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DVD Pretty Baby
A semi-scandal upon its release in 1978, this Louis Malle film is set in a turn-of-the-century, New Orleans bordello and focuses on a girl named Violet (then-child actress Brooke Shields) whose imminent twelfth birthday signals her "readiness" to become a career prostitute. Typical of Malle, the outwardly forbidden nature of the story and relationships within are morally obscured by the immediate experiences and unqualified urges of the characters. The little heroine brings a distinctly youthful and innocent view to the milieu, and the introduction of a photographer (Keith Carradine)--who eventually marries Violet--in the brothel carries the suggestion that there is art and beauty to be explored there. Susan Sarandon is beguiling as Violet's mother, who seems to unfold in the cameraman's presence. The film moves a little stiffly, a little slowly, possibly from a heavy emphasis on period art direction and Sven Nykvist's moody if gorgeous photography. --Tom Keogh
This was purhcased by accident. But still one of the crapiest movies I ever seen. Story wise, well it's bad to see what situation young girls could have with whores for mothers and growing up just like them. It's actualy very sad to see young girls throwing away their life away. Other wise, movie had bad ending, good quality packing and dvd from amazon.com ....
Misunderstood
Louis Malle didn't make this film to exploit the sexuality of children. There is such a reactionary curse on this film that few people dare to actually view it. Compare it to Kids (1995),there are very few similarities. This is an objective view of a true story 1910's New Orleans. 12 year old Violet lives in a world of sexual currency, everything is acceptable and out front. She passes no judgement on the prostitutes and johns that parade across her mother's room. This is the only life she has known, what could be possibly wrong when everyone is smiling and there is food on the table. The camerawork captures the tragic lyrical situation. Very little ugliness appears, only once in the film when Violet loses her virginity. Bellocq, the photographer she marries, only does so to protect her from losing the innocence she still has. This film has been deemed child pornography but first and foremost it is an accurate biography of a specific place in time. Malle with his French sensibilty portrays the brothel as almost a sanctuary, the people laughing and without malice. Violet's life is tragic not just because she is overexposed to a sexual atmosphere but because the world around her will eventually paint her extended family as ugly and criminal. She has yet to realize this because she perceives them as her home. Pretty Baby offers a very innocent look at prostitution. Susan Sarandon,Brooke Shields,and Keith Carradine are very lovely with their doelike eyes. This is a romanticized world, a far cry from the hardcore reality that we perceive now. I think women would be more openminded to actually view the film as a period piece and not some abomination of morality.
Absolutely a great movie
Great movies, like great literature, are capable of evoking a definite atmosphere, that of the time and setting of the story, the plot of which, then, almost loses significance. The atmosphere in this case is that of New Orleans at the turn of last century - a slight anachronism here sets the story in 1917 to match the timing of the closure of Storyville, New Orleans's red light district, located roughly between Rampart and Robeson, Iberville and St. Louis, of which nothing remains today. That atmosphere is well expressed by the music, especially that of the pianist in the movie, who is modeled after Jelly Roll Morton, a pioneer jazz pianist and composer, and plays his compositions. For the curious listener, I have listed here some of the works by Jelly Roll and when they get played in the movie:
3:30 - 4:45, Winin's Boy Blues #1
5:05 - 7:21, Tiger's Rag, from the typical NO repertory, including the tiger's roar
24:35 - 25:00, Jelly Roll
26:11 - 27:12, Thought I Heard Buddy Bolden Say #1
30:10 - 31:30, Winin' Boy Blues #2
38:39 - 43:20, (composing of ) King Porter Stomp, in the background when the Susan Sarandon character poses half-naked for the photographer
54:46 - 56:35, (Original Jelly Roll?) Blues, with clarinet and bass
1:47:15 - 1:49:15 Blues
We can add to this the sweet, though perhaps already outdated by 1917, music played by the New Orleans Ragtime Orchestra, with the nice Creole clarinet of Louis Cottrell, who used to play in the Preservation Hall.
It is impossible to underestimate the importance of New Orleans in the world of culture, since it can be stated, as Jelly Roll Morton did, that it was for the musical world what Florence of the 14th and 15th century was for the visual arts. The fact that such culture flourished in whorehouses instead at the courts of princes is thus just a reflection of the cultural level of racist American society - which should be proud of its lupanars - which has prevented its own great culture to be accepted by its puritanical obsession, which led to the disaster of prohibition and the present overfilling of prisons for acts, such as possessing marijuana, which are not criminal in most of the civilized world.
