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DVD Coogan's Bluff:

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  • Actor(s): Clint Eastwood - Lee J. Cobb 
  • Director(s): Don Siegel 
  • Editor: Universal Studios Ho
  • Category: Feature Film-drama
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    List Price: $14.98
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  • DVD Coogan's Bluff


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    Review(s): DVD Coogan's Bluff
    EASTWOOD WINS AGAIN


    I NEVER CEASE TO BE AMAZED AT THE FLEXIBILITY OF EASTWOOD'S ACTING. HE AND CHARLES BRONSON ARE TRULY GREAT ACTORS.

    Cowboy cop in New York


    Arizona Deputy Coogan (Clint Eastwood) is assigned to go to New York City and escort a young punk (Don Stroud) back to Arizona for trial. This is a solid, if forgettable, early pairing of Eastwood and his friend, director Don Siegel, who would go on to make the unforgettable crime classic "Dirty Harry" a few years later. "Coogan's Bluff" is mostly a fish out of water story, a cowboy lost in the urban maze of Manhatten, although he always manages to get the upper hand, and is not as dim as all the city slickers imagine him to be. Susan Clark is thrown in as a rimantic interest for Coogan, although her contribution to the plot is to be the parole officer of a girl who knows where to find Eastwood's prisoner. Eastwood is, well, Eastwood, he dosen't change much in any of his movies, always the strong, silent type. Lee J. Cobb is pretty good a the big city detective who tries to keep Coogan from interfereing with the city's efforts to get the prisoner. It was doing alright until the scene where Eastwood goes into a very hippie hash rave. It is in this one scene where Eastwood seems totally out of his depth. I know it was supposed to show Coogan's discomfort and alienation, but I still didnt care for it. Still, it's pretty cool, a good way to kill a few hours.

    On the side of the law . . .


    The year 1968 was a busy one for Clint Eastwood, as Hang em High, Where Eagles Dare and Coogan's Bluff, all hit the big screen. Coogan's Bluff marks the first collaboration between Eastwood and director Don Siegel. The pair would team up in five other films, including Dirty Harry.

    Deputy Sheriff Coogan (Eastwood) is an Arizona lawman sent to New York City to bring back extradited prisoner James Ringerman. A routine matter becomes complicated when Coogan is ambushed, and Ringerman escapes custody, leaving the chagrined lawman with bump on the head, and a burning desire to recapture him. Lee J. Cobb delivers a blustery performance as Lt. McElroy, the NYPD detective in charge of the case, exasperated by the out of towner's failure to follow established protocols. Employing the methods that served him well in Arizona, Coogan adapts to life in the big city as he tracks the fugitive, with a disturbed McElroy following in his wake. While not terribly deep, this is a very entertaining tale of pursuit set in the psychedelic 60's. Urban life is portrayed none too warmly, as city dwellers seem to prey on each other. The look at the clash of cultures is interesting, though brute force seems to work wherever you are. Eastwood became a star in spaghetti westerns, and while still playing a cowboy of sorts, he begins his transition to the cop roles that would become a standard for him in the 70's.

    The supporting cast is terrific. Don Stroud is ideally suited to the role of Ringerman, and his performance is nearly flawless. You really want to slug the guy. Susan Clark is very good as a somewhat idealistic probation officer, smitten with the ways of the man from out west. Trisha Sterling's quirky off beat performance as Ringerman's spaced out girlfriend, "Linny Raven" is also well done. Sterling is the daughter of actress Ann Sothern. Also appearing in his first Eastwood film is Albert Popwell, the actor probably most well known for being asked at gunpoint if he "felt lucky" in Dirty Harry.

    Thought of as a precursor to the TV program McCloud, Coogan's Bluff is grittier, and has a shorter time frame that compresses the action and raises the level of tension as it focuses on pursuit. The Eastwood/Siegel collaboration gets off to good start in the Big Apple. This is the also the first Eastwood film to feature a score by composer Lalo Schifrin. Highlights are his rousing opening theme, and the wacky Pigeon-Toed Orange Peel nightclub number. Ah yes, do you remember the 60's?



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