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DVD The Wrong Man
Alfred Hitchcock was fond of telling the story about how his father discouraged his son from even the slightest criminal impulse by having young Alfred locked in a police holding cell for a brief period--a terrifying experience Hitchcock never forgot. Much of the fear from that childhood incident resonates through The Wrong Man, which is unique among Hitchcock's films in that it is based entirely on a factual case that occurred in New York City in January 1953. As Hitchcock states in a shadowy prologue, authenticity was his primary goal--including the use of actual names and locations from the case--and the film gains considerable power from Hitchcock's semi-documentary approach (a film noir style that was still in vogue when Hitchcock shot this film in 1957).
Henry Fonda is perfectly cast as the financially struggling nightclub musician who is mistakenly identified as a robber when he attempts to cash in his wife's life-insurance policy to pay for her much-needed dental work. Vera Miles is equally superb as the suffering wife, who ultimately cracks under the pressure of her husband's wrongful accusation and the drawn-out process of proving his innocence. Through all of this, Hitchcock pays close attention to the mundane details of police procedure, intensifying Fonda's desperation and the narrative tension that was Hitchcock's directorial trademark. As it happens, the strict adherence to factual detail--no matter how absurd or incredible--also renders The Wrong Man somewhat weaker than Hitchcock's classic plots, since in this case truth is decidedly stranger than fiction. Nevertheless, this is still a riveting film that fits quite nicely alongside Hitchcock's better-known films of the 1950s. (Interesting trivia: Miles--who would later appear in Psycho, was Hitchcock's first choice for the Kim Novak role in Vertigo, and Hitchcock was vocally annoyed when Miles's pregnancy prevented her from taking the role that could have made her a star.) --Jeff Shannon
"An innocent man has nothing to fear, remember that"
Apparently the innocent man has plenty to fear, and that is the subject of this curious film by Alfred Hitchcock. Although the theme of false accusation is one that Hitchcock would use repeatedly throughout his career, THE WRONG MAN is a different kind of a Hitchcock film in many ways.
This film claims to be--and in fact is--a true story (it was based upon a 1952 LIFE magazine article "The True Story of Christopher Emmanuel Balestrero") and Hitchcock went to great lengths in minimizing the fictionalization of any part of this narrative. The result is quite a serious film. Henry Fonda plays Manny Balestrero, a devoted family man who plays bass at night for local nightclub band. Based on faulty eyewitness identification, he is accused of committing a string of armed hold-ups that have been plaguing his neighborhood.
Now, in the usual Hitchcock film, the hero of the story would go on the lam, meet up with a beautiful blonde, and set about solving the mystery and clearing his own name. That does not happen here. We follow Balestrero through the tedious but very real process of being accused, processed, and jailed while his wife Rose (Vera Miles) slowly suffers a complete mental breakdown. So serious is this film, in fact, that Hitchcock forgoes his usual cameo role and instead appears during a prologue to the film explaining the film's basis in fact.
THE WRONG MAN has a documentary feel to it reflecting the considerable efforts by Hitchcock to be true to the real story. In many cases, in fact, the picture was filmed in the actual locations where the true to life events took place, including The Stork Club in Manhattan, the police precinct house in Queens, and the actual insurance office where one of the original armed robberies took place. Hitchcock even filmed in the psychiatric ward where Rose Balestrero was committed with the real doctors playing themselves!
THE WRONG MAN is not an exciting film and it lacks the usual humor of a Hitchcock outing, but it was never intended to be exciting or funny. This film is pure drama and realism, and one gets the feeling that this film was made because Hitchcock felt that it was immensely important to make. Still, Hitchcock had his reservations about his results. He once stated "it's possible I was too concerned with veracity to take sufficient dramatic license." Nevertheless, THE WRONG MAN is a remarkable film in the catalogue of realism and should not be missed.
Jeremy W. Forstadt
Great Realist Movie Influenced by Avante Garde 1950s
I found this movie to be very poignant. Especially the scenes where Rose Ballestrero (Vera Miles), is losing her mind. Some people have commented that it seems overacted. For some reason, any display of emotion in older movies is looked as campy by contemporary audiences. Maybe people need to stop referring to their own emotions as the way "everyone acts" and start having an open mind. Realism doesn't mean imposing your definition of "real" on everyone else. It certainly doesn't mean imposing your "reality" on a film that is empathetic to its characters, from fifty years ago.
A very dark and poignant film based on a true story.
This review is for the 2004 Warner Brothers DVD.
This movie is in effect a real life documentary of man being arrested and tried for crimes he did not commit. Henry Fonda stars as Manny Balestrero, a New York nightclub bass player who is arrested for a series of armed robberies. Balestrero has a wife named Rose (Vera Miles) and two sons, so his surprise arrest puts a huge financial and emotional burden on this family. The movie is very detailed as it goes through the entire legal process of his interrogation, arrest, arraignment, legal counseling and finally his trial.
