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DVD Search:
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DVD The Hospital:

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  • Actor(s): George C. Scott - Diana Rigg 
  • Director(s): Arthur Hiller 
  • Editor: Metro-Goldwyn-Mayer
  • Category: Feature Film-drama
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  • DVD The Hospital


    Paddy Chayefsky (Marty) wrote the script for this 1971 film that mixes--in Chayefsky tradition--absurdist satire with a touching, almost wistful love story. George C. Scott plays a cynical doctor battling bureaucratic superstructures on the one hand and hippie-dippy flakiness among some patients on the other. When he falls for an eccentric young woman (Diana Rigg) with an alternative view on everything, the road to liberation from burdensome responsibilities seems to open before him. Director Arthur Hiller (Love Story) doesn't do much more than bring the screenplay to life, though he does create a persuasive sense of urban chaos in the setting. Scott gives a good, thoughtful performance. --Tom Keogh
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    Review(s): DVD The Hospital
    Quack,Quack!


    "The Hospital" as well-crafted as it is is a wholly unpleasant viewing experience. It is not so much a dark comedy but a mean-spirited one. I was a fan of Paddy Chayefsky's "Network" and at least that film had a little bit of light to compensate for the darkness. I'm led to believe that Chayefsky must have had a bad experience with the medical profession and this resulted in him skewering it as a whole. If George C.Scott's character is supposed to be the voice of reason why is it that when he's not brooding, drinking, or contemplating suicide he's off on some rant? Diana Rigg is completely wasted in this film. Her whole purpose here seems to be to sport a short mini-skirt and be ravaged by Scott's character. The film is also not helped by the lead-footed direction of Arthur Hiller. The medical profession can be lampooned but don't look for it in this uneven tirade of a film.

    Important Film -- bad DVD


    This is a must-see for 1970s film buffs in particular. Consider it a kind of companion piece to "Network," another Paddy Chayefsky-scripted masterwork that deals with similar themes.

    In both, a madman claiming to be on a mission from God takes it upon himself to "cleanse" a corrupted society. Meanwhile, our hero -- a cynical middle-aged man (here played by the amazing George C. Scott) -- struggles to find a purpose in the world as the relationships and institutions he's spent a lifetime building crumble around him.

    "The Hospital" works best when it's in black comedy mode. A series of horrible and hilarious hospital mishaps form the backbone of the plot, and rise, by the end of the film, to a crazy crescendo.

    For a long spot in the middle, though, Chayefsky and director Arthur Hiller focus on the Scott character's cynical rage, mostly in the form of several long monologues. Brilliant, eloquent writing, yes, but at some point it gets repetitive and, to my mind, indulgent.

    Even those spots are worth viewing for Scott's mesmerizing performance though. And as he did with "Network," Chayefsky has created, here, a visionary piece of social commentary. Despite all mankind's medical breakthroughs, Scott screams at one point, "We're sicker than ever!" Given the current health care crisis, "The Hospital" is nothing short of prophetic.

    That said, I have to agree with the reviewer, above, that this important film could have been better presented on DVD. The framing is indeed awful -- in one early scene, the characters' heads disappear entirely offscreen. Squeezing the film into wide-screen format also results in the actors appearing "stretched" and elongated. C'mon, MGM. You can do better than this.


    You'll be in stitches!


    It's a [more vulnerable] Patton in a white coat, running a hospital, and it's all great fun, with a good story from an Oscar-winning script. You have to love it when Scott dresses down a bureaucratic nurse in that gravelly bellow. You half-expect him to finish her off with "There are brave men DYING out there!"



    Related DVD's The Hospital 


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    Walker (Lee Marvin) strides through Los Angeles with the steel-eyed stare of a stone-cold killer, or perhaps a ghost. Betrayed by his wife and best friend, who gun him down point-blank and leave him for dead after a successful heist, Walker blasts his way up the criminal food chain in a quest for revenge. Did he survive the shooting or return from the grave, or is it all a dying dream? The question is left in the air in John Boorman's modern film noir, a brutal revenge thriller based on Richard Stark's novel The Hunter (remade by Brian Helgeland as Payback), set in the impersonal concrete and steel canyons of Los Angeles and eerily empty cells of Alcatraz. Walker kills without remorse, guided by shadowy "informant" Keenan Wynn, whose own agenda is carefully concealed, and... More Info about this DVD
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    Screenwriter Paddy Chayefsky (Marty) sinks his satirical fangs into this story of an American naval officer (James Garner) selected to be the first victim at the invasion of Normandy. Julie Andrews plays a prim, British war widow who falls for him. Cynical in tone, the story becomes an interesting collision of manipulative interests and renewed life, the same formula that worked so well in Chayefsky's scripts for Network and Hospital. --Tom Keogh More Info about this DVD
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