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DVD It Runs in the Family:

  • Rate:
  • Actor(s): Michael Douglas - Kirk Douglas - Bernadette Peters 
  • Director(s): Fred Schepisi 
  • Editor: Columbia Tristar Hom
  • Category: Feature Film-comedy
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    List Price: $14.95
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  • DVD It Runs in the Family


    Three generations of the Douglas clan--old-time star Kirk, Michael of Fatal Attraction and Wonder Boys, and movie newcomer Cameron--star in It Runs in the Family. Alex Gromberg (Michael) is a high-powered lawyer who works for a firm co-founded by his father Mitchell (Kirk), who's recovering from a stroke, while Alex's son Asher (Cameron) is dealing pot and flunking out of his senior year in college. The movie moves between the three men's relationships with women and each other. Surprisingly, It Runs in the Family isn't as much of a vanity project as it seems; though some implausible elements serve only to flatter the stars (wealthy lawyer Alex volunteers at a soup kitchen for the homeless, where a babelicious co-worker throws herself at him), most of the script is solidly written and the parent-child conflicts ring true. Also featuring Bernadette Peters and Rory Culkin. --Bret Fetzer
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    Review(s): DVD It Runs in the Family
    Boring and shallow


    There is nothing funny and entertaining about this movie. It is about three generations of a dysfunctional family. Kirk Douglas is extremely unlikable and Michael Douglas is no more appealing. The movie drags on and on about family problems that are purely depressing.

    Drivel


    Have you ever wondered why high-priced, high roller and powerful actors take on roles in bad movies? That's the question you'll ask yourself if you watch this drivel.

    Perhaps the answer is three generations of Douglases -- Kirk, Michael and Cameron -- appear in "It Runs in the Family". The two older Douglases play Jewish (Gromberg) lawyers (Kirk a retired former partner now overcoming a stroke) while son Asher (Cameron) is a slacker attending college. The cast includes Bernadette Peters as Michael's wife and Rory Culkin and their younger son.

    My onscreen guide said the movie was taken from a short story by the guy that wrote "Christmas Story" and was supposed to be a followup on that success based on memories of the pre-teen son, which would be Culkin. Whomever wrote that never saw this movie!

    This script was apparently about family dysfunction, since the dad wants to do the nasty with a woman he knows from a soup kitchen, the college boy can't keep his pants on and ends up in trouble with the cops over drugs, and the younger son also has a romantic entanglement with a skag he knows from school. The old man's wife dies, too, pushing him into Michael's disheveled household.

    This sounds formulaic except the formula doesn't work. Instead of being drawn into the lives of these losers, you laugh at the silly predicaments created for them by the awkward script. There is hardly a moment in the entire film that represents anything remotely close to real family life. Every moment seems to be taken over by one calamity or another, usually of the male Douglases creation.

    For me, this was a memorable film in a negative way. If Michael Douglas made $20 million for this movie, the people that bankrolled this turkey should ask for a 95 percent refund. For, in addition to the movie being a loser, Michael Douglas is badly out of shape in it with a big gut that sticks out. So much for the beautiful people, eh?

    Unless you are a Douglas film completist or totally dedicated to seeing something starring a bunch of family members, steer clear of this bomb. It is funny, agreed, but not in positive ways.

    "The Douglases": Humorless and Toothless Family Drama


    I heard this is a light-weight comedy about one family. Surely, it is intended as such, but the laugh comes not so often, and the story is too slow, or the characters are too many. The only unique point is that it features the Douglas family, particularly Michael and Kirk in one film (and as father and son), but that fact doesn't help at all when it takes more than ten minutes (in a roundabout way) to introduce all of them to us. Hey, we (I mean, those fans who would watch this film) all know that Kirk is the father of Michael, so why you take so long before starting things?

    Yes, three generations from the Douglas family show up in this film as the "Grombergs" a dysfunctional family whose members just do not how to communicate with each other. Grumpy Kirk Douglas is the center of the family (and the film) while his son Michael Douglas's character faces the crisis of the family (in the shape of the suspected infidelty).

    Each member has his/her problems, as this kind of film always show. So, you also see Diana Douglas (Michael's mother) playing against Kirk Douglas while Cameron Douglas (Michael's son) appears as ... er ... Michael's character's son, who is not doing well in university, and got into troubles, one drug-related.

    Now, the troubles with "It Runs in the Family" is that the film ALMOST touches the very biting truths about being in a family -- you cannot get away from your children, siblings, or parents no matter what they are, or how they act. You sit through the embarrasing moments of the family's annual gatherings, wishing that this would end soon, and the film tries to show such moments. But what it reveals in the overlong running time is nothing original or truthful to us. One example shows: when a quiet, very introspective boy Rory Culkin (cast as Cameron's younger brother) falls for a girl in school, she must be a wild, goth girl who has a pierce in nose. The film is full of such cliched elements that you can tell who is going to die, and how, before it happens.

    I don't think acting is bad, and it is good to see Kirk Douglas after he suffered from a stroke (and he still has the daredevil personality seen in, say, "Doc" in "Gunfight at the O.K. Corral"). Cameron Douglas is good and looks natural as rebellous college student, and there are some memorable moments from the cast, especially from the dance scene of Diana and Kirk. But after watching this long film, you will remember almost nothing in it, perhaps except the fact that you saw four Douglases in one picture. It sounds harsh to say, but what else can this film be proud of?


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