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DVD Afterglow
Right from the start there's a wink in Alan Rudolph's dry comedy of sad characters. This film, touted for its Oscar-nominated performance by Julie Christie, is a solid entry for fans of Rudolph's Choose Me and Love at Large. First we meet the amorous Mr. Fix-it, aptly named Lucky Mann (Nick Nolte). Lucky is a big teddy bear who finds joy in construction and womanizing. Nearly every sentence is a smooth entendre or a typical Rudolph witticism. This arrangement seems to be fine with his longtime wife Phyllis (Christie), an ex-B-movie actress who acts as if much of her life is still a bad movie. Lucky's latest client is a young housewife (Lara Flynn Boyle) who also has a muddle of a marriage: Marianne swoons for Lucky's attention, because her husband, Jeffrey (Jonny Lee Miller), has energy for his high-rise business career but little else. Soon Jeffrey espies sad and stunning Phyllis and is on the prowl, unaware that she is Lucky's wife.
Many filmmakers have made statements about the rarity of monogamy but Rudolph is one of the few who finds so much strength in fooling around. He has deep, long answers to why his characters are the way there are, and this leads to scenes that actors relish, even if they don't ring true. Certainly Christie has not had a part this juicy in years, and Nolte, warm and energetic, simply shines. Miller, usually the young ruffian in films such as Trainspotting, gives an intriguing slant to a stuffed shirt. Rudolph has never reached the complexity nor the mastery of his mentor Robert Altman, but he has created his own niche: the comedy of characters usually found in urban dramas. There are laughs in this movie that you simply won't find in the typical Hollywood comedy. Like Altman, he proves that being an independent voice is not about the methods of filmmaking, it's about talent. --Doug Thomas
Another reason why Julie Christie should continue to perform
Here's Julie Christie more beautiful, more enchanting, sexier than she has been since her role in Doctor Zhivago thirty years ago. She's an ageless wonder, delicate and sweet while also being smart and tough. Her performance as Phyllis Mann, a washed up B-Movie actress is entrancing, so much so that when viewing the film, I found myself ignoring the other actors while she was on screen. I couldn't take my eyes from her for a moment, though that's no slander at her co-stars. Nick Nolte is as watchable and likable as ever as Christie's philandering husband. Lara Flynn Boyle and Johnny Lee Miller have never really been my cup of tea, but perform complex parts with admirable skill. They are a young couple with all the material possessions in the world but separated by an emotional iciness between them. Boyle wants a child while Miller does not, so she turns to handyman Nolte. Miller happens to meet Christie and becomes fascinated by her while she allows herself to be seduced as much out of revenge as curiosity. The film is stylishly directed by Alan Rudolph and I give special credit to cinematographer Toyomichi Kurita for his excellent camera work, though I envy him for getting to stare through his lens every day to see Julie Christie before him. A touching film with fine performances all around, with Christie the standout(yet again).
An smart odd film about Romance.
When a Key Repairman (Nick Nolte) cheats on his Attractive Wife (Julie Chrsitie in a Oscar Nominated Role), a has been actress for a younger woman (Lara Flynn Boyle) but when his wife cheats on a handsome young man (Jonny Lee Miller), who dates the younger woman and the Realationship gets Complicated.
Written and Directed by Alan Rudolph (Mortal Thought, Breakfest of Champions) shows a Strong Dramatic Comedy about Love and Redemption. Julie Christine gives a Strong Role gives the film:Best Asset. Grade:A.
Old Roses, Young Weeds
A fading light that illuminates the day, when it's too late to change anything about it, is the Afterglow. In the gray city of Montreal, two couples prance in its dim daze, uttering writer/director, Alan Rudolph's highly stylized dialogue: Lucky (Nick Nolte) and Phyllis Mann (Julie Christie) have been married for over twenty years. He is a philandering fix-it man, she is wittily morose ex-B-movie actress. They have an arrangement about his philandering that goes back to a painful incident in their past, one that is clear in the present's Afterglow. More upscale, and younger, are the Byrons, Jeffrey and Marrianne, a miserably rich yuppie couple. He entertains his suicide fantasies by stepping out onto his high-rise office ledge, sticking his knee into the air, waiting for a strong wind to push him off. She is a semi-hysterical, insatiate housewife, who is building a baby room for a baby her husband promises they will never have.
The plot mechanics of what follows would be farcical if it weren't for the pace. In the yuppie's lavish house (similar to the one Al Pacino called "post-modernistic bull#*%^" in Heat), Lucky goes to build the frustated housewife nursery for the phantom infant. Given their respective marital status, an affair, especially in film with jazz dominating the soundtrack, is mandatory. By sheer coincidence, or by the writer's desire for contrast, Jeffrey and Marrianne meet. Suicidal he maybe, but as his well complemented secretary would attest, he does have an attraction, albeit non-sexual, to older women. This is their first exchange:
Phyllis: I noticed your wedding ring.
Jeffrey: Its removable.
Phyllis: Does your wife know that?
Jeffrey: If we find her, we'll tell her.
Rudolph is so fond of such rhythmical gesticulation of dialogue that instead of the above standing out, it could be a random selection from his script. The whole thing is written this way, hence defeating any dramatic aspirations the film might have had; if these people talk like this ALL the time, then what planet are they from?
