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DVD Limelight (2 Disc Special Edition):

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  • Actor(s): Charles Chaplin - Claire Bloom 
  • Director(s): Charles Chaplin 
  • Editor: Warner Home Video
  • Category: Feature Film-comedy
  • Availability: Usually ships within 24 hours

    List Price: $29.95
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  • DVD Limelight (2 Disc Special Edition)


    Certainly, Charlie Chaplin at this point in his career (1952) had earned the right to reflect on his years as an entertainer, and could make his film as overlong and soppy and sentimental as he darn well pleased. But that doesn't mean the rest of us have to abet this kind of melodramatic indulgence. Chaplin stars as Calvero, a fading clown who helps a paralyzed dancer regain the use of her legs and achieve great fame, but of course at grave cost to Calvero. The film is famous for featuring the only onscreen teaming of Chaplin with the other legendary comic of the silent era, Buster Keaton, and is equally infamous for Chaplin having allegedly cut out most of Keaton's best bits in their sequence together. How much Chaplin sabotaged his own movie to keep Keaton from shining has been much debated, but consider: In Keaton's autobiography, he calls Chaplin the greatest screen comic of all time. In Chaplin's autobiography, he never mentions Keaton. --David Kronke
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    Review(s): DVD Limelight (2 Disc Special Edition)
    Limelight - a clown's perspective


    A truly wonderful film; it swiftly became one of my favorites. In a nutshell, it's the story of a once-great stage comedian (Calvero, a formerly great tramp clown, played by Charlie Chaplin), who's been failing in his career, and has become an alcholic, who saves the life of a despondent ballerina (played by Claire Bloom) from a suicide attempt. The film is a juxtaposition of these two personalities, one who rallies & goes onward, the other who falls further. It contains some of Chaplin's funniest & finest moments, include a nice pantomime of a flea circus, and a duet towards the end of the film with Buster Keaton. Interestingly, neither comic legend played their most famous characters; Chaplin wasn't the tramp, but rather another tramp comedian, a manic violinist. Keaton wasn't his well-known stone face, but rather a near-sighted pianist. Some have suggested that Chaplin jealously cut Keaton's time on screen, but as Jerry Epstein (Chaplin's assistant on this film, and the other person besides Chaplin in the editing room) noted, Chaplin cut far more of his own moments from the scene. When asked why, Chaplin replied to the effect, that no matter how funny something was, if it didn't move the scene forward, it had to go. Something that modern clowns (and film makers) would do well to take to heart. A bittersweet film, that runs perhaps slightly longer than it should, but I frankly think it's "just right." I recommend it very highly, either for fellow clowns to learn from, or for fellow human beings to enjoy.

    I was. . .


    Is how Chaplin's character answers Terry (Claire Bloom) when she incredulously asks " You are the great Calvero? "

    This is the story of passing the limelight from old to young. In this case a world weary has-been clown beaten down by life (" I think I'm dying, but then I'm not sure, I've died so many times before ") and a young ballerina whom he rescues from committing suicide (" What's your hurry? "). She gets thrown out of her apartment for the attempt and ends up convalescing in the flat above, where her neighbor, the once great Calvero spends his days in drink.

    It's a wonderfully told tale, though it must be admitted it's as sentimental as the Sermon on the Mount and as corny as a Chopin nocturne. Furthermore Chaplin indulges himself with dialogue that matches the ending speech of the barber in The Great Dictator.

    I hope you can forgive him these faults and enjoy the movie. This one's a love letter to all artists by the man Lawrence Olivier once called the greatest actor of the twentieth century. Chaplin's last will and testament.

    As the Years Passed By....


    l saw this movie when it first came out and was totally entranced. l laughed, l cried, l wondered, l was in awe. And l saw it at least 3 more times over the course of the same year (either 1952 or 1953). lt became one of my most favorite films.

    And the years went by, and lo! in the mid-'80's it was scheduled to appear uninterrupted on one of the Cable channels and l joyfully told friends not to miss it because of its greatness and l had a small party, a gathering of selected friends to watch the movie with me. l was a veritable Press Agent for the film in my neighborhood.

    And the film started...and the friends at my house left around 3/4 of the way through the movie, the others asked me (the next day +) if l was kidding them....in summary, the movie just didn't stand up to today's standards. The sets were cheesy, the acting often overdone, the emoting embarrassing and l and all of my friends were disappointed big-time...yet another "old-time" movie that didn't stand up to the test of time.

    But it's Chaplin and should be at least rented and seen. l myself just can't add it to my DVD collection.


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