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DVD Le Corbeau (The Raven) - Criterion Collection:

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  • Actor(s): Pierre Fresnay - Ginette Leclerc 
  • Director(s): Henri-Georges Clouzot 
  • Editor: Criterion Collection
  • Category: Foreign Film - French
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  • DVD Le Corbeau (The Raven) - Criterion Collection


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    Review(s): DVD Le Corbeau (The Raven) - Criterion Collection
    The Raven Never More


    There is one thing that the French do better than almost any country, they produce first class cinema. Le Corbeau (The Raven) is no exception. Director Henri-Georges Clouzot makes a fine film from a popular novel about real poison pen strife in Tulane France during Vichy France in the early 40's.

    The first thing an American would notice about the film, there are references, nay, there are actual scenes of passion and sex, clothed, but obvious between Pierre Fresnay of the pencil mustache and Ginette Leclerc of the lacquered lips in a 1943 film. It's subdued, and the biting of the hand scene is a little pulpy, but these folks want to do it. Americans would have to wait for Bogart and Bacall before they got some steam.

    Since the Nazi's were essentially in control of France at the time, they thought an anti-informant film a bad idea. They hated it, but the French audience's ground down by what was essentially a military defeat and then an occupation, were thrilled by the tension and mystery of Le Corbeau. There are many secrets about the townspeople that complicate life in this tense little town until the culprit has a comeuppance. There are a number of classic original scenes like the light bulb scene or the avenging angel scene. This one holds up very well.


    "All moral values have been corrupted."


    Henri-Georges Clouzot's film, "Le Corbeau" is set in the French village, St. Robin. The town appears peaceful, but life is disrupted when anonymous poison pen letters begin to appear. The spiteful letters are signed "Le Corbeau" or "The Raven", and outsider, Dr Germain (Pierre Fresnay) is a main target. Within 2 months, 850 letters are received by various townspeople. Some of the letters are accusations of adultery. Some of the letters are accusations of theft. No one is safe from the prying eyes of the mean-spirited letter writer.

    The villagers vacillate back and forth between suspects, and they even form a mob at one point in an attempt to silence the suspected letter writer. One official has the brilliant idea that if they could just get rid of Dr. Germain, then perhaps the problem would just go away.

    Accusations are met with counter accusations. Everyone is a suspect. The villagers watch their neighbours, and the atmosphere of distrust builds to unbearable proportions. Ultimately it doesn't matter if the accusations are lies, rumours or true. The damage is done, paranoia reigns, and the social structure of the town is ripped apart.

    The film emphasizes the idea that there are no normal relationships in this fundamentally unpleasant town. A conspiracy of silence exists regarding the activities of Dr. Germain, who--it's rumoured--specializes in "relieving vulnerable women of unwanted burdens." Dr. Germain--a man with a secret past--has relationships with two women--Laura (Micheline Francey) the lonely wife of a much older doctor, and the crippled, jealous, and frustrated, Denise (Ginette Leclerc).

    "Le Corbeau" was made during the German occupation of France, and the film is a thinly veiled criticism of the Vichy regime. Director Henri-Georges Clouzot was banned for life from French cinema for making this film, but he returned to film a few years later when the political climate in France changed. The black and white film is excellent quality, and film buffs will find it worthwhile to watch this subversive film that managed to alienate all sides of the French political spectrum. In French with English subtitles--displacedhuman

    Lies and deceit are a plague among us


    "Beware! I see all and tell all." So quoth the Raven, the pen name of the mysterious writer of poison pen letters that has plagued a small town in France with suspicion, fear and anxiety. Since this film was made by a Frenchman under a German controlled studio during Nazi occupied France in 1943, there is a subtext not necessarily explicit in the film itself, but nonetheless pervades its very essence. In Le Corbeau, Dr. Remy Germain becomes a victim when letters start circulating that accuse him of having an affair with a married woman and of being an abortionist. Both of these accusations are false but do contain half-truths, and it is the unfortunate tendency for groups of people, usually motivated by fear, to assume the worst. Furthermore, Germain is an outsider, in that he refuses to participate in gossip and avoids social clicks, which ironically makes him a target. Soon he will find himself under suspicion and alienated. Since virtually every member of the community has some skeleton in their closet, they would much rather turn their ire on the accused than risk having their own affairs aired by The Raven. And so the drama escalates to a crisis where Clouzot does not even spare the victim of blame. By assuming a position of detachment, Germain has turned a blind eye and thereby contributing to ignorance which only provides fuel for the Raven and the lies and deceit spread like a plague.


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