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DVD The Aviator (2-Disc Full Screen Edition)
From Hollywood's legendary Cocoanut Grove to the pioneering conquest of the wild blue yonder, Martin Scorsese's The Aviator celebrates old-school filmmaking at its finest. We say "old school" only because Scorsese's love of golden-age Hollywood is evident in his approach to his subject--Howard Hughes in his prime (played by Leonardo DiCaprio in his)--and especially in his technical mastery of the medium reflecting his love for classical filmmaking of the studio era. Even when he's using state-of-the-art digital trickery for the film's exciting flight scenes (including one of the most spectacular crashes ever filmed), Scorsese's meticulous attention to art direction and costume design suggests an impassioned pursuit of craftsmanship from a bygone era; every frame seems to glow with gilded detail. And while DiCaprio bears little physical resemblance to Hughes during the film's 20-year span (late 1920s to late '40s), he efficiently captures the eccentric millionaire's golden-boy essence, and his tragic descent into obsessive-compulsive seclusion. Bolstered by Cate Blanchett's uncannily accurate portrayal of Katharine Hepburn as Hughes' most beloved lover, The Aviator is easily Scorsese's most accessible film, inviting mainstream popularity without compromising Scorsese's artistic reputation. As compelling crowd-pleasers go, it's a class act from start to finish. --Jeff Shannon
DVD Features In his commentary track, director Martin Scorsese offers his own impressions of Howard Hughes and rattles off his memories of experiencing Hughes's films. He mentions how he made Cate Blanchett watch every Katharine Hepburn film from the '30s on the big screen, and observes that Kate Beckinsale had "a real sense of the stature of a Hollywood goddess." But in general he doesn't talk much about the craft of making the film. That area is covered better by editor Thelma Schoonmaker, who also appears on the commentary track, and producer Michael Mann makes a few appearances (all were recorded separately). The picture is brilliant, but the 5.1 sound is not as aggressive in the rear speakers and subwoofer as one might expect, other than some nice surround effects in the Hell's Angels flying sequence.
The second disc collects almost three hours of features. There's one unnecessary deleted scene, and an 11-minute making-of featurette that's basically the cast and director heaping praise on each other. More interesting are the short featurettes on visual effects (including the XF-11 scene, of course), production design, costumes, hair and makeup, and score, and Loudon Wainwright discusses his and his children's musical performances. Historical perspective is provided by spotlights on Hughes's role in aviation and his obsessive-compulsive disorder, and a 43-minute Hughes documentary from the History Channel (part of the Modern Marvels series, it focuses on his mechanical innovations and spends less than a minute on his movies). More unusual are DiCaprio and Scorsese's appearance on an OCD panel, and a half-hour interview segment DiCaprio did with Alan Alda. --David Horiuchi
The Personalities of The Aviator
Click the links to explore more movies by these stars.
Leonardo DiCaprio as Howard Hughes "Sometimes I truly fear that I... am losing my mind. And if I did it... it would be like flying blind."
Cate Blanchett as Katharine Hepburn Howard Hughes: "You're the tallest woman I have ever met." Katharine Hepburn: "And all sharp elbows and knees. Beware."
Kate Beckinsale as Ava Gardner Howard Hughes: "Does that look clean to you?" Ava Gardner: "Nothing's clean, Howard. But we do our best, right?"
Gwen Stefani as Jean Harlow Jean Harlow in Hell's Angels: "Would you be shocked if I put on something more comfortable?"
Jude Law as Errol Flynn Errol Flynn in Captain Blood: "Up the riggings, you monkeys! Break out those sails and watch them fill with the wind that's carrying us all to freedom!"
Director Martin Scorsese "You get a sense of Howard Hughes being Icarus with the wax wings. Those wings were great for a while, but he flies too close to the sun." --Martin Scorsese
Other Movies by The Aviator's Oscar® Winners
Production Designer Dante Ferretti Film Editor Thelma Schoonmaker Costume Designer Sandy Powell Cinematographer Robert Richardson See all the Oscar® winners at Oscar Central
Review(s): DVD The Aviator (2-Disc Full Screen Edition)
Miscast Leo but Beautiful Production
If you can overlook the terrible miscasting of Leonardo Dicapprio as Howard Hughes then you'll probably enjoy this sumptuous rendering of old Hollywood. Martin Scorsese has this fatal quirk of using his favorite performers in movie after movie. Even when that star is totally not the right one. This is the case here where Leo looks more like a high school kid trying to act in a high school play than a quirky multi-millionaire.. The role demanded a lean, intense black-haired man, who had his own eccentric way of moving and talking. To enact this, Leo throws hissy fits in which he looks even more like a teenager. Why, oh, why couldn't Scorsese have seen beyond his infatuation with Leo and picked a more appropriate actor? Anyway, this movie is worth seeing at least once.
an entertaining film
Scorsese does a good job of displaying Hughes' paranoia and DiCapprio does an admirable job of expressing Scorsese's vision. It is a fairly long film but does keep the pace up enough to keep you into it.
The Aviator
This is by far one of the best movies that Leonardo DiCaprio and Martin Scorsese have done. The world hasn't seen such a great performance by DiCaprio since he was in "The Basketball Diaries" and "What's Eating Gilbert Grape?". He really transformed himself in recent years, even though most people say he's just another pretty boy. Hopefully he'll keep doing extroadinary work like this, and I'm glad to see that he's working with Scorsese! I would never have thought that he would be capable of such a demanding role. He perfectly portrayed Howard Hughes' descent into insanity. He's not one of my favorite actors by any means, but I do think he gives great performances. Thanks to his performance, you could really see how it was possible that such a brilliant business man could be so mentally sick. Even Gwen Stefani's portrayal of Gene Harlow was great (though short). All of the characters were brought to life by the awesome performances and excellent direction by Martin Scorsese seen in this movie.
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