Yes, the ending was made corny in this version, but the on location scenes at Cao Dai Temple and Continental Palace are wonderful! I was in Viet Nam in the 60s, long before home video, and so seeing this, filmed in some on my favorite places, is worth the cooked up non GG patter near he end.
I just saw this on French TV and loved it. Will get the DVD now.
A Symphony of Dialogue
The movie, "The Quiet American" isn't all that interesting a story, but the acting is so damn good that it is fun to watch.
Michael Redgrave is perfect as a cynical burned-out journalist fed up with Vietnam, and the futile French effort to save it from itself and preserve their pre-WWII empire that no longer exists. Redgrave is a man of middle age, more concerned with the menu than the music of the nightclub, he is hanging on to life by a slender thread.
Audie Murphy fits well the role as an earnest young American. The paths of the two soon cross in a Saigon hotel, where Murphy's eye is caught very quickly by Redgrave's native girlfriend. Straight away Murphy invites himself to dinner with them and politely but persistently begins to push the older Redgrave aside. However, despite all his wallowing in middle-age self pity it turns out Redgrave still has a few tricks up his sleeve.
Occasionaly Murphy and Redgrave find themselves negotiating the treacherous terrain of Vietnam together and in one moment when Murphy pushes Redgrave into a rice-patty to avoid a Communist patrol Redgrave replies, "Who asked you to save my life, we're not a couple of movie Marines, you're not even going to get the girl in the end!" This line seems ironic being delivered to Murphy who in real life was one of America's most decorated WWII vets and who once played himself in a movie about his expereinces.
Redgrave's acting maintains your interest in the rather banal story and near the end we also get a very strong performance from Claude Dauphine as a French police Inspector.
Romantic Triangle Symbolizing Colonialism
This film was based on the novel of Graham Greene set in 1953 French Indo-China (now Vietnam). It starts on Tet, the Chinese New Year and shows the traditional celebration. Then we see a dead body by the bank of the river. The people flee before the police arrive! The police bring in the English journalist for questioning; he is the prime suspect. The answers start to paint the picture of this quiet American. He represented the "Friends of Free Asia", a charity that tried to do good in French Vietnam. Fowler (symbolic name), the jaded cynical reporter, contrasts to the young fresh Pyle. Phuong represents the Vietnamese people, wise in years but seemingly young. Pyle acts surprised by the life of the dancing escorts, as if there were nothing like this in Texas or New York, or the college towns of America.
The American reporter Granger criticizes the French military, directed from Paris and based on 19th century plans. (How will this change in the 1960s?) Pyle travels to see Fowler, to bring him a message. Fowler acts cranky and bitchy, suggesting some personal problem which can't be mentioned. The romantic triangle symbolizes the Old World - New World conflict over the colony of Vietnam. Who is to become the colonial power?
James Michener's "Sayonara" tells of American policy regarding marriage. Could Pyle get permission to marry someone with the background of Phuong? Or could this be a ruse to recruit Phuong and build a network of informers? Pyle is importing plastics to create a new industry in Vietnam. Where would the dollars come from, the import regulations, the machinery, etc.?
Action begins on the trip back from the Cao Dai festival. Pyle's car is sabotaged, Fowler's car runs out of gas. They take refuge in a fort, and begin a philosophical discussion on global politics. They escape before the fort is destroyed. Pyle saves Fowler's life when hiding in the swamp (symbolizing American savoir-faire and the involvement in WW II). Fowler's wife will not grant a divorce, but Fowler lies about this! Dominguez brings a secret story to Fowler, about containers of "Diolactin", that connect back to General The and Pyle. Hints are given to Fowler to allow him to connect the dots. But the truth is found out about the letter, and Fowler is rebuked by Pyle. Fowler sees the bicycle bombs go off, and Heng provides more facts. (Can't Fowler do any investigating on his own?) After the bombing at the Continental Hotel, Fowler spouts the words that were programmed into him. Fowler's jealousy blinds him to his being manipulated, and he invites Pyle to his apartment. Pyle tells how a Vietnamese in America will become the next Vietnamese leader! When Fowler learns that Pyle will take Phuong away, he signals the Communists. Pyle will not see another dawn. Symbolically, Fowler reads a passage on jealousy.
Inspector Vigot catches Fowler in a lie about when he last saw Pyle, a sign of his guilty knowledge. Fowler is left alone as Phuong leaves him. A gossip columnist will use this in a story! Fowler loses all at the end, its too late for him, The film doesn't explain the reason for the death of Pyle. To cause an American protest? Does the Vietnamese Manufacturing Association want to eliminate foreign competition? The ending is very talkative, but never explains why Pyle was made a target for assassination. If Phuong keeps drinking those milk shakes, she will have to get new clothes. Read the novel for the true ending.
