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DVD Search:
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DVD Daughters of Darkness:

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  • Actor(s): Delphine Seyrig 
  • Director(s): Harry Kümel 
  • Editor: Blue Underground
  • Category: Horror
  • Availability: Usually ships within 24 hours

    List Price: $19.95
    Our Price: $17.96  YOU SAVE $1.99!   Buy it





  • DVD Daughters of Darkness


    Art-movie goddess Delphine Seyrig (Last Year at Marienbad) slinks through the plush Eurotrash settings as the deathless Elizabeth Bathory, Vampire Countess, in Harry Kümel's minor Dutch classic of lesbian erotic-gothic. Blood mingles with water during the languorous shower scenes. Set at an upper-crust seaside resort, the 1971 film recounts Bathory's plot to replace her current consort (Andrea Rau) with a fresher specimen, an abused newlywed whose brutal young husband is an inconvenience waiting to be eliminated. Although both the bi-sex and the neck-biting violence are tame by today's standards, the film has a graceful, gliding sense of pace that gets under your skin; something unspeakably kinky always seems to be just about to happen. It never quite does, but the mood lingers. See it with someone you love--or would like to. --David Chute
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    Review(s): DVD Daughters of Darkness
    Classic


    I'm delighted this will be available on DVD. I watched it on VHS a long, long time ago. I'd heard about it in various books on vampire films and haunted every video store I could find to locate a viewing copy. When I finally found it, I watched it with the enthrallment of the very young with the object of an obsession. Based loosely on the story of Elisabet Bathory, this "contempory" tale is of a young newly wed couple who are seduced by a mysterious woman whose interest in them is predatory.

    Compared to current movie fare, this is extremely tame with it's allusions to S&M and chic debauchery, but the european elegance of the film will satisfy the die hard vampire film fan who enjoys the older movies that defined the genre in the late 60s and into the 70s. Not as openly sexual as the lush offerings of a Hammer film, it has it's own more subtle erotic charm.

    A Guilty Pleasure


    Let's face it: "Daughters of Darkness" is, at most, a guilty pleasure. Despite the cheesy music, overly dramatic dialogue, and uneven acting, this film is totally watchable. Delphine Seyrig is suitably seductive and enigmatic as the world-weary Countess Elisabeth Batori who in her search for blood and eternal life pounces upon a young couple in the Belgian coastal town of Ostend. Andrea Rau plays the countess's slave (and lover). John Karlen of "Dark Shadows" fame plays the husband who tries to save his wife from Batori's clutches.

    Notorious when it was released theatrically in 1971 for its brief explicitness, this unexpurgated version is pure escapist Eurotrash and wonderfully watchable! It should appeal to both fans of camp classics as well as vampire movie buffs.

    A Bewitching Vampire Tale...


    Stefan, a British aristocrat with sadistic tendencies, and the beautiful Valerie, a simple girl, have eloped and are on their way home to break the news to Stefan's mother. However, Stefan is hesitant to bring his wife to see his mother as he delays the trip back to England on purpose by making up stories. The newlyweds decide to stay in an extravagant hotel on the seaside while Stefan attempts to buy some time. Stefan and Valerie are the only guests at the hotel besides the flamboyant Countess Bathory and her seductive secretary since it is off-season. During the stay the Countess Bathory has taken a liking to the couple and begins to seduce them both as she begins setting her wicked plan into action.

    Daughters of Darkness is a vampire tale with a malevolently chilly and sexually tense atmosphere that haunts the mind with its subtle approach as Kümel avoids the popular approach of vampires. The vampires do not sleep in coffins nor attack the necks of their victims with sharpened elongated teeth. Instead Kümel disguises the threat of evil behind courteous behavior, alluring charm, and vivid gesticulations that become passionately seductive for the characters in the film. In addition, the mise-en-scene is strongly suggestive and vibrant colors are used in order to enhance the bewitching atmosphere that is viewed by the audience. This leaves the viewer with an uneasy, but artistic cinematic experience that selective audiences will appreciate.


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