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DVD Modern Times (2 Disc Special Edition):

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  • Actor(s): Charles Chaplin - Paulette Goddard - Henry Bergman 
  • Director(s): Charles Chaplin 
  • Editor: Warner Home Video
  • Category: Feature Film-comedy
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    List Price: $29.95
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  • DVD Modern Times (2 Disc Special Edition)


    Charlie Chaplin is in glorious form in this legendary satire of the mechanized world. As a factory worker driven bonkers by the soulless momentum of work, Chaplin executes a series of slapstick routines around machines, including a memorable encounter with an automatic feeding apparatus. The pantomime is triumphant, but Chaplin also draws a lively relationship between the Tramp and a street gamine. She's played by Paulette Goddard, then Chaplin's wife and probably his best leading lady (here and in The Great Dictator). The film's theme gave the increasingly ambitious writer-director a chance to speak out about social issues, as well as indulging in the bittersweet quality of pathos that critics were already calling "Chaplinesque." In 1936, Chaplin was still holding out against spoken dialogue in films, but he did use a synchronized soundtrack of sound effects and his own music, a score that includes one of his most famous melodies, "Smile." And late in the film, Chaplin actually does speak--albeit in a garbled gibberish song, a rebuke to modern times in talking pictures. --Robert Horton
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    Review(s): DVD Modern Times (2 Disc Special Edition)
    Wonderful Wonderful Wonderful


    A brilliant movie. Painstakingly made. Wonderful humor, stunts, pathos and social commentary. The tramp is an intrepid little bum as he stumbles from job to jail and jail to job. He subverts and mocks authority and technology just by being an innocent clumsy fool. A great companion piece to the other Chaplin masterpieces, The Gold Rush and City Lights.

    Awful, awful, awful


    Almost everyone who has reviewed this film gave it 5 stars, and the lowest it got from anyone was 4. Well, too bad.

    This is a dreadful film.

    I laughed about 4 times during the whole thing. A lot of predictable, obvious, unclever slapstick, and awful lot of it really contrived or just stupid (I longed for death during the interminable scene where he goes round and round the dance floor carrying the tray).

    But the worst part of all was the "social commentary" aspect. This film is pure luditism. In a nutshell, Chaplin couldn't handle the fact that technology-- talkies-- was displacing him and his silent movie approach, and so he railed against all technology. NINE YEARS after talkies came in, he's still stubbornly clinging to silents; apparently these "talking pictures" are just a fad. It's the most pathetic of crusades.

    Oh, and it's not hard to see why people thought Chaplin was a communist. The character of the owner of the steel mill might as well have lept off the pages of Marx himself, he's such a grotesque caricature of a capitalist, sitting around doing jigsaw puzzles, reading comics, and yelling at the proletariat to work faster.

    Happily, for the most part, the movie doesn't maintain this virulently anti-capitalistic tone. But its attempt to capture the pathos of the depression is itself pathetic. When the factory reopens, Chaplin exclaims "Work at last!"-- but the reality is that he's already had THREE jobs during the movie, and he lost ALL of them through his own incompentence, not because of the depression. The great moral stance that this movie takes is that it glorifies bunglers and thieves.

    Let it not be said, though, that I found nothing good in the film. Chaplin's stunt work (I assume that was actually him) in the blindfolded rollerskating scene is mindbogglingly good. Truely remarkable. I'd gladly trade the whole rest of the film for just that scene.

    Modern Times


    More a silent film with sound than a sound film-- and replete with Chaplins signature visual gags and set pieces-- this title works as initial exposure to Chaplin for kids, with Goddard an adorable foil.


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