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DVD Suspect Zero (Widescreen Edition):

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  • Actor(s): Aaron Eckhart - Ben Kingsley - Carrie-Anne Moss 
  • Director(s): E. Elias Merhige 
  • Editor: Paramount Home Video
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  • DVD Suspect Zero (Widescreen Edition)


    If you're into serial-killer thrillers, you'll want to see Suspect Zero if only to soak up the genre's reliable penchant for creepy atmosphere and creepier behavior. Dark, anguished, and saturated with superficial style, it's a passable exercise in mystery from E. Elias Merhige, who fared better (both critically and artistically) with his acclaimed 2001 film Shadow of the Vampire. The directorial vision evident in that film is also apparent here, but it's pretentiously over-indulged in a grisly plot about the tormented victim of a secret, psychically abusive crime-fighting program (Ben Kingsley) whose pursuit of serial killers in New Mexico is designed to lure a similarly tormented FBI agent (Aaron Eckhart) and his understanding partner (Carrie-Anne Moss) into an investigation that grows increasingly violent and tragically intense. Like Eckhart's character, you may need a handful of aspirin after subjecting yourself to Merhige's visual excess, but as yet another variant of Seven, Suspect Zero scores points for attempting something different. --Jeff Shannon
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    Review(s): DVD Suspect Zero (Widescreen Edition)
    Who's Next?


    Kingsley does a typically stand-up job playing O'Ryan, who comes across alternately as heroic, demented, charismatic, and alarming. Carrie-Anne Moss's character seems to have been thrown in to get her name on the playbill - adding some more contemporary star power, and perhaps drawing in a different demographic than might be suggested by Kingsley's lead role. Moss seems uninspired in her role, delivering lines with the same insipid, insouciant monotone as in the Matrix, and failing overall to bring much emotion to the screen.

    Moss aside, the movie is an enjoyable evenings entertainment, which blends a fairly typical murder mystery with enough from the paranormal and government conspiracy camps to generate some interesting conversation. Its not the sort of ground-breaking film that stays with you (like Se7en or 12 Monkeys), but it is an enjoyable, dark adventure that I'd put on the shelf next to Kiss the Girls.

    I'll start this section with a summary: disappointing. With a very few exceptions, the well-populated features list on this disc is a bunch of typical fluffy PR stuff, thrown on I suppose to pad this Widescreen Collection entry. That being said, there are a few gems in here, identified below.

    Director E. Elias Merhige's Commentary: I'll start with the best feature first: Merhige speaks as an auteur and offers a truly first class commentary to accompany the film. Many commentaries seem to get lost in the mundane details of a given shoot - the heat of the sun in a desert scene, or how a shot was taken at a particular angle. Merhige sticks to his territory - which is artistic, inspired direction. In the light of contemporaries like Se7en or Memento, Suspect Zero stands as a good, but fundamentally unexceptional peer until you listen to this commentary and get an understanding of the level of thought that went into each scene. Merhige deconstructs each shoot's artistic and philosophical components, and also frequently contextualizes them within the framework of the entire file - other directors, take note. A commentary gives a director (or cast and crew member, for that matter) a real opportunity to commune with the viewer and communicate their vision; Merhige's success at doing so makes other films rambling and inane commentaries seem really pointless in comparison.

    Remote Viewing Demonstration: If you expect director E. Elias Merhige to be able to sit down and successfully conduct a remote viewing, you'll be disappointed. The cast and crew does a fine job of getting sufficiently amazed about the vague coincidences between Merhige's viewing and the wanderings of the Outboard Team, but fundamentally, this is a hocus pocus exercise. This feature was just boring, self-important, and irrelevant. Save your time.

    Four Part Featurette - What We See When We Close Our Eyes: Fluff, apparently. My hope was dispelled when the interpreter hugely rolled her eyes before starting in on what the monk has just said, which - on par with the rest of these - was a bunch of mumbo jumbo with no clear intent other than to try and imbue this whole production with a vague aura of pseudo-medical and spiritual credibility. Thumbs down on these.

    Alternate Ending (I'm going to spoil it here): The alternate ending is an interesting 30 seconds to the movie, positioned one-year into the future. Its not actually an alternate, as nothing from the rest of the film is changed, but rather an extended ending. Agent Mackelway has assumed psychic-serial-killer O'Ryan's role, using his nascent remote viewing powers to actively hunt down killers. He ends up cornering his next prey at a diner, and using O'Ryan's same verbiage. Merhige explains in commentary that he thought it was too trite or simple an ending, which I agree with, although it is a nice touch that were uncertain as to whether Mackelway is operating within the law or not. The other thing about this ending is that it almost positions the movie as the start of a franchise, with Mackelway transmorgifying into some sort of Dark Hero archetype. Something tells me this won't be happening.

    A good-but-not-exceptional movie, combined with merely adequate audio and video and a generally lackluster collection of extras makes this disc worth watching, but as a renter.

    Screenplay-Writing-By-Numbers


    Let's see: a handsome detective tortured by some traumatic event in his past; a brilliant bad guy who fights like the Incredible Hulk despite his advanced age and decrepitude; a plucky female partner who saves the handsome detective's bacon at the last second; and let's not forget the abrasive and highly obtuse police sergeant.
    Just a bit formulaic, don't you think?

    Kingsly is ok


    Suspect Zero, even with Ben, is still a weak movie. It tries to be cool and gory (kinda like Seven), but it comes off a less than what it wants to be. It's gory and there's a plot line, but the line is a little weak. It eventually goes into the sappy emotional territory and loses its way.


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