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DVD Under Capricorn:

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  • Actor(s): Ingrid Bergman - Joseph Cotten - Michael Wilding 
  • Director(s): Alfred Hitchcock 
  • Editor: Image Entertainment
  • Category: Mystery / Suspense
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    List Price: $19.99
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  • DVD Under Capricorn


    With the long-take experiment of Rope still fresh in his mind, Alfred Hitchcock turned his attention to romantic melodrama: Under Capricorn, a novel of 1830s Australia. Having little of the usual suspense to rely on, Hitchcock used the elegant long-take method to draw out Ingrid Bergman's harrowing performance. As a fallen aristocrat who married a former stable boy (Joseph Cotten) and moved Down Under, Bergman gives a fine portrayal of a woman hemmed in by a sour marriage and a guilty secret. The actress also felt hemmed in by Hitch's elaborate camera movements; she hated them. This expensive picture flopped on its first release, but it has a hypnotic flow despite a tendency toward talkiness. Hitchcock fans will recognize, beyond the details of plot, a couple of the director's key motifs: the jaundiced view of marriage, and the anxieties underlying social status. And, of course, the worship of an actress. --Robert Horton
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    Review(s): DVD Under Capricorn
    Period films not Hitchcock at his best


    This is, as far as I know, the only period film Hitchcock ever made. Being very familiar with most of his movies for many years I was excited to finally see another one from a high point in his career that I had never seen. I think it's interesting that he tried something new and different, for him, but it doesn't completely work. It's always a pleasure, though, to watch Ingrid Bergman in anything, and Joseph Cotten for that matter. And this isn't horrible, just definitely a failed attempt. I think "Saboteur" is another failed attempt by Hitchcock and this isn't even as good as "Saboteur". Still, all things considered, die hard Hitchcock fans should see it - to me it's interesting to watch anything he attempted.

    yak yak yak


    Hitchcock did this film as a favor to Bergman. A boring costume picture, the only saving grace is Joseph Cotton. Anything with Cotton in it is worth watching just for his unequaled screen presence. The 'loser' sort of wins in the end, giving Cotton a rare, cheery ending. To be fair, the acting in this film is really good, as is the cinematography. But the story, pacing, and overall energy of the film falls flat. "Under Capricorn" would be the next to last picture I'd ever recommend to anyone unfamiliar with Hitchcock ("Jamaica Inn" still the lamest of the bunch).

    Solid, But Flawed


    A Hitchcock film that I'd never seen. Many of them I've viewed a dozen or more times so I'm no stranger or newcomer to his films. DVD transfer is quite good and the color very saturated. It certainly held my attention and has some wonderful performances. Standouts are Bergman and Leighton as the strange housekeeper, ala Mrs. Danvers. I thought Joseph Cotton and Michael Wilding were very good, too.

    Next is the camerawork that is astonishing at times. Considering this was made decades before the Stedicam, this film is remarkable for the dolly and tracking shots. Amusing and at times beautiful are the process shots of early Sydney in the opening sequence. Either glass paintings or mattes were used but the shot when Adare first arrives at the Flusky mansion was clearly a painting that must've been laughable when seen projected on the big screen. The matching of color and mood of the painting during the transition to the set was done very well. A later shot of that same painting of the mansion with some fluttering leaves on the trees in the foreground make it much more believable. Previous reviewers here remark on the budget and cheapness of Hitchcock on this film since it was an independent production and it shows clearly at times. Bergman is stunning in many of the scenes. Hitch was clearly smitten with her during the production.

    It's quite set-bound with very few real exterior shots that I could find which gives it a very theatrical look. An artificiality that can be found in many of his films right up until the last ones. Overall, well worth seeing.


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