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DVD The Reckoning:

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  • Actor(s): Paul Bettany - Willem Dafoe 
  • Director(s): Paul McGuigan 
  • Editor: Paramount Home Video
  • Category: Feature Film-drama
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    List Price: $14.99
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  • DVD The Reckoning


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    Review(s): DVD The Reckoning
    Lighting Up the Past


    If your're going to set a movie in the 14th cenutry, you can't have brighly lit interiors. That's one thing wrong with "The Reckoning," a "Name of the Rose" wannabe without the mystery or research behind it. Notice the advances of medical science, rules of evidence at trial, and burial, exhumation and autopsy practices, all non-existent at the time. Also note the ultra-arty editing and camera angles quite at odds with the sense of period. If by the end you have figured out the backstory, which is key to plot and character, it's of little use to you then.

    A rogue priest (Paut Bettany) joins some traveling actors who decide to create a real-life play about a deaf-mute woman convicted of murdering a teenage boy. In rehearsal and performance, they discover that she is innocent and the townsfolk know it. Unfortunately, what we want is a movie, not a concept, which is what we get here. It is possible to respect the one while regretting the other. "The Reckoning" is based on Barry Unsworth's novel "Morality Play," doubtless a better read than its transfer to the screen and this bare-bones DVD.

    A pity, too, because the acting by Bettany and Willem DaFoe is focused and nuanced, The concept, with its civic and moral subtexts, is tantalizing in its potential. Would that Tom Stoppard had liked the concept first, or that the late historian of the 14th century, Barabara Tuchman, could have influenced the script, which keeps doubling back on itself in an explanatory effort. "The Reckoning" is a watchable movie when with care it could have been a wonderful one. Brother Cadefael is never around when you really need him.



    An intriguing Medieval 'mystery'


    The Reckoning is an engaging but not always entirely successful medieval murder/conspiracy thriller that probably aimed to tap into the 'Name of the Rose' market only to be shelved for so long you could have mistaken it for a Miramax movie. I first saw the film in 2001 more than two years before its blink-and-you'll-miss-it theatrical release, and in the interim it went through some tweaking and rescoring, although this is mainly for the better - the ending seems a little tighter (although the fate of the killer still fails to convince) and Vincent Cassell's Norman lord is introduced much earlier into the proceedings, which helps considerably (in the previous cut he was a remote, faceless presence for most of the movie), although Gina McKee's role seems less substantial than I remember.

    There are still problems in the film, including a couple of weak performances (the usually reliable Ewan Bremner and a flat and disinterested Matthew McFadyen in particular), and the impressive set still looks more like the Spanish mountains than the Yorkshire Dales, but there's still much to admire in this tale of a priest on the run who falls in with a group of travelling actors only to find a chance for redemption when, while performing a play about a child murder in a village, he discovers that the deaf and dumb healer sentenced to hang for the crime is clearly innocent. Paul Bettany is fine in the lead, although Willem Dafoe inadvisedly succombs to the siren call of attempting a Yorkshire accent and ending up with something very odd indeed (previous victims include Donald Sutherland in 'Revolution'), and you can even spot 'Shaun of the Dead's Simon Pegg in a brief bit as a gaoler. Despite being a little too fond of overhead shots here, Paul McGuigan's an interesting director with talent to burn who has yet to make an entirely successful film, but this is still well worth a look.


    Ridiculous


    Hey folks, look! It's Scooby Doo meets CSI in the FOURTEENTH century! A traveling band of actors decides to investigate a murder??? Its the dark ages, but a one-man exhumation (in frozen ground, no less!) is performed along with a rudimentary autopsy and the details of rigor mortis are common knowledge! wow, what history books did these guys read? The production design and costumes were well done - outside of that, give me a break. No attempt was made to make the dialogue sound even remotely accurate for the times, and the pacing was tediously slow. Not a good flick overall.



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