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DVD Stray Dog - Criterion Collection:

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  • Actor(s): Toshirô Mifune - Takashi Shimura - Keiko Awaji 
  • Director(s): Akira Kurosawa 
  • Editor: Criterion Collection
  • Category: Foreign Film - Japanese
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    List Price: $39.95
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  • DVD Stray Dog - Criterion Collection


    A classic crime film steeped in the vivid environs of postwar Tokyo, Stray Dog is arguably Akira Kurosawa's finest film preceding the international success of Rashomon. A classic theme--the identification between criminal and crime fighter--is presented here in one of its earliest incarnations, as a promising young detective (Toshiro Mifune) struggles to retrieve his stolen pistol. The missing gun is used in a robbery and murder, and Mifune's superior (Ikiru's Takashi Shimura) is caught in the case's volatile crossfire. As the detective closes in on his lethal alter ego, his own moral compass spins out of control, into a psychological tempest that inspires Mifune to give one of his best early performances. Using real locations and a sense of sweltering heat rivaled only by Do the Right Thing, Kurosawa (who first wrote this film as an unpublished novel inspired by an actual incident) maintains an atmosphere of lurid urgency perfectly suited to this riveting film noir scenario. --Jeff Shannon
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    Review(s): DVD Stray Dog - Criterion Collection
    A story that has real meaning in today's world.


    "Stray Dog" is a story about a Japanese veteran who comes home to a destroyed world after W.W.I.I.. Many veterans returning home today could probably relate. Director Kurosawa did a magnificent job relating a world in total colapse, and illustrating the strugle that everday people had to go through to survive and go on living.
    Being a history buff, I found the scenes of life in Japan after the war to be very enlightening.

    Slow to start, but then it really picks up!


    Actually, I give this 3 1/2 stars. I'm a big Mifune/Kurosawa fan, but the extremely slow start of this movie really took it down a notch or two. I thought the expository monologue in the beginning was rather dissapointing. I would have expected Kurosawa to just "show" that happening rather than have it explained to you. Also, the sequence with Murakami (Mifune) walking through the rough parts of post-WWII Tokyo was a bit longer than it had to be. The footage was very interesting, but it just seemed to slow the pace of the movie down to a crawl.

    However, once Murakami picks up the trail of his stolen firearm, the pace pf the movie picks up as well. You could feel the atmosphere of sweltering heat as Murakami and Sato (Shimura) make their way through the investigation. It's also interesting how Sato has a black-and-white view of the criminal mind whereas Murakami can see the shades of grey. For Murakami, not all criminals are "just bad people", sometimes they're just average folks pushed to the edge by harsh circumstances. Both Murakami and the man he is pursuing have had similar experiences, yet both men made completely different choices when they found themselves at a crossroads. This is a fascinating story about despair, choices, and consequence. Any Mifune/Kurosawa collaboration is worth checking out. While this one doesn't measure up to others quite as well, it's still worth a look.

    Lastly, Criterion did an excellent job with this movie: great transfer, good subtitles, commentary, a 32 minute documentary, and great interactive menus all brought to you in a very handsome package. A great buy for those who want more bang for their buck in their DVDs.

    Film Noir in Tokyo


    Knowing that "Stray Dog" was a movie by Akira Kurosawa gave me high expections and I was not disappointed. The movie starts out as a sort of beaurocratic comedy as a plain clothes officer named Murakami has his pistol stolen by a pick pocket. Despite the embarassment, it was a matter that could affect his continued employment with the force. As he starts to track down which pickpocket might have done the job, it becomes apparent that the gun has been used in a violent crime. At this point, the officer gets teamed up with an old pro named Sato and the two are on the hunt for a serious criminal.

    The plot may sound semi-standard but, as in most Kurosawa movies I've seen, the excellence isn't in the story but in its' telling. There are several scenes of Murakami wandering through Tokyo that reminded me somewhat of "The Bicycle Thief". There is a lot of psychological aspects to this movie such as Murakami's efforts to reconcile the use of his gun in the hands of a violent criminal. In the conversations between the two detectives we hear the hardened outlook of Sato on the criminal element in society. Murakami shows the occassional fine line between cop and thief which may have been Kurosawa's main point in "Stray Dog". There are many other interesting aspects to the movie and I'm sure more will emerge each time I see it. The movie has the added aspect of being a fairly good thriller.

    Toshiro Mifune plays Murakami and it seemed strange to see him clean cut throughout the movie. Takashi Shimura plays Sato and the two work very well together. All of the acting is well done as well as the directing and the writing. Kurosawa shows in "Stray Dog" that he is as comfortable in the present as he is in the past.


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