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DVD The Human Stain:

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  • Actor(s): Anthony Hopkins - Nicole Kidman - Ed Harris - Gary Sinise 
  • Director(s): Robert Benton 
  • Editor: Buena Vista Home Vid
  • Category: Mystery / Suspense
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    List Price: $19.99
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  • DVD The Human Stain


    Given the formidable challenge of adapting Philip Roth's acclaimed novel to the screen, it's a wonder that The Human Stain retains so much of what makes Roth's novel a masterpiece. As adapted by Nicholas Meyer, Robert Benton's film is inevitably a different animal altogether, and it's wide open to charges of miscasting and thematic diffusion. But at its core, this delicate drama succeeds in exposing the sins that stain all of humanity, forcing men like former welterweight boxer and esteemed professor Coleman Silk (Anthony Hopkins) to forsake family and career to conceal his African American heritage. Light-skinned and passing as a Jewish professor of classics in a tony East Coast college, 71-year-old Silk sinks into scandal when an innocent remark is misinterpreted as a racist slur, and this--along with his affair with an illiterate 34-year-old janitor (Nicole Kidman), and friendship with a reclusive novelist (Gary Sinise)--forms the crux of Benton's multilayered inquiry into the oppressive aftershocks of guilt, shame, and mourning, and the effects of judgment (internal and external) on our ability to connect. Roth's novel was one thing, Benton's film is another. Despite differing degrees of success, both are worthy of praise. --Jeff Shannon
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    Review(s): DVD The Human Stain
    A Strained Stain


    "The Human Stain" is an intense drama directed by Robert Benton who won both the Best Director and the Best Adapted Screenplay Oscars for "Kramer vs. Kramer" in 1979. He's also has 2 nominations for Best Original Screenplay Oscars for "Bonnie & Clyde" (1967) & "The Late Show" (1977) and a Best Director nomination for "Places in the Heart" (1984). His direction here might have gained more attention if the film had worked a bit better. Nicholas Meyer wrote the screenplay as he did for 1987's "Fatal Attraction" and his Oscar nominated Best Adapted Screenplay for "The Seven Percent Solution" (1976). This is the third Philip Roth novel I'm aware of to be adapted to film following "Goodbye Columbus" (1969) & "Portnoy's Complaint" (1972).

    Anthony Hopkins who has an Oscar for "The Silence of the Lambs" (1991) + 3 other nominations for "The Remains of the Day," "Nixon" and "Amistad" plays the aging professor Coleman Silk with a bravado and intensity. Phyillis Newman has a rare film cameo as his wife Iris Silk and has a wonderful heart attack scene where her arm flops uselessly. I kept wondering why Hopkins wasn't calling 911, but that might have cut the drama. Hopkins dances marvelously with Gary Sinise on the porch. Sinise who has a Best Supporting Oscar nomination for "Forest Gump" and is currently riding high on TV in "CSI New York" plays Ginger Rogers to Hopkins' Fred Astaire and does some lovely pirouettes on the porch. It's an odd scene, but it's interesting.

    Nicole Kidman who won the Oscar in "The Hours" and played in that film with Ed Harris who was also nominated for an Oscar plays Faunia Farley. She does a great character performance of a sleazy trailer park trash janitor whose hard luck story of dead children broke her heart and her spirit. Now she is pursued by crazy ex-con Lester Foley who ultimately drives her to the drink. (Pun intended.) Harris is explosive and displays more spirit in his brief role here than in most of the "Empire Falls" mini-series.

    The interesting part of the story has to do with the young Coleman Silk played by Wentworth Miller who is currently in the TV series "Prison Break" and also played in "Underworld." Miller has a brooding self-centered intensity that serves the film well. However, neither he nor Hopkins looks particularly black; so it becomes rather hard to believe. Anna Deavere Smith from "Philadelphia" (1993) and a horror flick with Jon Bon Jovi this year called "Cry Wolf" has several excellent scenes as his mother who realizes that her race makes her not good enough for her ambitious son. Jeff Perry from TV's "Nash Bridges" (who I knew long ago from Illinois State) does a nice cameo as a tennis player.

    The cinematography and the performances glue us to the screen. But in the end, the film doesn't quite hang together. It's a good try. It offers a good evening's entertainment, given somewhat lower than Oscar expectations. Enjoy!


    Watch for the flashbacks, not the present


    This movie would have been wonderful if the focus was on Coleman's flashbacks to his college years, not on the jumbled-up present of his life. While the segments with Nicole Kidman's character drag on, the flashbacks present a wonderful picture of what it was like to be of a racially mixed background during racial tumultuous times. Wentworth Miller is wonderful as the young Coleman Silk (a role that should have given him more movie clout), and Anna Deveare Smith is stoic and touching as Silk's mother. Gary Sinise and Ed Harris shine in their present-day roles, but Anthony Hopkins and Nicole Kidman are by far the weakest links in this movie. Or, perhaps, their characters are by far the weakest links.

    A Moral Stupidity


    From the other source, this film had a relatively low review, but I think it is a good film.

    What this film makes great is the great story. I have not read the book, but I am sure it is as good as this film or even better.

    The story itself is very sad but written so beautifully that its beauty can over-ride the sadness. The past scenes and present ones appear quite often in the way that reveal and unwind the secret. It is a drama, but I think this is more than that. It is a literature - a work of art... I am talking about the story now.

    I am happy with the music and photography of the film. Also I find the acting great. The voice of Coleman's young lover sounded like it was always directly from a microphone, and I like the effect because it suites the way she speaks and also describes how this lady's existance sinks into Coleman's mind as though she was a nutrition he was missing so long.

    The story is a miserable one, but which great literature does not contain a misery anyway?


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