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DVD Jane Eyre:

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  • Director(s): Julian Amyes 
  • Editor: BBC
  • Category: Feature Film-drama
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    List Price: $14.98
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  • DVD Jane Eyre


    Jane Eyre--the mother of all gothic romances--gets abundant passion in this 11-episode BBC miniseries. Young Sian Pattenden is wonderfully willful and impetuous; viewers will immediately identify with the child Jane as she fights against ill-treatment at the home of her aunt and at boarding school. It's a shame to see her grow up into Zelah Clarke--until Clarke asserts her own quiet yet fierce spirit. The plot really starts rolling when Jane takes a position as governess at Thornfield, a handsome estate owned by the imperious and tortured Mr. Rochester (Timothy Dalton, a few years before he became James Bond). From there, this 1983 adaptation rips through the perilous highs and devastating lows of Charlotte Bronte's powerful novel, in which the courtship of these two prickly personalities gets twists and turns galore. Though the visual style is a bit pedestrian, the well-crafted script and skillful performances grow more gripping with every episode. The necessary feverishness springs from simple yet effective means, like macabre laughter floating down the halls of Thornfield. The scenes between Clarke and Dalton crackle with chemistry; Bronte fans will not be disappointed. --Bret Fetzer
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    Review(s): DVD Jane Eyre
    Timothy Dalton Gives an Unforgettable Performance


    I first saw this version of Jane Eyre when I was in college in the '80s. I'd never seen a repeat of it, but this Jane Eyre stayed in my heart until 2005 when I happened to see the DVD version. I bought it and have watched it over and over again since then.

    I love this version's period setting--a grand castle, lush grounds and Victorian furnishings. Most of all, I love Timothy Dalton's portrayal of Rochester. Rochester is just as I imagined him to be from reading the book as a child--at times coarse, haunted, mysterious, engaging, commanding, assertive and desirable. (I will never know why Jane did not find him handsome; perhaps had she been less interested in the carpet, she could have seen the male beauty that was before her. Dalton is handsome, indeed, in a rugged sort of way.) This actor expertly delivered long, 18th-century dialogue in a believable way. His acting range is astonishing. From giggles to tears to female impersonation, Dalton's Rochester had me riveted and sympathizing with him, despite his "insolence."

    I'm very happy with my purchase. No version of Jane Eyre equals this one as far as I'm concerned.

    True to the book, almost to a fault


    Despite the low production values (I think most of it was shot on video rather than film, which is entirely excusable given the budget constraints of older BBC productions), this is the best motion picture version of Jane Eyre I have ever seen. The credit for this goes, in my opinion, almost entirely to one person: Timothy Dalton. He portrays Rochester perfectly, and I say this because [enter lit geek] I actually watched this once while following along with the book, and Dalton matched Bronte's descriptions of Rochester's inflections, facial expressions, and emotions scrupulously and to great dramatic effect. (Seriously, anyone inclined to do this should look at the proposal scene. It's uncanny.) [exit lit geek] Dalton is able to convey the many contradictions in Rochester's character and actions--his world-weariness, his humor, his surliness, his kindness, his depression, his barely contained passion, his selfishness, and his subtle, somewhat sinister, manipulativeness. For example, watch the manic matter-of-factness in his face when he says "It's not because she's mad that I hate her!" Watching Dalton, you can see why Rochester poses both a great temptation and a monumental threat to Jane--why she is so attracted to him, and yet has to leave him. My only criticism of Dalton as Rochester is that he is a bit too handsome, but I'm not complaining.

    I must agree with those who said that Zelah Clarke looks a bit too old to play Jane (Physically, Samantha Morton--1997--looks the part more than any other Jane Eyre I've seen.), and I need to add that Clarke's enunciation kind of bugged me, but otherwise I think she does an excellent job. Whether trading barbed witticisms or exchanging painful confidences, Clarke and Dalton interact with humor, affection, and intensity.

    The one problem with this version, and it is probably a direct result of sticking so close to the book, is that some of the speeches seem to go on a bit too long. But then, this production is more like a play than a movie, so soliloquies don't seem out of place. People who enjoy theater productions (and by this I don't mean _Cats_ or _Beauty and the Beast_) will probably get a lot more out of this production than those who are primarily used to Hollywood films.

    An Error for Eyre


    The horrible quality of this production is a disgrace. It reminds me of when grandma watched Dark Shadows. The interior shots look like a bad soap opera. I kept praying for more exterior shots so I could see some sort of quality. If you are thinking this will be a Colin Firth Pride and Prejudice, trust me you will run SCREAMING for the nearest moor. Timothy Dalton, an outstanding actor in my opinion, loses all appeal. Even he can't overcome the tragic quality of direction, lighting, sound and set. But really who could.



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