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DVD Search:
Actor & Director :
DVD A Face in the Crowd:

  • Rate:
  • Actor(s): Andy Griffith - Patricia Neal 
  • Director(s): Elia Kazan 
  • Editor: Warner Home Video
  • Category: Feature Film-drama
  • Availability: Usually ships in 24 hours

    List Price: $19.97
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  • DVD A Face in the Crowd


    More timely now, perhaps, than when it was first released in 1957, Elia Kazan's overheated political melodrama explores the dangerous manipulative power of pop culture. It exposes the underside of Capra-corn populism, as exemplified in the optimistic fable of grassroots punditry Meet John Doe. In Kazan's account, scripted by Budd Schulberg, the common-man pontificator (Andy Griffith) is no Gary Cooper-style aw-shucks paragon. Promoted to national fame as a folksy TV idol by radio producer Patricia Neal, Griffith's Larry "Lonesome" Rhodes turns out to be a megalomaniacal rat bastard. The film turns apocalyptic as Rhodes exploits his power to sway the masses, helping to elect a reactionary presidential candidate. The parodies of television commercials and opinion polling were cutting edge in their day (Face in the Crowd was the Network of the Eisenhower era), and there are some startling, near-documentary sequences shot on location in Arkansas. An extraordinary supporting cast (led by Walter Matthau and Lee Remick) helps keep the energy level high, even when the satire turns shrill and unpersuasive in the final reel. There's an interesting parallel in Tim Robbins's snide pseudodocumentary Bob Roberts: both these pictures have almost as much contempt for the lemmings in the audience as for the manipulative monsters who herd them over the cliff. --David Chute
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    Review(s): DVD A Face in the Crowd
    A FLAWLESS FILM


    This is such a great film, It reminds me of NETWORK simply because it follows the lines of how people will do whatever they're told, if the person telling them is in a higher position than they are. Andy Griffith pulls the character off nicely, Elia Kazan is one of my favorite directors, his style of filming makes you forget that it's in Black and white, I no for a fact he changed the way of filming, it's clear in most of today's filming, I guess it's not the director behind the camera but I don't know his name and they never get credit anyways, so it's all for Elia Kazan.

    Ain't no script, just me


    From a dirty jailhouse floor in Nowhere, Arkansas to the stage of the Grand Ole Opry in Memphis to the bright lights of New York City Elia Kazan's A FACE IN THE CROWD chronicles the meteoric rise of media star Larry `Lonesome' Rhodes (Andy Griffith.)
    Andy Griffith wasn't a polished actor when A FACE IN THE CROWD was made, and his performance consists almost entirely of sudden movements, loud sounds and kinetic energy. It's more than a little over the top, and the special on the dvd (`Facing the Past') leads you to believe that's more or less the way director Elia Kazan wanted it. If `Lonesome' Rhodes is all surface noise, Marcia Jeffries (Patricia Neal) embodies quiet depth. She's the most complex character in the screenplay, one who has to go from smoldering lovelorn frustration to confusion to pity and points beyond. Fortunately, Patricia Neal is one of the best screen actresses ever, one who is able to communicate more with one reaction shot than most actors can with a page of dialogue. Walter Matthau plays writer Mel Miller, a wryly detached cynic who, it's hinted at, carries a torch for Marcia and also carries the point-of-view of the audience. Miller is `Lonesome' Rhodes lead writer, a job that will lead him to write an exposé book entitled `Demagogue in Denim.' If the audience is able to sneer through the Walter Matthau character, we feel through Marcia Jeffries. Neal is the anchor of this project.
    It's Matthau's Miller, though, who voices one of the core messages of this movie - "You gotta be a saint to stand all the power that little box (television) can give you." A saint Rhodes ain't. In fact, he's cast more like a classic movie monster, this time decked out in cowboy hat and denim jeans rather than neck bolts and elevator boots. If Griffith plays The Monster, Marcia is Victor Frankenstein, the one with the strongest ties to this abomination, the one who can still mourn amid the rubble that follows in the wake of `Lonesome' Rhodes meteoric rise.
    The monster he becomes is one born of the media, nursed in radio and nurtured by television, abetted by businessmen who appreciate his ability to sell product and courted by politicians who demean themselves to bask in his reflected glow. A FACE IN THE CROWD is probably the first great critique of television by Hollywood. Although dated and a little corny today, as opposed to the outlandish and improbable label it held when it was made, it sure proved prophetic. Within a decade people would be writing about how politicians were sold like dish soap and detailing television's insidious and central role in the process. It's an insight that we're grown used to, almost bored with, but Kazan and screenwriter Budd Schulberg deserve homesteaders credit on this one. They were the first to give voice to what they saw as a subversion of democracy, and for that they deserve rich credit.
    Oddly, there's no commentary track on this one. I say `oddly' because this is part of the 7-dvd box set (The Controversial Classics) and A FACE IN THE CROWD is the only disk in that set without a commentary track. As a bit of compensation the dvd features, besides the trailer and the movie, a 30-minute, 2005 featurette entitled `Facing the Past.' It's a talking-head/run-a-movie-clip special that features a couple of Elia Kazan scholars, stars Griffith, Neal and Anthony Franciosa, as well as writer Budd Schulberg.



    Cognitive Dissonance


    My image of Andy Griffith as and actor and as a person has always been positive. I don't know him, he may be the biggest jerk in the world for all I know, but he has managed his public image well and has kept his name unsullied by sordid rumors, so I have always liked him.
    If your image of Griffith is the same, and you have never seen this movie, brace yourself for the cognitive dissonance you will feel when you watch this! Griffith turns in a powerful performance as a hobo troubador who is "discovered" by a small-town radio host while in jail and then uses the opportunities that unfold to rocket to fame as a canny, folksy and cynical television entertainer and pundit.
    My take after watching the movie is that Griffith's character, Larry "Lonesome" Rhodes, was always self-centered but was quite the ladies man as well. He found with Patricia Neal's help that he could use his folksy manner to get what he wanted. He also found that simple folks fell for and identified with his cornpone stories. But it was his handlers who led him to believe his own press and that his insight was indispensable in every situation.
    Kazan and Schulburg use the movie as a vehicle to show not only how television could be misused in politics, but also in advertising. With Rhodes as its spokesman, sales of a worthless energy pill soared and so Rhodes became a sought-after spinmeister in other areas as well. Television does for Rhodes what radio did for the real-life folksy musician/politician Pappy O'Daniel.
    On the romantic side, Rhodes was a real skirt-chaser, full of promises but always with his eye out for his next conquest. His come-uppance came when he jilted the woman who had helped bring him to his great heights for the charms of a groupie-like baton-twirling teenager (Lee Remick) he met when a judge at a twirling contest. The cliche is that "hell hath no fury...", and the jilted Patricia Neal lost no time in conspiring to bring him down. She got her chance when she burst in to the studio and aired for the nation to hear all of Griffith's contemptuous comments about his fan base to the bunch of "hayseeds" he used as a focus group on his show. That put a quick end to his popularity and the ranting,raving ending is really something to witness! It is left to the viewer's imagination as to whether Griffith follows through on his threat to jump from his office tower if Neal leaves him.
    I never heard of this movie until recently and bought it on the strength of a recommendation. I'm glad I did. You won't be sorry either when you add A Face In The Crowd to your DVD collection.



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