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DVD Hour of the Gun:

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  • Actor(s): James Garner - Jason Robards 
  • Director(s): John Sturges 
  • Editor: Metro-Goldwyn-Mayer
  • Category: Western
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  • DVD Hour of the Gun


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    Review(s): DVD Hour of the Gun
    Excellent!


    I don't know the real history of the gunfight at the OK Corral. I saw the recent movie TOMBSTONE with Kurt Russel and Val Kilmer and found it thoroughly enjoyable but I never considered it to be "historical". It was just hysterical.

    HOUR OF THE GUN is another, older version of the story. It too is excellent and more believable as a historical drama but I have no conception that it is historical other than the recognition that Wyatt Earp, Doc Holliday, and Ike Clanton were real people; Tombstone, Arizona, Colorado, Mexico and the OK Corral are real places; and a gunfight really did take place at the corral. That doesn't matter to me because this too is a fine film and thoroughly entertaining. It has none of the comic element that TOMBSTONE had but it is a high quality western drama.

    This story begins at the famous gunfight and then continues on to examine what happened afterward as Earp and Holliday track down the Clanton gang. James Garner plays the famous marshal and does so without the humor he often brings to the screen. He portrays a relatively silent and brooding figure but he does so well. Jason Robards plays Doc Holliday. His characterization is not as memorable for its outrageousness as Val Kilmer's but it is still well done and the loyalty to a friend comes through strong.

    This is a western of a style seldom seen anymore. It is a gem.


    Sturges second, darker, better take on the Earps and the Clantons


    Hour of the Gun is easily my favorite take on the Wyatt Earp legend, with John Sturges making amends for the strangely rather unsatisfying Gunfight at the O.K. Corral with this dark, revisionist take of the aftermath that seeps with post-Kennedy cynicism. People aren't killed, they're assassinated by riflemen hiding in shadows, trials fail to see justice done, the good townspeople buy off bad guys and the motives for the Clanton-Earp feud are more political and economic than personal (Robert Ryan's Clanton is more of a calculating businessman trying to fend off encroaching Eastern conglomerates and willing to sacrifice his family to do it than the usual crooked pater familias). Throughout, James Garner's Wyatt Earp moves further away from the law as an increasingly cold-blooded desire for vengeance takes over from his principles while Jason Robards bitter Doc Holliday can do little but watch and stand dying by his side.

    With a terrific script by Edward Anhalt (who gives himself good cameo as Doc's doc) there's a neat symmetry running through the film - Clanton slinks away from the O.K Corral before the lead starts flying only to find his gang deserting him the same way at the end - enhanced by Sturges' strong visual sense, with locations always sparsely populated or streets often completely empty to emphasise the narrow focus of the conflict. Sturges' usually effortless mastery of Scope frame seems a bit forced in a couple of set-ups where you can see him lining up his actors as if blocking them onstage, but you can forgive him when he throws in an opening sequence that Sam Peckinpah borrowed for The Wild Bunch - the unscripted moment Peckinpah referred to as `the Walk thing' when the Bunch go to their final fate (Peckinpah was a great admirer of Sturges, and as even used Hour's cinematographer Lucien Ballard on Bunch). Throw in a terrific score from Jerry Goldsmith just as he entered his prime, and it's a winner.

    The 2.35:1 transfer is mostly good with a little occasional edge-enhancement. The only extra - unless you count fulscreen version of the film - is the trailer.


    Going Beyond The O.K. Corral


    Many films have been made about legendary lawman Wyatt Earp, many of them focusing on his time in Tombstone, Arizona, and the infamous gunfight at that town's O.K. Corral between him, his brothers, and Doc Holliday on one side and the Clanton and McLowery clans on the other. In fact, despite plenty of historical inaccuracies, director John Sturges came up with one of the best-known films of that incident, 1957's GUNFIGHT AT THE O.K. CORRAL. Ten years later, in 1967, he showed us the aftermath of that gunfight in HOUR OF THE GUN.

    Whereas the gunfight was the climax of GUNFIGHT AT THE O.K. CORRAL, and was placed in the middle later in 1993's TOMBSTONE, HOUR OF THE GUN begins with the gunfight itself, and then goes into the various legal entanglements that followed, as well as the revenge that Wyatt (James Garner) seeks against Ike Clanton (Robert Ryan) and his hired help. Jason Robards, though he was already too old to accurately do the role, does a good turn as Doc Holliday, who becomes Wyatt's moral conscience when it appears that Wyatt has become a vengeance seeker and stopped being a lawman.

    As has been pointed out by other reviewers here, HOUR OF THE GUN still doesn't quite stick to all the facts of the gunfight (for one thing, in reality the Cochise County sheriff's name was Behan, not Bryan, as mentioned in the film) or what happened to Ike Clanton (he wasn't killed in Mexico, nor at Wyatt's hand, but in an attempted robbery a few years after the O.K Corral incident). To add to all that, whereas GUNFIGHT was filmed in Arizona, where the events depicted took place, HOUR OF THE GUN was filmed entirely in Mexico; and even a cursory glance by a viewer can tell it's Mexico, and not the real Arizona.

    Still, as advertised, Garner and Robards deliver extremely effective performances, and Robards does deliver some sardonic one-liners courtesy of screenwriter Edward Anhalt. Although Ike Clanton's role is enlarged in this film beyond accuracy, the benefit is a solid performance of that role by Ryan, whose low-key villainy is matchless. Jon Voight also appears here (in his first major film) as Curly Bill Brocius. The flavorful score by Jerry Goldsmith, emphasizing minor keys and some Mexican rhythms, enhances the stature of this rather underrated western. It makes a perfect companion piece to other Wyatt Earp films in spite of its historical fudgings, and with this great acting on hand it is well worth viewing.


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