sequence is fraught with symbolism but seems emotionally vague as it goes on endlessly. There are random moments when the Kurosawa touch is evident, for example the composed shots of the old women in prayer or the use of a gnarled jungle gym as a symbol of the bomb (and perhaps as a tribute to the playground built in his classic film, "Ikiru"). He also effectively uses Vivaldi's "Stabat Mater" as background music during key scenes. At the same time, as a Japanese-American, I was hoping that Kurosawa would have delved into the complexities of the decisions behind the atomic bomb and how the Japanese have attempted to reconcile the act with their own culpability during the war. Instead, the movie becomes a highly simplified anti-war polemic under the guise of a family film.
Most beautiful film
In Akira Kurosawa's masterpiece, a group of young people, through the guidance of their aging grandmother, discover what it means to grow up during the bombing of Nagasaki. The link to their past appears in the form of the AmerAsian cousin, who solemnly joins them at the memorial but then must return to Hawaii for the death of his father. As the elders age and near death, it is the children who witness life through new eyes, whose vision is tempered by the wisdom of their elders who have seen the unspeakable and yet live long enough to transmit the knowledge and the reverence for life in the face of man's destructive folly that is war.
Akira Kurosawa vs. Richard Gere
What happens when a truly great film-maker meets a truly bad actor? In this case, it is still watchable, but not nearly as good as it could have been.
Gere's performance is wooden and lifeless. The Japanese actors manage to convey more emotions and more feeling despite speaking entirely in Japanese.
It's still a good movie, and if you're a big fan of Kurosawa you will definitely want this movie, but Gere definitely hurts it.
Akira Kurosawa was 83 years old when he made this, his serenely glorious final film. Kurosawa's eyesight was failing, so Madadayo would be the master's farewell to filmmaking, and one can hardly imagine a more lovely and loving way to end one of the greatest careers in motion picture history. Based on the literary works of Japanese author Hyakken Uchida, the film presents Uchida as its central character (named only "The Professor"), and begins in war-torn Tokyo with the sensei's retirement from teaching in 1943. He is considered "solid gold" by his legacy of former students, who support their beloved teacher as he focuses on writing and throw annual birthday parties in his honor. Each year they ask "Maadha kai?" ("Are you ready?"), to which the aging professor responds,... More Info about this DVD Director(s): Ishirô Honda - Akira Kurosawa DVD Release Date: Released the 13 March 2001 Usually ships in 24 hours
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Produced with assistance from George Lucas and Steven Spielberg, Dreams is an omnibus of eight short stories and parables that spell enchantment at every turn. The opening story, "Sun Under the Rain," emerges from director Akira Kurosawa's personal memories, as a child (whose house is modeled after Kurosawa's childhood home in Koishikawa) witnesses a fox's wedding ceremony in a magical forest. The Garden of Eden motif continues in "The Peach Orchard," while Lucas's ILM special effects group shines in the glorious "Crows" segment, in which an art admirer finds himself living within the paintings of Van Gogh (played with concentrated energy by Kurosawa enthusiast Martin Scorsese). In the idyllic closing fable, "The Village of the Watermills," a centenarian claims that "people... More Info about this DVD Actor(s): Akira Terao - Mitsuko Baisho Director(s): Ishirô Honda - Akira Kurosawa DVD Release Date: Released the 18 March 2003 Usually ships in 24 hours
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During an unusual chapter in the career of director Akira Kurosawa (Rashomon), the filmmaker went to Russia because he found working in his native Japan to be too difficult. The result was this striking 1975 near-epic based on the turn-of-the-century autobiographical novels of a military explorer (Yuri Solomin) who met and befriended a Goldi man in Russia's unmapped forests. Kurosawa traces the evolution of a deep and abiding bond between the two men, one civilized in the usual sense, the other at home in the sub-zero Siberian woods. There's no question that Dersu Uzala (the film is named for the Goldi character, played by Maxim Munzuk) has the muscular, imaginative look of a large-canvas Soviet Mosfilm from the 1970s. But in its energy and insight it is absolutely Kurosawa,... More Info about this DVD Actor(s): Maksim Munzuk - Yuri Solomin Director(s): Akira Kurosawa DVD Release Date: Released the 17 October 2000 Usually ships in 24 hours
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Made in 1970, this film was nominated for an Academy Award for Best Foreign Film in 1972. This is Kurosawa's first color film, and there seems to be an almost psychedelic overlay to his production palette. The story revolves around a collection of characters held together only by the frayed thread of poverty. Rokkuchan (Yoshitaka Zushi), a teenager with the mind of a boy, is obsessed with trolley cars. He draws them from every angle in vivid colors. His despondent mother (Kin Sugai) hangs them lovingly on the walls and windows of their simple home.
Every morning Rokkuchan goes out to his imaginary trolley car and makes his way through the surrounding slums. His neighbors include a humble man with a terrible limp and an unforgiving wife, two couples who color-coordinate their... More Info about this DVD Director(s): Akira Kurosawa DVD Release Date: Released the 02 December 2003 Special Order
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It amazes me how contempory Kurosawa's movies are. The plot and characters in this film are as believable today as they were forty years ago. Boy, does this film run hot and cold! One moment is chillingly serious and the next is incredibly funny. The best scene in the movie is when Mifune takes the "dead" official to his own funeral. Mifune's whistle is wonderfully diabolical! Mori cooking dinner is a riot! There is a very funny moment when Mifune plants the five million yen in the unsuspecting officials briefcase. As with most Kurosawa films this one hasn't a wasted moment. The acting is superb and the script is so well written that what could have been a very confusing story is clear as a bell. The moral of this movie.....Be careful what you ask for you might get it! More Info about this DVD Director(s): Akira Kurosawa DVD Release Date: Released the 02 December 2003 Special Order
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