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DVD Out of Reach:

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  • Director(s): Po-Chih Leong 
  • Editor: Columbia Tristar Hom
  • Category: Feature Film-action/Adventure
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  • DVD Out of Reach


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    Review(s): DVD Out of Reach
    PURE GARBAGE


    Gee another Steven Segal BOMB, wonder what this guy is thinking about??? The story takes place in Poland and a little girl whom Seagal has befriended via penpal has been kidnapped for prostitution purposes.Seagal arrives in Warsaw and single handedly fights the Turkish mob which is behind the above mentioned prostitution ring.The finale is laughable as Stevie being fat and old as he is, proceeds to kill the bad guy witha sword!!!!

    Steven it is time 2 retire my boy.

    Huh??


    This is a rather peculiar film for Seagal, and the first thing that should be pointed out to any Seagal fan contemplating whether or not to give this one a try is that this is really not an action film. Seagal only has a couple fight scenes in the whole film and they are all extremely brief. In fact, they are extraordinarily brief, though thankfully free of wirefu.

    This film is a drama about a nature nut (Seagal) who roams the forrest looking for injured animals. He has a pen pal in Poland, a young girl, and when he hears that she will no longer be able to correspond with him he becomes so upset that he travels abroad to look for her, even though he really has no reason to suspect that anything is wrong with her, which brings up the main problem with this film, namely, a lot of it simply doesn't make any sense. It turns out that the girl has been sold to a human trafficking ring, and Seagal goes through the motions to save her.

    As per usual with Seagal nowadays, he obviously refused to actually finish the production, and so we have the usual dubbing problem here. It is even more salient than usual in this picture, however, for here we have not one, but several different people dubbing Seagal's voice, none of whom even remotely sound a thing like him. Here the most frequently heard fill-in for Seagal sounds like a knock-off Benecio Del Toro with a much higher pitched voice, and as you can imagine, the effect is very humorous.

    As stated above, the main problem with this movie is that it simply doesn't make sense, which was apparently realized by the director, as he has, in many scenes, the voice fill-in for Seagal narrating an explanation of what the character is thinking! How obnoxious!

    Seagal's character likes to teach codes and ciphers to his pen pal, which she later uses to communicate with Seagal. What makes no sense is that every time she leaves a message for Seagal, the villian, ineptly played by Matt Schultz, sees the girl doing it and yet leaves the message for Seagal to find! In one ridiculous scene the girl arranges some caviar on crackers to make a code. (Apparently three crackers of one kind followed by three crackers of another kind followed by three crackers of another kind means "This is a trap.") The villain sees her doing this, and, instead of destroying the message (which would make sense), later has it delivered to Seagal! Huh? In a scene when the girl leaves a message on a mirror telling Seagal where she is, the villian sees her doing it, comments on how clever she is, but then leaves the message!

    There are also quite of few mistakes in this film, several of which are laughably obvious. At the beginning and end of this film, for example, Seagal has long hair which looks like frizzy, black cotton candy being pulled off the back of his head. During the rest of the film, however, he has short hair. At the end, after some BS macho dialogue about how Seagal hates taking life but will enjoy killing Schultz slowly, each character uncocks his pistol even though Schultz's pistol does not have an external hammer to uncock, and even though in the very next closeup Seagal's pistol is still cocked! What follows is a swordfight that is probably Seagal's worst fight scene ever. The camera cuts between closeups of the two characters to faraway shots that are clearly of someone other than Seagal. This brings up another frequent complaint of many Seagal fans: his overuse of stunt doubles. It's almost so bad now that one could say that he doesn't even film his own fight scenes now. Have you ever noticed that in Lord Steven's early films, when there was a fight scene the camera would pull back and let you see his moves? Now what happens? The camera gets as close as possible, shows some shots of his face grunting, shows some arms playing paddycake, then pulls back showing some fighting while never showing Seagal's face. Ever wonder why? It's because, surprise, surprise, that's not Seagal doing the fighting.

    After the inept sword fight, which ends on a cliche lifted from better chambara films, notice that there is clearly no blood on the floor, and that then, all-of-a-sudden, there is a huge trail of blood between the two characters.

    In the gun fight, which is one of the only decent action scenes in the film, watch Seagal as he enters the room. His character enters the fight by doing a foward aikido roll, which is probably the simplest move in aikido, though it is obvious that it is not Seagal doing the roll. What is even more irksome is that both at the beginning and the end of the film, which shows Seagal's character "roaming the forrest looking for injured animals," or whatever, it is clearly not Seagal that we see walking through the forrest. Was he afraid that he'd trip over a branch and injure himself? Was he afraid he'd be attacked by an injured animal in the woods? I don't know. What is likely the case is that Seagal again refused to finish the shoot and some scenes had to be constructed after-the-fact, using another actor, in order to make the film work.

    Be on the lookout for the bizarre scene when Seagal goes to the post office. The postal worker calls Seagal "Mr. Delacraw," or some such bizarre name, even though his character's name is actually Billy Ray Lancing. Seagal then proceeds to mumble some French to the man, and then suddenly adopts a cajun accent. This scene is downright strange, as there is no reason for it whatsoever. What is also strange is how Seagal is dressed in this scene--like some kind of New Orleans Anne Rice fan, vampire wannabe in a strange, black fur coat. I don't know, at least it's good for a laugh.

    If Seagal continues in this manner he will quickly find himself unemployable. The only truly schocking thing is that this hasn't happened yet. He shows up late to shoots, leaves early, refuses to finish productions, and yet people keep hiring the man. He is turning into a crazed, egotistical, and ever-expanding Marlon Brando who refuses to do the requisite work for a production. The only difference is, Brando could act!

    This movie should have been called "Out of Ideas." Watch at your own risk.


    about the movie out of reach......


    The story is basically about children went missing and one of the orphan whom is Seagal's kins was also been kidnapped. His job is to get rid of all these bad ass and at the same time to save his (kins) from the hands of these kidnappers. The only thing I found in this movie is that there is a slight slow down of reaction when seagal exchange gun fires with these group of bad ass that help the kidnappers. This movie contains a blooded scene which is at the end oof the movie when Seagal killed the main kidnappers at the end of the story (blood flow out etc etc). A good recommendation to those whom are interested in this genre of movie/film...Enjoy...



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