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DVD Bone:

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  • Director(s): Larry Cohen 
  • Editor: Blue Underground
  • Category: Feature Film-comedy
  • Availability: Usually ships within 24 hours

    List Price: $19.95
    Our Price: $17.96  YOU SAVE $1.99!   Buy it





  • DVD Bone


    Future B movie maverick Larry Cohen (It's Alive, Q: The Winged Serpent) made his directorial debut with this sly, often savage, social satire set in Beverly Hills. Yaphet Kotto swaggers into the backyard of an affluent, upper-middle-class Beverly Hills couple (Andrew Duggan and Joyce Van Patten) with a dangerous grin on his face and demands: "I want money and I want it now." Nothing from this point on goes as planned. The home invasion tears the veneer of civility that has been holding the couple's loveless marriage together, exposing their lies and schemes, while Bone (as Kotto's character is called) is revealed as a conflicted serial rapist just looking for a little tenderness. Directed with raw energy and aggressive flamboyance, this cynical portrait of American hypocrisy and corruption is more punchy than perceptive, a little glib in its conclusions, but thoroughly unpredictable in its execution. Cohen tweaks stereotypes and twists expectations, while offbeat characters and juicy dialogue electrify the drama. Kotto takes a big, meaty bite of his role, commanding every scene with a threat always beneath his stocky frame and burning eyes. Jeannie Berlin makes a memorable appearance as a ditzy shoplifter with a thoroughly off-center philosophy. --Sean Axmaker
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    Review(s): DVD Bone
    A Bad Day in Beverly Hills


    Well, here it is, in all its' wide screen glory. Blue Underground presents writer/director/producer Larry Cohen first film Bone, also known as Housewife, Dial Rat for Terror, or Beverly Hills Nightmare completely uncut and uncensored with a whole lot of juicy extras.

    This is truly a bizarre film. The title, Bone, refers to the character played by Yaphet Kotto. The movie opens by the pool of a seemingly affluent, older couple that lives in a rather large house in Beverly Hills. Bone, an unstable, unpredictable violent criminal forces his way into the lives of this couple, looking for some easy money, and we are treated to one wild ride as the plot veers into the uncharted waters of absurdity.

    The very nature of perversity is explored, as the characters are forced to confront hidden desires, exposing the seamy underbelly of modern life. The material presented here may have been tamed over time, thirty years after its' inital release, but the I think the film still commands the effect to disturb, shock, and make one laugh through its' use of imagery and dialogue. Yes, I said laugh, as I would call this a black comedy of sorts.

    The movie can be hard to take at times, but the use of jump cuts and incidental music are used very effectively. What may seem insignificant at times later reveals it to be of some importance. Probably my favorite performance in this film was that of Oscar nominee Jeannie Berlin (The Heartbreak Kid) who played The Girl. Her character was truly fascinating even though she had little screen time compared to the rest.

    As I said, Blue Underground provides a wealth of extras on this, up until now, rare movie. There's a wonderful commentary with Larry Cohen, a short interview with distributor/director/producer Jack H. Harris, selected scenes from an early shoot of the film, trailers, a radio spot, a gallery of promotional materials, a Larry Cohen biography, and even a small reprinted still of a poster for the movie inside the case. If you are willing to take a chance on something a lot out of the cinematic mainstream, then this is as good a place as any to start.

    Jump-cut masterpiece


    You're right- my previous review of this film sucked. But the film itself decidedly does not suck. What we have here is a highly sophisticated satire with the denouement hinted at with stylish jump-cuts fron scenes (as in "Performance" and "Petulia"), which if fully understood as we just catch glimpses of them during the buildup, would explain the whole thing before we'd had the fun of hanging with the three main characters. Cohen's dialogue and characterizations are interesting and funny. A really good satire of wealthy whites and why they are wrong to look down their noses at poor people of color.


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