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DVD The Postman Always Rings Twice
Even under the heavy censorship of 1946 Hollywood, Lana Turner and John Garfield's libidinous desires burn up the screen in Tay Garnett's adaptation of James M. Cain's torrid crime melodrama. Platinum blond Turner is Cora, a restless sexpot stuck in a roadside diner married to mundane middle-aged fry cook Nick Smith (Cecil Kellaway) when handsome drifter Frank (Garfield) blows her way. It's lust at first sight, a rapacious desire that neither can break off, and before long they're plotting his demise--but in the wicked world of Cain nothing is that easy. Garnett's visual approach is subdued compared to the more expressionistic film noir of the period, but he's at no loss when he films the luminous Turner in her milky-white wardrobe. She radiates repressed sexuality and uncontrollable passion while Garfield's smart-talking loner Frank mixes street-smart swagger and scrappy toughness with vulnerability and sincere intensity. Costar Hume Cronyn cuts a cold, calculating figure as their conniving lawyer, a chilly character that only increases our feelings for the murderous couple, victims of an all consuming amour fou that drives their passions to extremes. --Sean Axmaker
Lana Turner and John Garfield hunger for something more in Tay Garnett's glossy soap opera noir, "The Postman Always Rings Twice." Based on James M. Cain's lusty potboiler, Turner is fantastic as the manipulative yet vulnerable Cora Smith and Garfield excellent as the drifter who can't get Cora or her dreams out of his blood. Turner is like a white creme, icy cold on the surface but burning hot and deep with desire underneath.
Cora is a girl aware of her looks and effect on men. Since she was 14 she's had to argue with men about it. But she didn't have to argue with Nick Smith (Cecil Kellaway), a much older man Cora marries for security, not love. When drifter Frank Chambers (Grafield) shows up to fill the help wanted sign at the Twin Oaks Diner Nick and Cora run, she discovers she can't live without love or passion.
Cora is a smouldering vision in white when Frank first sees her, a room full of gas that only needs a spark to ignite. Frank knows he can sell anything to anybody and begins to fan the flames when he talks Nick into getting a neon sign for the diner Cora wants. Cora has big dreams for the diner and wants to be somebody. She tries in her own way to resist what is going to happen between she and Frank but deep down knows that all the things she married Nick for and clings to are the things she really wants with Frank.
Cora lets him kiss her once then stays away, working Frank into an internal frenzy of desire. After a midnight swim in the ocean they get a week alone and their fate is sealed, the gas ignited and burning out of control. It is Cora who lets Frank's lust simmer until he loves her and wants her so much nothing matters, not even what stands in the way of them and Cora's dreams.
Garfield is excellent as a guy who knows he's signed on for a one way ride to nowhere but can't help himself, because the mere thought of sharing the ride with Cora tips the scales. There is a tricky D.A. (Leon Ames) onto them after a botched first attempt to live out Cora's dreams fails and only a crafty defense attorney, portrayed with zeal by Hume Cronyn, gets Cora off when they finally succeed. But an insurance policy Frank didn't know about causes distrust and the results are Cora and Frank on the outs again.
But they are chained to each other. Jealousy and a blackmail attempt gone awry bring them back to the beach where they were happy. A dangerous swim to prove their trust in each other restores their love and they are happy and dreaming once again. They may be able to atone for their sins even, unless fate has other plans....
Turner gives an icy hot performance here, with many long takes between she and Garfield as they are drawn to each other like moths to a flame. Much is made of director Tay Garnett framing Turner in sexy white outfits throughout the film. Her best scene, however, and the one in which she is the most strikinginly beautiful, she is dressed in a black bathrobe. Cora is in the kitchen caressing a knife and agonizing over her dreams and what needs to be done to make them come true. When Frank walks in on her, her voice catches, her reluctance to follow through real. She tells Garfield in a quivering voice, "If you really loved me."
Whereas Wilder's Double Indemnity was a dark noir of twisted passion and greed set in Claifornia, Garnett's The Postman Always Rings Twice uses the bright sunshine and beaches of L.A. County in the 1940's to create a soap opera noir, a shining blonde Turner and a reluctant drifter Garfield at its center. A must for Turner fans and good pick for fans of this genre who want to watch a glossy noir.
Don't mistake this for Film Noir
The Postman Always rings twice concerns the married but lonely wife of a depression era hamburger stand owner who ensnares a virile drifter into her murderous schemes. And that description itself is more entertaining than the whole film.
Femme Fatales are meant to entice with their edge and sex appeal yet repulse with their dangerous behavior, even though their foils find out after it is too late. In this film Lana Turner as the wife, comes off as just bored, and not the slow sultry enui portrayed by Deborah Harry, who had a good role in the dreadful film, "Union City" showing just this side. Perhaps I am just not enough of a Lana Turner fan to be impressed by this film, but I don't see any heat, spark or sizzle between Turner and John Garfield as the drifter, certianly not the type witnessed between Humphrey Bogart and Lauren Bacall in "To Have and Have Not".
As to this movie being a "film noir" I have no idea how it earned such a reputation. There is one nice moment when John Garfield gets the drop on a rival and violently pummels him and we are treated to a nice shot of Turner gritting her teeth in a disgusting smile as she relishes the violence. Those couple of minutes are as noir as this movie gets. The photography is the same as dozens of other dramas made all thorugh the 40's. The rest is ho-hum.
The story is OK, the acting is certainly competent but the film is overall, forgetable.
The beautiful Lana Turner sparkles in this movie of passion, betrayal and danger!