This is a very serious movie and it's a clear departure from other mid-50's Hitchcock American films. The movie is shot in full-screen black and white, and has a very noir-type look. The soundtrack also doesn't sound like it's from a studio orchestra but rather a jazz band with it's very prominent score as opposed to being just background music. I liked the movie, but didn't love it. It seemed like Hitchcock went through the motions on this one but it does have a very strong ending. Overall, the film is emotionally draining and uses very little artistic creativity, but it's obvious that Hitchcock did not intend to entertain his audience but rather send a sobering message regarding how fragile life is. To it's credit, the film also reveals a message of divine intervention when we turn to God in our time of deepest pain.
The DVD transfer very sharp but some tiny deterioration was noticeable periodically throughout the film. The sound is excellent as the music soundtrack sets an important tone to the movie. The extras include a short documentary analysis of the film.
I've been a big fan of Hitchcock since I saw the movie "The Birds" in the late 1960's and since then I thought I'd seen all of his movies on either video, TV or the big screen at some movie festivals. I recently bought the nine DVD "Signature Collection" and had seen all but two movies, one of which was "I Confess". I really didn't know what to expect and was a bit disturbed with the artwork which shows a priest holding a beautiful woman.
The storyline involves an immigrant named Otto Keller (O.E. Hasse) who works as a maintenance man in a Catholic Church in Quebec. One night Otto comes into the cathedral and sees a priest named Father Logan (Montgomery Clift) and asks the priest hear his confessions. Otto... More Info about this DVD Actor(s): Montgomery Clift - Anne Baxter Director(s): Alfred Hitchcock DVD Release Date: Released the 07 September 2004 Usually ships in 24 hours
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I love all of Hitchcock's movies, so it's hard to pick a favorite, but this one would be near the top. The plot is full of suspense and humor, the actors are perfect in their respective parts, especially Marlene Dietrich and Jane Wyman. Any movie where Marlene sings is a must-see anyway, much less in a Hitchcock movie! Lots of comic bits sprinkled throughout the movie offset the suspense and deadly points perfectly. When I first saw the movie years ago, I was completely fooled right up to the point with Wyman and Richard Todd hiding beneath the stage. But I still watch the movie about once a year and thoroughly enjoy it every time. A must for any Hitchcock fan who may have never seen this true gem. More Info about this DVD Actor(s): Jane Wyman - Marlene Dietrich - Richard Todd Director(s): Alfred Hitchcock DVD Release Date: Released the 07 September 2004 Usually ships in 24 hours
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A suave tennis player (Ray Milland) plots the perfect murder, the dispatching of his wealthy wife (Grace Kelly), who is having an affair with a writer (Robert Cummings). Amazingly, the wife manages to stave off her attacker, a twist of fate that challenges the hubby's talent for improvisation. Alfred Hitchcock wisely stuck to the stage origins of Dial M for Murder, ignoring the temptation to "open up" the material from the home of the unhappy couple. The result may not be one of Hitchcock's deepest films, but it's a thoroughly engaging chamber movie. It also features Grace Kelly at her loveliest, the same year she made Rear Window with Hitchcock. Dial M for Murder was filmed in the briefly trendy 3-D process, and Hitchcock shot some scenes to bring out the depth of... More Info about this DVD Actor(s): Ray Milland - Grace Kelly Director(s): Alfred Hitchcock DVD Release Date: Released the 07 September 2004 Usually ships in 6 to 7 days
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The first of Alfred Hitchcock's World War II features, Foreign Correspondent was completed in 1940, as the European war was only beginning to erupt across national borders. Its titular hero, Johnny Jones (Joel McCrea), is an American crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, his nose for a good story (and, of course, some fortuitous timing) promptly leading him to the "crime" of fascism and Nazi Germany's designs on European conquest.
In attempting to learn more about a seemingly noble peace effort, Jones (who's been saddled with the dubious nom du plume Hadley Haverstock) walks into the middle of an assassination, uncovers a spy ring, and, not entirely coincidentally, falls in love--a pattern... More Info about this DVD Actor(s): Joel McCrea - Laraine Day Director(s): Alfred Hitchcock DVD Release Date: Released the 07 September 2004 Usually ships in 24 hours
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Repeated viewings can't dispel the shock of the final scene in this classic 1941 romantic mystery--a brief but disorienting confrontation that suddenly inverts the heroine's mounting conviction that she's married a murderer, forcing us to reconsider virtually every scene and line of dialogue that's preceded it. It's a masterful coup de grace for director Alfred Hitchcock, who has built a puzzle around the corrosive power of suspicion, threaded with deft ambiguities that toy with dramatic conventions and character archetypes in nearly every frame.
As embodied by Joan Fontaine, who nabbed an Oscar in this second outing with the director, Lina McLaidlaw is a buttoned-up, bookish heiress whose prim exterior conceals longings for a more engaged emotional life. Her solution materializes in... More Info about this DVD Actor(s): Joan Fontaine - Cary Grant Director(s): Alfred Hitchcock DVD Release Date: Released the 07 September 2004 Usually ships in 24 hours
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