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DVD Powwow Highway:

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  • Actor(s): A Martinez - Gary Farmer 
  • Director(s): Jonathan Wacks 
  • Editor: Anchor Bay Entertain
  • Category: Feature Film-drama
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    List Price: $14.98
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  • DVD Powwow Highway


    Gary Farmer (Smoke Signals) is the standout in a fine film by Jonathan Wacks about an oversized Cheyenne man-child (Farmer) who decides to go on a spiritual quest, while simultaneously giving a ride to his lifelong Indian activist friend (A. Martinez). The film takes us through some pretty desolate Indian communities, but while Wacks makes a point of revealing harsher aspects of life on some reservations, the emphasis is on Farmer's delightful performance. A bonus: among the cast are Graham Greene (Dances with Wolves) and Wes Studi (The Last of the Mohicans), neither of whom were well-known in 1989, the year this film was released. --Tom Keogh
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    Review(s): DVD Powwow Highway
    Dancing to the Pow wow blues


    This movie is a true classic. It is a must see for those who really want to see what Indian movies are about. Better than Dances with Who? or Black Robe. This movie should be seen by everyone. It has many underlying issues of what is happening in Indian country today.

    My pony flipped me!


    Not my usual film fare, I happened to bump into this film by accident and I'm glad I did. While my knowledge about Native American culture is anything but comprehensive, I found myself swept along 'Pow Wow Highway.' A touching and funny peek into the reservation blues that are part and parcel of the American 'Indian' experience, this film touches all who take a chance on it.

    This could have another been another Smoke Signals, poignant and light-hearted, but this film has more meat to it. The reason: the very meaty and lovable Gary Farmer. Farmer's heart-warming performance as Philbert Bono---overweight warrior on his own vision quest---is reason enough to watch this film. Farmer's character doesn't say much nor does he need to. Every stare, twinkle in the eye, and puckish smile tells us everything we need to know.

    The film starts off with Philbert daydreaming in his reservation's junk yard. The ugliness of reservation reality surrounds: flimsy mobile homes and trashed-out cars, but Philbert sees beyond all that. He spies himself his 'war-pony,' a rusted-out '64 Buick and saddles up for his adventure. His quest is to become a true Cheyenne warrior. Things don't start off so smoothly as Philbert's childhood friend, the angry young AIM-er, Buddy Red Bow (A Martinez), sets out to rescue his sister. Caught with weed in her car, Red Bow is determined to set her free from the hayseed Anglo cops of the Santa Fe PD. Thus begins Red Bow and Philbert's journey of self-discovery. A journey of finding out what it means to be Native American, and more importantly, what it means to be human. Like Sancho Panza and Don Quixote, Philbert and Red Bow represent two sides of the human coin: passion and reason. Red Bow is all anger and resentment against an Establishment that has robbed, raped and killed his people for over three hundred years. In every scene, we see the seething revolutionary ready to strike. At anybody. One of the film's funniest scenes is when the war pony needs a stereo. Confronted with a condescending salesman, they surprise him and buy the priciest stuff in the shop, shattering his 'impoverished Indian' stereotype. Soon installed in the pony, the new equipment doesn't seem to work, sending Red Bow into a rage, thrashing both shop and owner. And through it all, Philbert searches for and finds the problem: in the instruction manual. Think before you act. A clichéed lesson, but valuable all the same. This interplay between Philbert and Red Bow dominates the whole trip. Whereas Red Bow talks like a warrior, Philbert acts like one. With shrewdness, intelligence, dignity and most of all, humor, Philbert becomes the 'trickster' indeed, masking a deepness of character beneath his childish silliness. Red Bow bitches about the Pine Ridge Pow Wow being nothing more than 'drums in a gym,' while Philbert involves himself in every bit of his past he can. He beats the drum, he climbs the sacred Black Hills, he talks of Cheyenne legends over the CB, while Red Bow fumes and glooms. Red Bow even mistakes the Hills for 'somewhere outside Pueblo.' A grand faux pas. As a result, it is Philbert who becomes the real hero, the real warrior. His weapon is his quietly earned self-knowledge. With silent strength and subtle humour, he takes back what Red Bow with all his rebellion can't: an identity nearly destroyed through years of oppression and negligence. It is no coincidence that by the time they free Red Bow's sister (again, Philbert's doing), Philbert has transformed into his real self: Nightcloud Whirlwind, a warrior.

    The beauty of this film is that is goes far beyond social history. Pow Wow Highway shows the wide range of 'types' in the Native American community from assimilated 'collaborator' selling tribal land to mining companies to the tortured and lost Vietnam veteran (brilliantly played by Graham Greene). So wide and rich is the film's parade of characters that we forget that this is supposed to be a 'Native American' film. We see friends and family in these characters and yes, eventually ourselves. And this I think was director Wack's goal: to break down the borders set up by our labels, Native American or otherwise.

    While the ending is a bit too predictable and some characters never really get to fly (Red Bow's sister, the fellow AIM activist), Pow Wow Highway is well worth the watching. Follow Nightcloud Whirlwind as he proves the adage: its the quiet ones you need to watch out for.

    The Journey


    The journey on the powwow highway will entertain you and pull at the heart strings. Aspects of contemporary Native American culture come shining through as we follow the story of Buddy Red Bow (A Martinez), a committed AIM activist and Philbert Bono (Gary Farmer), a determined "spiritual warrior".
    Buddy and Philbert are of the Cheyenne tribe of Lame Deer, Montana. They both live on the reservation, but have very different views of the Cheyenne and of life itself.
    The two pair up and set out on a mission to get Buddy's estranged sister out of jail in New Mexico. Even though they travel together in Philbert's rusted-out car ("war pony"), they take their separate paths and conflicting attitudes with them on the trip.
    Join the pair on their journey together on this crazy road trip. As you gather insights on contemporary Native American culture, learn what guides these two men and how their "separate paths" finally meet on the powwow highway.

    You won't want to miss Gary Farmer's outstanding performance in his portrayal of the sweet, oversized, man-child, Philbert, who looks to the "old ones", sacred totems and visions to find the past and future of the Cheyenne.

    Also starring Graham Greene (Dances With Wolves), Wes Studi (The Last of the Mohicans), and Amanda Wyss. Directed by Jonathan Wacks. Winner of the Filmmakers Trophy-Sundance Film Festival 1989. -- Comedy/Drama


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