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DVD The Passion of the Christ (Widescreen Edition)
After all the controversy and rigorous debate has subsided, Mel Gibson's The Passion of the Christ will remain a force to be reckoned with. In the final analysis, "Gibson's Folly" is an act of personal bravery and commitment on the part of its director, who self-financed this $25-30 million production to preserve his artistic goal of creating the Passion of Christ ("Passion" in this context meaning "suffering") as a quite literal, in-your-face interpretation of the final 12 hours in the life of Jesus, scripted almost directly from the gospels (and spoken in Aramaic and Latin with a relative minimum of subtitles) and presented as a relentless, 126-minute ordeal of torture and crucifixion. For Christians and non-Christians alike, this film does not "entertain," and it's not a film that one can "like" or "dislike" in any conventional sense. (It is also emphatically not a film for children or the weak of heart.) Rather, The Passion is a cinematic experience that serves an almost singular purpose: to show the scourging and death of Jesus Christ in such horrifically graphic detail (with Gibson's own hand pounding the nails in the cross) that even non-believers may feel a twinge of sorrow and culpability in witnessing the final moments of the Son of God, played by Jim Caviezel in a performance that's not so much acting as a willful act of submission, so intense that some will weep not only for Christ, but for Caviezel's unparalleled test of endurance.
Leave it to the intelligentsia to debate the film's alleged anti-Semitic slant; if one judges what is on the screen (so gloriously served by John Debney's score and Caleb Deschanel's cinematography), there is fuel for debate but no obvious malice aforethought; the Jews under Caiaphas are just as guilty as the barbaric Romans who carry out the execution, especially after Gibson excised (from the subtitles, if not the soundtrack) the film's most controversial line of dialogue. If one accepts that Gibson's intentions are sincere, The Passion can be accepted for what it is: a grueling, straightforward (some might say unimaginative) and extremely violent depiction of the Passion, guaranteed to render devout Christians speechless while it intensifies their faith. Non-believers are likely to take a more dispassionate view, and some may resort to ridicule. But one thing remains undebatable: with The Passion of the Christ, Gibson put his money where his mouth is. You can praise or damn him all you want, but you've got to admire his chutzpah. --Jeff Shannon
Review(s): DVD The Passion of the Christ (Widescreen Edition)
Not about "Passion" or about "Christ" (A waste of celluloid)
This is the worst movie NOT about Jesus ever made! Instead of making a film about Christ's life and/or his message, Mel Gibson makes a movie about what the "state" can do to another human being. If you are a twisted person who enjoys watching 2 hours of blood & torture, then you will love this gore-fest. The acting is average and there is an anti-semetic message simmering at the surface of this mess. The only interesting aspect of this film is the portrayal of Satan, who is an omnisexual hooded figure lurking in the background of several scenes. Other than that, there is nothing to recommend here. All of the actors speak in Aramaic which is distracting since one must read subtitles, but you're not missing much anyway. Instead, rent or buy "The Last Temptation of Christ", a moving, deeply spiritual film that convinced me that Jesus was indeed both God and man!
A TRUE MASTERPIECE !! SHOWS HOW STUPID NON BELIEVERS ARE
Mel Gibson created a masterpeice on the final hours of Christ.Yes its violent and bloody but thats the way it truly happened. He held back nothing. The emotion this film brings out is beyond words. Many here choose to bash religion which only shows there weak minds and empty hearts and souls. If you believe in nothing then you have nothing. Your hate consumes you and your life is nothing more than one complaint to the next. I pity you. This movie will move you in so many ways thats for sure. If it doesnt then you have no heart and are weak and in need of being pitied. "i am the truth. he that heareth my voice hears the truth" Jesus. amen WELL DONE MEL you created a vision for the ages. a movie that will inspire many for decades to come. BLESSED BE THE NAME OF THE LORD
A TRUE ACCOUNT OF OUR LORD JESUS CHRIST
Mediveal Passion Play Brought to the Screen
The Passion of the Christ is a film I doubt will ever be shown on television as an Easter Holidays Special. It interweaves high-level violence worse then you found in most horror films, the subtitling of two languages, and the brutal simplistic story of a medieval passion play. There is a single theme brought home again and again. Christ suffered for our sins.
When Mel Gibson first planned making the film, he didn't want to use subtitles. Through most of the film, you don't need them anyway to understand what is taking place. There is a visual language in the stylised costumes, and the acting.
Jesus Christ (James Caviezel) has a quiet distance from the world that shows without words he is the Son of God. Speaking, Caviezel detracts from this by delivering his lines with a wooden earnestness.
The film occurs during the last twelve hours of the life of Jesus. It isn't easy to understand the story. Gibson may think his audience will have read the New Testament. Or he didn't want this story to detract from the violence, at the heart of the film.
This violence begins when he is taken prisoner by the Jewish Temple Guards. To describe the violence he suffered here would be to detract from the graphic nature of it. Reading what happens to him, you won't be able to suspend your disbelief to believe he could have survived any of it.
The scourging of Jesus is made worse by Gibson's attention to detail. The Romans have to work themselves up to be able to do it. The sound made by the torture instruments striking into Jesus' flesh. Even when Gibson shies away from the scourging, you can still hear it. This will probably become one of the most memorable, and horrifying, sequences in cinematic history.
Between the scenes of Jesus' torment, we witness the other characters in the story. Judas Iscariot (Luca Lionello) receives his 30 pieces of silver for betraying Jesus. But he, and his money are cursed. In scenes of graphic ugliness, he is driven to madness and suicide.
The two Marys, Jesus' mother (Maia Morgenstern) and the former prostitute Mary Magdalene (Monica Bellucci) are there to witness, and react to the suffering of Jesus. It is from them, we are meant to gauge how to feel about the events unfolding on the screen.
These events are of suffering and pain. The actual crucifixion is almost a relief after the scourging. By then Jesus is a half dead, blood-splattered ruin of a man. He dies on the cross along side two common criminals. To keep the interest of his audience, here Gibson adds Hollywood touches you won't find in any bible.
You also won't find any spirituality, or goodness here. The theme of this dark movie is the pain and suffering Jesus suffered on behalf of Christians. For them, it is a gorefest held in a good cause. It is this audience the film is intended for.
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