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DVD What's New Pussycat:

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  • Actor(s): Peter Sellers - Peter O'Toole - Romy Schneider 
  • Director(s): Clive Donner 
  • Editor: Columbia Tristar Hom
  • Category: Feature Film-comedy
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    List Price: $14.95
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  • DVD What's New Pussycat


    An appealing, free-floating lunacy fuels What's New Pussycat?, and there's enough of it bubbling around to carry the movie past its many defects. The cast is like a collection of terribly attractive people stumbling over each other at a disorganized cocktail party--they aren't always witty, and some of them are drunk, but there's enough going on to keep you distracted. Peter O'Toole plays a swinging London womanizer seeking help for his addiction, who makes the mistake of consulting one Dr. Fritz Fassbender (Peter Sellers), a demented psychoanalyst. Woody Allen made his movie debut here and wrote the script (much altered, to Allen's chagrin, in the filmmaking process). This movie and Casino Royale--which also features Sellers, Allen, Ursula Andress, and a Burt Bacharach song--are overstuffed '60s artifacts, brimming with mod chaos. Alas, neither film is as funny as it should be. --Robert Horton
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    Review(s): DVD What's New Pussycat
    What's new Pussicat


    Typical of the comedies of the time, the movie centers in two characters and a whole of insane situations that ocurr as they get engaged to marry each other. O'toole's character is the editor of a fashion magazine who has a hard time of giving up his carefree life for one of committment, (that much hasn't changed with new films). He seeks help with a psychoanalyst (Peter Sellers) who specializes in the subject. From there the movie takes flight with some not so unexpected twists resulting in a go-cart police chase through the French countryside. Growing up with it, this movie is one of my favorite comedies. Peter O'toole and Peter Sellers do some extremely funny work in this 60's era movie. The suporting cast includes the introduction of a very funny Woody Allen as well as some notable performances by Romy Schneider, Paula Prentiss and some good 'ol eye candy in Ursula Andress. The dialogue is well written and the balance between physical and situational comedy make this movie a very enjoyable experience, specially for those who grew up in the sixties. Burt Bacarah's music sang by Tom Jones is very nostalgic and reminds me of a time when the depiction of situations still showed certain naiveté and, to a certain extent, wholesomeness. Not to say that the subject matter of the movie, (sex), is what you want your kids to see, but this movie takes the content lightly and the humor is not as crude as today's films by a long shot. Is too bad that the makers of the film couldn't capitulate on the craftiness shown here whenever they made their next film (Casino Royale) which was, to say the least, an awfull comedy and a waist of some great talent.

    Am I hard of hearing?


    The sound quality on the DVD was atrocious. Too bad, given the great Burt Bacharach score.

    MGM disappoints again


    After a long wait for the release of this classic 60s comedy, MGM has tossed the film on its forgettable pile. For what was an extremely successful adult comedy at the time; a return for Peter Sellers after his near fatal heartattacks; the debut of Woody Allen, MGM has treated this film like the second half of a Chuck Norris double-bill. The DVD release is abysmal. It is compressed, it is not in the format of its theatrical release, the colors are washed out in MGM's usual, generic, neo-colorization process. The print is cut. Sequences have been trimmed because they are no longer politically correct. This is especially noticeable in the over-the-top Keystone Kops finale of the film. As an older viewer who saw this film in the theatre in 1965 (and many times thereafter), scenes from the original release are missing on this DVD. Although not outstanding and in questionable taste, the fact that they are missing is a disappointment. It is not a complete print of the original release. The sound mix is poor and that's being polite. How one would wish someone who is still alive and cares would give this film the kind of treatment that "Jaws" will get. I hate MGM. They used to be a studio of quality and now they are worse than Ted Turner in his colorization days.


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