This is that part where I'm supposed to say why I thought the picture is not what it might have been. It is true that the actors, with the exception of the Oscar nominated Christi, struggle to create anything special under the director's pretense; Miller is fun in role that is virtually opposite to his Sick Boy in Trainspotting, but the character is one note. Boyle brings nothing new to frivolity and neurosis. And Nolte is just Nolte. But if you were familiar with the films of Alan Rudolph you'd know that he hasn't failed here. Afterglow is, probably, exactly what he wanted it to be. A small scale drama with a slightly skewed sense of reality. He is the patron saint of the slightly off-key film (his underrated 1990 murder mystery Mortal Thoughts was realistic only because every other murder mystery was not). So Afterglow is no surprise, just another part of the man's repertoire. The only thing that might make Rudolph's oak-lined, smokey, booze drenched creation worth visiting is a jewel of performance by Julie Christi. She is able to sell Rudolph's silly non-jokes, as when she calls her husband Lucky Mann (which is his real name, ho ho), without letting on if she is loving, mocking, hurt or disgusted by him. She is the enigmatic, fascinating mystery the rest of the film only thinks it is.
In terms of alluring female nudity, Swimming Pool shows a lot, but it's what remains concealed that gives this erotic thriller a potent, voyeuristic charge. With his Hitchcockian handling of secrets and lies, prolific French director François Ozon reunites with his Under the Sand star, Charlotte Rampling, to tell a seductive tale of murder and complicity, beginning when British mystery novelist Sarah Morton (Rampling) seeks peace and relaxation at her publisher's French villa, only to find his brash, sexually liberated daughter Julie (Ludivine Sagnier) arriving shortly thereafter to disrupt her solitary reverie. What begins as mutual annoyance turns into something more sinister and duplicitous, alternating between Julie's predatory sex with men and Sarah's observant,... More Info about this DVD Actor(s): Charlotte Rampling - Ludivine Sagnier - Charles Dance Director(s): François Ozon DVD Release Date: Released the 23 August 2005 Usually ships in 24 hours
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Julie Christie's miracle year of 1965 (she was also in Doctor Zhivago) was capped by a best-actress Oscar® for this sardonic take on Swinging London. Looking about as gorgeous as women get, Christie ascends the ladder of social success, trampling everybody in her path--an ascent that allows writer Frederic Raphael and director John Schlesinger to slash away at the morally bankrupt world that would enable such a person to triumph. Cynics might suggest that Schlesinger's approach, rife with the experiments of New Wave filmmaking, is nearly as empty and showy as the world it describes... which may be why this movie seems more dated than, say, Richard Lester's films from the '60s. Still, with Christie getting generous and suave support from two of the top British stars of the day,... More Info about this DVD Actor(s): Dirk Bogarde - Julie Christie Director(s): John Schlesinger DVD Release Date: Released the 02 December 2003 Usually ships in 24 hours
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This 1966 masterpiece by Michelangelo Antonioni (The Passenger) is set in the heady atmosphere of Swinging London, and stars David Hemmings as an unsmiling fashion photographer hooked on ephemeral meaning attached to anything: art, sex, work, relationships, drugs, events. When a real mystery falls into his lap, he probes the evidence for some reliable truth, but finds it hard to reckon with. Vanessa Redgrave plays an enigmatic woman whose desperation to cover something up only seems like one more phenomenon in Hemmings's disinterested purview. This is one of the key films of the decade, and still an unsettling and lasting experience. --Tom KeoghMore Info about this DVD Actor(s): Vanessa Redgrave - David Hemmings Director(s): Michelangelo Antonioni DVD Release Date: Released the 17 February 2004 Usually ships in 24 hours
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Sean Penn and Benecio Del Toro, two of the most gripping actors around, play wildly different men linked through a grieving woman (Naomi Watts, Mulholland Drive, The Ring) in 21 Grams. Del Toro (Traffic, The Usual Suspects) delves deep into the role of an ex-con turned born-again Christian, a deeply conflicted man struggling to set right a terrible accident, even at the expense of his family. Penn (Mystic River, Dead Man Walking) captures a cynical, philandering professor in dire need of a heart transplant, which he gets from the death of Watts' husband. 21 Grams slips back in forth in time, creating an intricate emotional web out of the past and the present that slowly draws these three together; the result is remarkably fluid and... More Info about this DVD Actor(s): Sean Penn - Naomi Watts - Benicio Del Toro Director(s): Alejandro González Iñárritu DVD Release Date: Released the 16 March 2004 Usually ships in 24 hours
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The premise of this swinging Vegas picture is enough to carry it over its narrative rough spots. The unluckiest sap on the planet (William H. Macy) is employed as a "cooler" at a casino; his very presence can chill the hot streak of any patron on a roll. He's valued by the old-school manager of the place, a role given a two-fisted, bourbon-swilling incarnation by Alec Baldwin. Macy means to quit, but then he falls for a waitress (the excellent Maria Bello, from Permanent Midnight)--might his luck be changing? The subplots are pretty much a mess, but the frank sex scenes between Macy and Bello give the movie a truly offbeat feel. The tawdry air of a second-rate casino is also nicely done: This is not the new family-friendly Las Vegas, but a tough place of superstitions, sinister... More Info about this DVD Actor(s): William H. Macy - Alec Baldwin - Maria Bello Director(s): Wayne Kramer DVD Release Date: Released the 27 April 2004 Usually ships in 24 hours
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