[Why is a "quiet American" remarkable? The free speaking without oppression is due to the First and Second Amendment to the Bill of Rights. Are they still operational?]
Samuel Fuller came up with one of his gutsiest "headline shots" for House of Bamboo: Mount Fuji, in CinemaScope, framed between the boots of a U.S. soldier lying murdered on a snowy Japanese embankment. Happily, the movie that follows is no letdown. This brutal gangster film was the first American production to shoot in Japan, and Fuller exploits his locations to the max, up to and including a climactic gun battle around a Tokyo rooftop facsimile of the turning Earth. Officially the screenplay is credited to Harry Kleiner, with Fuller cited for "additional dialogue"; in actuality, the 20th Century-Fox movie transplants the basic premise of the Kleiner-scripted Street with No Name (1948) from an American Midwest town to Tokyo, but otherwise the picture is unmistakably... More Info about this DVD Actor(s): Robert Ryan - Robert Stack Director(s): Samuel Fuller DVD Release Date: Released the 07 June 2005 Usually ships in 24 hours
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An amazingly effective film noir action movie, shot on location in New Orleans in 1950, that has twists of plot and explosions of violence that can still make audiences gasp. Elia Kazan, of all people, directed this story of a public health worker (Richard Widmark) and a police detective (Paul Douglas) who have only a few hours in which to capture some fleeing felons who may be infected with the plague. The bad guys are played, with enormous relish, by Jack Palance and Zero Mostel, the latter only a few years before Kazan ratted him out to the House Un-American Activities Committee. In retrospect, this modest crime picture looks like a crucial turning point in the formation of Kazan's distinctive style, a clear precursor to the blistering location work of landmark films like On the... More Info about this DVD Actor(s): Richard Widmark - Paul Douglas - Barbara Bel Geddes - Jack Palance Director(s): Elia Kazan DVD Release Date: Released the 15 March 2005 Usually ships in 24 hours
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I agree completely with "Ohio Guy"........these are some of Gary Coopers best movies BUT the studio, instead of spending a little on restoration and packaging them individually, chose to go the CHEAP way and made them a set. The transfers are marginal at best and the picture quality is no where what it should be to be viewed on big screen TV's. Come on Amazon.com.....pay attention to YOUR customers and force the studios to do a better job of restoration. There really are customers out here who don't want knock-offs and who consider what is being done to these great films a true injustice and also a RIP-OFF....!!!!!!!! More Info about this DVD Actor(s): Gary Cooper DVD Release Date: Released the 31 May 2005 Usually ships in 24 hours
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This silky smooth film noir pits gruff police detective Dana Andrews, stiff and blunt in his street-bred manners, against a cultured columnist and acidic wit (Clifton Webb at his prissiest) in a battle of wits during a murder investigation. The cop is a romantic hiding under a hard-boiled exterior who falls in love with the beautiful victim through the portrait that hangs in her apartment. Gene Tierney, whose heart-shaped face mixes the exotic with the girl next door, brings the poise and calm of a model to her role as the object of every man's gaze and the target of a killer. Laura, handsomely shot in dreamy black and white, is the first and best of Otto Preminger's cool, controlled murder mysteries. In the gritty world of film noir it remains the most refined and elegant example... More Info about this DVD Actor(s): Gene Tierney - Dana Andrews Director(s): Rouben Mamoulian - Otto Preminger DVD Release Date: Released the 15 March 2005 Usually ships in 24 hours
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The long-awaited emergence of Nightmare Alley into the light of DVD should achieve two things: make a legendary film noir available to a new generation, and restore the horrific charge to the lately watered-down term geek, a concept that once had the power to give people very bad dreams indeed.
To his lasting credit, Tyrone Power--20th Century Fox's extraordinarily handsome but not terribly interesting star of the '30s and '40s--begged for the chance to play Stan Carlisle, the predatory charmer who snakes his way through this bracingly unwholesome story. A spieler for--and lover of--carnival mind reader Zeena (Joan Blondell), he displays uncanny skill at "reading" the susceptible rubes, including a tough sheriff who turns to jelly after Stan psychs him out. Once Stan's... More Info about this DVD Actor(s): Tyrone Power - Joan Blondell - Coleen Gray Director(s): Edmund Goulding DVD Release Date: Released the 07 June 2005 Usually ships in 24 hours
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