Beside the music, there are great moments in this movie. Brooke Shields, besides being pretty, has an interesting role, oscillating between her behavior as a future [prostitute] and that of an immature girl, with a lot of innocence - which incidentally is to be found among all those ladies certainly despised by the pseudo-moralistic mainstream, that same one which seems so popular these days in the US. The Madam looks like a true character, a worn out woman with distinguished manners who keeps up with absinthe and cocaine (not without some humor, as when she says: "there are only two things you can do in a rainy day, and I don't like playing cards!"). And I am sure that the character of the distinguished photographer existed in reality, since I remember having seen an exhibition of pictures of such ladies taken in New Orleans at that time (in spite of the howling of some who wanted to label it degrading and censor it). Add to this the great photography, and the intelligence of Louis Malle, who has always used Jazz in a respectful way, as in "Elevator to the Gallows" with the music of Miles Davis and "Murmur of Heart" with that of Charlie Parker - the latter exploring an even more controversial subject than "Pretty Baby", that of an incest with the mother, in a poetic way.
The only reason I am not giving this movie five stars is because I would have loved to see more of the Jelly Roll Morton character. One has almost to strain his/her ear to listen to his composing of the masterpiece "King Porter Stomp" while the photographer tries to take pictures of Hattie (Susan Sarandon). Perhaps some viewers may prefer Sarandon's naked tits over Morton's playing, but that's not my case!
But on the whole this is a great movie and is to be recommended heartily to everybody, perhaps especially to Americans who generally know close to nothing of the great culture which has been created in the very places their society has systematically despised, by people which are still often considered as an inferior "race" (whatever that means).
The movie itself is a good one and I already own a tape. To appreciate the photographer's work, a tape is certainly not sufficient. Therefore I bought a DVD. Unfortunately, the DVD is worse than the tape. Very disappointing! If you cannot get the right visual quality, what is the point to produce a DVD or buy it for Hamilton's work? More Info about this DVD Director(s): David Hamilton DVD Release Date: Released the 20 July 2004 Usually ships in 24 hours
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I enjoy a good erotic film as much as anybody, and as a producer of some very erotic fare, I especially respect anyone who wants to make an erotic movie -- but the subject matter of teen sexuality was too much for even me! I don't know how they can even get away with selling this movie in the states. This one goes a little too far. More Info about this DVD Actor(s): Charlotte Alexandra - Hiram Keller Director(s): Catherine Breillat DVD Release Date: Released the 18 December 2001 Usually ships in 24 hours
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A love letter to movies (and the French new wave of the 1960s in particular), Bernardo Bertolucci's The Dreamers starts with a 1968 riot outside of a Parisian movie palace then burrows into an insular love triangle. Matthew (Michael Pitt, Hedwig and the Angry Inch), an expatriate American student, bonds with a twin brother and sister, Isabelle (Eva Green) and Theo (Louis Garrel), over their mutual love of film--they not only quote lines of dialogue, they act out small bits and challenge each other to name the cinematic source. Matthew suspects the twins of incest, but that doesn't stop him from falling into his own intimacies with Isabelle. As the threesome becomes threatened, Paris succumbs to student riots. The Dreamers aspires to be kinky, but the results are more... More Info about this DVD Director(s): Bernardo Bertolucci DVD Release Date: Released the 13 July 2004 Usually ships in 24 hours
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Lovely to look at, this story reveals little more than the characters' nude bodies. Like couples whose only attraction is physical, this has little to offer once it leaves the bedroom. We never learn the interests or inner workings of the lovers in question. They become nothing more than attractive bodies, which makes this little more than a shallow exercise in sexuality. The story is based on the controversial, and supposedly autobiographical, bestseller by experimental French novelist Marguerite Duras. It tells the story of a young French schoolgirl who becomes sexually involved with a sophisticated, older Asian man. Set in Indochina in the late 1920s, this is stunningly photographed and artfully directed by Jean-Jacques Annaud. That said, the lack of a more satisfying plot means this... More Info about this DVD Actor(s): Jane March - Tony Leung Ka Fai Director(s): Jean-Jacques Annaud DVD Release Date: Released the 11 December 2001 Usually ships in 24 hours
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In terms of alluring female nudity, Swimming Pool shows a lot, but it's what remains concealed that gives this erotic thriller a potent, voyeuristic charge. With his Hitchcockian handling of secrets and lies, prolific French director François Ozon reunites with his Under the Sand star, Charlotte Rampling, to tell a seductive tale of murder and complicity, beginning when British mystery novelist Sarah Morton (Rampling) seeks peace and relaxation at her publisher's French villa, only to find his brash, sexually liberated daughter Julie (Ludivine Sagnier) arriving shortly thereafter to disrupt her solitary reverie. What begins as mutual annoyance turns into something more sinister and duplicitous, alternating between Julie's predatory sex with men and Sarah's observant,... More Info about this DVD Actor(s): Charlotte Rampling - Ludivine Sagnier - Charles Dance Director(s): François Ozon DVD Release Date: Released the 23 August 2005 Usually ships in 24 hours
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