Ken Annakin is one of the most widely traveled international directors in cinema annals, journeying to every continent to accept the kinds of creative challenges daring filmmakers, in the ranks of which he definitely resides, thrive upon. Among his celebrated triumphs are "The Longest Day," in which he directed the most difficult battle scenes of Darryl F. Zanuck's classic, "Swiss Family Robinson," one of the industry's all-time grossers,and "Those Magnificent Men in Their Flying Machines," a brilliant spoof containing some of the most inventive scenes in aviation filmmaking, for which he and co-scenarist Jack Davies received an Oscar nomination for Best Original Screenplay.
"Across the Bridge," a great British film shot in Spain, on its 1957 release was heralded as a suspense classic along the lines of Carol Reed's "The Third Man" eight years earlier. Reed led the early chorus of praise for a film unique in its presentation that traces the degradation of a haughty, corrupt, and thoroughly arrogant international financier who sees his world of opulence destroyed piece by piece when, after being alerted that Scotland Yard is pursuing him on fraud charges, travels from New York to Texas and, ultimately, Mexico to elude authorities. Adapted from a Graham Greene story, the same celebrated British author who wrote the screenplay for "The Third Man," Annakin aided scenarists John Stafford and Guy Elmes in their effort to convert a short story into a full-fledged drama concentrating on the psychology of greed interspersed with the theme of alienation.
When Rod Steiger, who catapulted to international stardom portraying the hunted international financier, arrives in Mexico, he learns that Bernard Lee of Scotland Yard is nipping at his heels. International law temporarily prevents Lee from crossing the American border in Texas to apprehend the fugitive businessman, so Steiger plots to put more distance between himself and Lee. Standing in the way is local police chief Noel Willman, who frustrates Steiger repeatedly by spurning his offers to bribe his way out of town. Willman, who achieves sadistic delight by watching the once powerful, now helpless Steiger squirm, plays his trump card ruthlessly, compelling his victim to remain where he is, unable to secure passage out of town and frustrated by Lee from crossing into Texas.
The film scales a psychological crescendo when the once potent and arrogant international financier is reduced to sleeping in dusty culverts under the stars, with one friend left to him in the world. For once his money is of no benefit. Steiger's lone friend is a dog named Dolores, acquired as he was leaving the train in Texas after knocking its owner unconscious and stealing his identity. The identity switch ultimately backfires when Steiger learns that his victim, played by Bill Nagy, is wanted for the murder of the provincial governor of the border region to which Steiger has retreated in putting distance between himself and Scotland Yard.
While initially praised as a brilliantly conceived and executed suspense film, with subsequent development of the field of film noir "Across the Bridge" has secured a position of leading recognition as one of the greatest British productions in that genre, a worthy successor to Carol Reed's "The Third Man" eight years earlier. It it one of those rare films that totally captures emotions while seizing the imagination, with Rod Steiger achieving milestone dramatic results.
Based on a novel by Edward Lewis Wallant, this gritty story follows Sol (Rod Steiger in a breakout performance), a lonely camp survivor who has dealt with the destruction of his family by suppressing all emotion and cleaving to the philosophy that nothing matters except money. (His bedridden and dying friend Mendel describes him, to his face, as "the walking dead.") Sol cannot accept the friendship of his assistant, Ortiz (Jaime Sanchez), or of an equally lonely widow (Geraldine Fitzgerald). As the 25th anniversary of his wife's murder approaches, he starts to fall apart, and it becomes clear that what he really wants is to die. The film was considered shocking when first released, both because of its rawness and because of brief nudity. Time has made some of the dramatic touches seem... More Info about this DVD Actor(s): Rod Steiger - Geraldine Fitzgerald Director(s): Sidney Lumet DVD Release Date: Released the 16 December 2003 Usually ships in 24 hours
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"Time Without Pity", a tense British film noir, was directed by Joseph Losey, and released theatrically in 1957. An unsuccessful British author (Michael Redgrave) returns to England from Canada in a last-ditch effort to save his son from the gallows. His son's girlfriend was murdered. The son was arrested, tried, found guilty and sentenced to death. He will be hanged within 24 hours, unless new evidence can be found to put the guilty verdict in doubt. Racing against time, Mr. Redgrave confronts various people connected to his son, in a desperate attempt to find the truth before his son is executed. His efforts are complicated by his own battle with alcoholism, and the disdain of the son he is trying to save.
While the whole cast is strong, Michael Redgrave gives a shattering performance... More Info about this DVD Director(s): Joseph Losey DVD Release Date: Released the 30 March 2004 Usually ships within 24 hours
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This 1966 masterpiece by Michelangelo Antonioni (The Passenger) is set in the heady atmosphere of Swinging London, and stars David Hemmings as an unsmiling fashion photographer hooked on ephemeral meaning attached to anything: art, sex, work, relationships, drugs, events. When a real mystery falls into his lap, he probes the evidence for some reliable truth, but finds it hard to reckon with. Vanessa Redgrave plays an enigmatic woman whose desperation to cover something up only seems like one more phenomenon in Hemmings's disinterested purview. This is one of the key films of the decade, and still an unsettling and lasting experience. --Tom KeoghMore Info about this DVD Actor(s): Vanessa Redgrave - David Hemmings Director(s): Michelangelo Antonioni DVD Release Date: Released the 17 February 2004 Usually ships in 24 hours
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After seeing Odds Against Tomorrow, it's hard to understand why Harry Belafonte made so few movies. He's superb as Johnny Ingram, a nightclub singer with a bad gambling debt. To pay it off, he agrees to take part in a bank heist with an ex-cop (the great character actor Ed Begley) and a racist ex-con named Earl Slater, played with consummate bitterness by Robert Ryan. But this isn't a standard crime caper--the movie carefully explores the pressures each man is under. Ingram's debts have begun to threaten his ex-wife and child, while Slater's pride has been eaten away by age and failure; Slater finally has a relationship that matters to him (with Shelley Winters, in one of her wonderful, desperate performances), but not as much as proving himself. As the plan slowly falls into... More Info about this DVD Actor(s): Harry Belafonte - Robert Ryan - Gloria Grahame Director(s): Robert Wise DVD Release Date: Released the 02 December 2003 Usually ships within 24 hours
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Luchino Visconti's adaptation of the Thomas Mann novel is the very definition of sumptuous: the costumes and sets, the special geography of Venice, and the breathtaking cinematography combine to form a heady experience. At the center of this gorgeousness is Aschenbach (Dirk Bogarde in a meticulous performance), a controlled intellectual who unexpectedly finds himself obsessed by the vision of a 14-year-old boy while on a convalescent vacation in 1911. Visconti has turned Aschenbach into a composer, which accounts for the lush excerpts from Mahler on the soundtrack (Bogarde is meant to look like Mahler, too). Even if it tends to hit the nail on the head a little too forcefully, and even if Visconti can test one's patience with lingering looks at crowds at the beach and hotel dining rooms,... More Info about this DVD Actor(s): Dirk Bogarde Director(s): Luchino Visconti DVD Release Date: Released the 17 February 2004 Usually ships in 24 hours
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