This review is for the 2004 Warner Brothers DVD.
The story begins with a young, hitchhiking drifter named Frank Chambers (John Garfield) being dropped off in front of diner with a sign on the front stating: "Man Wanted". Shortly thereafter Frank is hired by an overweight and socially boring man in his 50's named Nick Smith (Cecil Kellaway). Frank then meets Nick's drop-dead gorgeous wife named Cora (Lana Turner) who is probably half of Nick's age. Over time, Frank and Cora fall for each other, and then plans are made to get rid of Nick. This sets the stage for a turbulent relationship between the two of passion, betrayal and danger.
The biggest strength of this movie for me is the blonde bombshell Lana Turner. She arguably gives the sexiest female performance for a film made in this era and radiates with beauty in every scene she's in. Personally I wasn't quite as impressed with John Garfield. He didn't seem that physically imposing for a character of this type especially when he's smacking around a guy twice his size. Hume Cronyn stood out in a masterful supporting role as a criminal defense attorney. The plot had a few interesting twists but I felt the relationship between the two main characters lacked credibility after one betrayed the other towards the end of the movie. The final scene was also weak and anti-climatic in my opinion. But in spite of its problems, if you are a fan of classic film noir movies and like beautiful women, you will find the strengths of the movie clearly outweigh the weaknesses. This movie reminded me a similar movie made in the early '80's named Body Heat - which has a much better plot and ending than this film.
The DVD picture quality is decently sharp. It appears that some sloppy restoration was done to some minor scratches in the film (you will notice some fine vertical black lines in early part of the movie). Some tiny specs of film wear are noticed on occasion and at times the picture looks grainy, but the picture presentation is very respectable overall. The DVD has a few bonuses including a short commentary by film historian Richard Jewel, an approximately one hour documentary on John Garfield, plus a trailer and some still photos.
This silky smooth film noir pits gruff police detective Dana Andrews, stiff and blunt in his street-bred manners, against a cultured columnist and acidic wit (Clifton Webb at his prissiest) in a battle of wits during a murder investigation. The cop is a romantic hiding under a hard-boiled exterior who falls in love with the beautiful victim through the portrait that hangs in her apartment. Gene Tierney, whose heart-shaped face mixes the exotic with the girl next door, brings the poise and calm of a model to her role as the object of every man's gaze and the target of a killer. Laura, handsomely shot in dreamy black and white, is the first and best of Otto Preminger's cool, controlled murder mysteries. In the gritty world of film noir it remains the most refined and elegant example... More Info about this DVD Actor(s): Gene Tierney - Dana Andrews Director(s): Rouben Mamoulian - Otto Preminger DVD Release Date: Released the 15 March 2005 Usually ships in 24 hours
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Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue... More Info about this DVD Actor(s): Fred MacMurray - Barbara Stanwyck - Edward G. Robinson Director(s): Billy Wilder DVD Release Date: Released the 10 October 2000 This item is currently not available.
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Alan Ladd is razor sharp as Raven, a contract killer who likes cats and kills witnesses. The first 15 minutes of this film is excellent noir. A hit man (Ladd) lives in a shabby hotel, when the smart mouthed maid enters to clean she slaps his kitten aside, prompting Ladd to knock her to the floor, tearing her dress. Ladd then proceeds to his first job in the film and on the way up the stairs en route to the apartment where his soon-to-be victim resides he encounters a girl in leg braces. Ladd is so good, as is the directing, we are not sure if he is going to retrieve the ball that has bounced out of her reach or blow her brains out with his Colt .32 pistol.
Also excellent is the photography, set between San Francisco and Los Angeles, many great shots include a gas works... More Info about this DVD Actor(s): Veronica Lake - Alan Ladd Director(s): Frank Tuttle DVD Release Date: Released the 06 July 2004 Usually ships in 24 hours
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Some boxed sets claim to be definitive, but are haphazardly selected. Not this one. Four of the five titles here can legitimately lay claim to being essentials in the film noir canon, and the fifth, The Set-Up, is a terrific boxing picture with a strong noir atmosphere. If you're a fan of noir--or have no idea what it's all about--this collection is a treat.
Of course, none of these movies were made as "film noir." The term was coined later by French critics to describe the moody, anxious feel of postwar American movies, especially the genre that highlighted duplicitous dames and susceptible men lost in the criminal jungle. Indeed, the title The Asphalt Jungle conveys the edgy urban arena of these pictures. That film is John Huston's masterly 1950 account of a heist,... More Info about this DVD Actor(s): James Whitmore DVD Release Date: Released the 06 July 2004 Usually ships in 24 hours
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The long-awaited emergence of Nightmare Alley into the light of DVD should achieve two things: make a legendary film noir available to a new generation, and restore the horrific charge to the lately watered-down term geek, a concept that once had the power to give people very bad dreams indeed.
To his lasting credit, Tyrone Power--20th Century Fox's extraordinarily handsome but not terribly interesting star of the '30s and '40s--begged for the chance to play Stan Carlisle, the predatory charmer who snakes his way through this bracingly unwholesome story. A spieler for--and lover of--carnival mind reader Zeena (Joan Blondell), he displays uncanny skill at "reading" the susceptible rubes, including a tough sheriff who turns to jelly after Stan psychs him out. Once Stan's... More Info about this DVD Actor(s): Tyrone Power - Joan Blondell - Coleen Gray Director(s): Edmund Goulding DVD Release Date: Released the 07 June 2005 Usually ships in 24 hours
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