DVD Q - The Winged Serpent
OK, who's Q, anyway? "Q" is short for Quetzacoatl, an enormous winged serpent and Aztec deity who's called back to life after a series of ritual human sacrifices in Manhattan. It takes a lot to keep a critter like Q satisfied, so he flies around and lops the heads off sunbathers, window washers and swimmers as handily as popping grapes off the vine. The police are confounded by the murders, decapitated bodies (blood rains from the skies on NYC denizens) and Q-sightings. The solution comes in the unlikely form of Jimmy (Michael Moriarty), a petty thief. After a heist goes bad, he hides from his cronies in the uppermost spires of the Chrysler Building and stumbles on the giant bird's nest and egg. He leads the NYPD up to the lair for a big showdown with Q, but it's not quite as easy as anybody thought, of course. Director/screenwriter Larry Cohen was one of the more inventive, original voices of Seventies B-movies, with credits that include God Told Me To, Black Caesar, It's Alive!, Hell Up in Harlem and The Stuff. With Q, Cohen put together an interesting, entertaining mix of Fifties sci-fi homage (complete with great stop-motion special effects for the terrifying beast), action movie, and crime drama. It also touches on the metaphysical question of how exactly one goes about killing off a god. It'd be difficult to think of a more compelling performance from Moriarty; as the piano-playing, scat-singing small-time crook Jimmy, he's repellent and sleazy. However, he's struck on something that will give him 15 minutes to bask in the spotlight ("I'm the most important man in New York!", he gloats) and give him a chance to redeem himself and save thousands of lives. Moriarty brings a depth to the character that makes him absorbing, if not quite sympathetic, and gets to come across with the choice line, "Stick it up your
brain! Your small little brain!". With plenty of humor, suspense, a gallon or two of gore, and great performances from Moriarty and David Carradine and Richard Roundtree as his cop nemeses, this is great, original, entertaining sci-fi fare. --Jerry Renshaw |
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Review(s): DVD Q - The Winged Serpent |  |
| Q: Gets Better with Each Viewing |
By the end of the 1950s, the Big Monster genre had died out. Instead, Hollywood switched to slasher flicks and one on one mutant creatures. It took some creative courage for director Larry Cohen to attempt to revive it with his surprisingly effective tale of a reincarnated Aztec flying serpent. In Q, Michael Moriarity proves his resiliency that would later come in handy in IT'S ALIVE in his role as Jimmy Quinn, a jazz-playing small-time hood who steals diamonds when not busy pounding piano keys. By luck, he stumbles on the brood nest of a huge flying serpent that is somehow connected to a series of ritualistic killings in which a modern Aztec shaman deskins his willing victims. This is the weak part of the film since it is not clear how the killings by the shaman relate to the killings by the serpent. The police, led by David Carradine and Richard Roundtree, at first disbelieve, then later actively seek the creature in a climactic battle atop the Chrysler Building.Q harkens back to the glory years when both Hollywood and Tokyo regularly released films that featured the squashing flat of cities populated by panic-stricken residents who seem unable to dodge mountains of building rubble falling on their heads. What Director Cohen has done is to create a believable monster that JAWS-like, permits the audience to see the victims from the creature's own perspective. Further, the creepy over the top acting of Moriarity is perfect as the hood who has suffered from a life-long lack of respect, and in his opportunity to get the credit for bagging Q, now is sure that his ship has come in. He grins, rolls in eyes, bewails his fate, but beneath his antics, one can clearly see the hurt that has accumulated over the years. When a detective asks him if he feels any pity for a victim who might have been saved had Quinn acted sooner to reveal Q's whereabouts, he replies, 'I have pity for the next victim and the one after that.' Such honesty is refreshing in both movies and life itself. This honesty, coupled with the fun and zest of the cast and crew, is what makes Q a special treat to savor when a later generation of Jasons and Freddies bore, rather than scare, audiences to death.
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| It's name is Quetzalcoatl... |
Q is a fun, low budget thriller from B-movie auteur Larry Cohen. The premise is that an ancient Mexican God Quetzalcoatl has taken the form of a giant flying serpent and is living somewhere in New York, feasting on unsuspecting residents. Sunbathers, window washers, high-rise construction workers are all fair game for this gigantic beast.Michael Moriarity stars as Jimmy Quinn, an out of work piano man/small time criminal. It's so weird seeing him in a role like this, as I am used to seeing him on the TV show Law & Order as an ADA. In this movie, his character stumbles on the secret location of the beast's nest, and he tries to use that information to get money and the respect he thinks he deserves. While a criminal, I did feel a certain amount of sympathy for this character in the beginning, which evaporated rather slowly as the intoxication of power sets in, along with its' illusions. In the beginning, he was just some poor schlub who couldn't catch a break, but later on his true nature appeared. I read a quote once, I am not sure by who, that said something like 'to really see what's in a man's heart, give him some power'. David Carradine plays a detective who's trying to solve a series of gruesome murders, and his investigation leads him into uncharted territories of the unknown. The deeper he gets, the more he butts heads with his supervisors, who would rather see things cleared up neatly and without any superstitious mumbo jumbo. Also look for Richard Roundtree, as Sergeant Powell, a cop wound a little too tight whose beliefs are based on what he can see and touch. The actual creature does not get much screen time, but its' presence is noticeable throughout the movie. I really enjoyed the storyline with Quinn, his tenuous relationship with his girlfriend (Candy Clark), and the manner in which he tries to use the vital information. Here's a small time schnook, never had a break in his life, literally trips over something, sees nothing but the value to himself, and tries to get everything but ends up with nothing. Here is another fine example of a filmmaker making a lot out of very little. The horror aspects of the movie are present, and the special effects are used sparingly, but the characters drive the story. Another example of this is the original Jaws movie. I suppose the special effects were kept to a minimum due to budgetary limitations, but it helped, rather than hindered, the movie. This movie also has a raw, gritty feel to it, in the sets, use of locations, dialogue, giving us an almost documentarian feel. The movie is presented in a wide screen format, with good audio. A number of special features include commentary by the filmmaker, biographies, trailers, and promotional materials. All in all, not a bad way to spend 93 minutes.
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I remember seeing this film when I was 7 or 8 years old and it scared me senseless. Seeing people getting their heads chopped off and mutalated from who knows what that flies around a big city gave me an uneasy eerie feeling. I didn't know what the name of this movie was and I was looking for it in the video stores. I stumbled onto this accidentally and taking my chances of this being the dragon in the sky killing people movie that I saw 20 years ago, I bought it. After seeing it again, this is the movie that scared me to death so many years ago. Though, by today's standards, this movie is rather cheap and cheesy, it still gave me that uneasy eerie feeling. This movie is original, having a flying dragon that is summoned by ritual killings, that eats people like birds eat worms. This movie is a hybrid of Godzilla and slasher flicks. This is definately B-movie material, but it's fun to watch and brings back some childhood memories... and that is worth more than the price of admission.
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