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Actor & Director :
DVD The Jacket:

  • Rate:
  • Actor(s): Adrien Brody - Keira Knightley - Daniel Craig 
  • Director(s): John Maybury 
  • Editor: Warner Home Video
  • Category: Horror
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    List Price: $19.96
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  • DVD The Jacket


    When you put on The Jacket, prepare for a head-trip into fragmented reality. Coproducer Steven Soderbergh might have fared better with this mind-bender than British director John Maybury (who indulges an excess of heavy-handed "style"), but it's intriguing enough to hold your attention as Gulf War veteran Jack Starks (Adrian Brody) sustains a head-wound that results in amnesia and fragmented timelines. One involves Jack's apparent killing of a policeman, after which he's institutionalized and subjected to straight-jacketed experiments in sensory isolation (with Kris Kristofferson as the doctor in charge); the other is a possible future involving a nihilistic waitress (Keira Knightley) with connections to his past, and the discovery that Jack will die in four days if he can't solve the brain-teasing puzzle he's fallen into. The Jacket aspires to the cleverness of Memento and falls short of that target, but Brody gives this exercise in desperate disorientation a certain gravitas that keeps you watching as his tormenting visions begin to unravel. Jennifer Jason Leigh, Brad Renfro and Kelly Lynch make the most of their small supporting roles. --Jeff Shannon
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    Review(s): DVD The Jacket
    good movie


    The movie was well dne and very much worth watching.A military veteran goes on a journey into the future, where he can foresee his death and is left with questions that could save his life and those he loves.The plot is not boldly original or spine chillingly extravagent, but it is executed flawlessly. A very deep, provoking and motivating story. You can either take the future and do nothing, or force yourself and fight to make a change for the better.


    It's NOT a Friggin' Thriller!


    Jack Starks is in the Gulf War when he receives a serious head wound from a gunshot. Initially presumed dead, a nurse suddenly realizes he's still alive when he blinks. His body is saved, but his mind is still severely traumatized. Rocked with distortions of time and events, Jack struggles to become a normal member of Amercian society upon release from the military hospital.

    But things quickly go strangely awry for Jack. While hitchhiking across the U.S. he runs into a mother and daughter sitting alongside the road next to their broken down truck. The daughter, a sweet young girl, helps Jack fix the truck while the girl's drugged-out mother pukes in the bushes nearby. After the truck is started, the mother pushes past Jack, inserts her daughter into the truck, and abruptly and rudely leaves.

    Then Jack gets picked up by a young man in a station wagon who ends up killing a cop while Jack is traveling with him, and since Jack can't remember a lot of things (remember, he's got some brain damage from the gunshot wound to his head), he's arrested and sent to an asylum for the criminally insane run by actor Kris Kristofferson.

    During all of this there are fragments of Jack's mind that seep onto the screen in very surreal ways (punctuations of color, blast pieces of the war, etc.), and Jack's not all that sure WHEN he is. Is it 1992?

    In a brutal method to try and "help" Jack, Kristofferson's character drugs him and places him in a straight jacket then into a morgue box for isolation. During these "sessions", Jack seems to travel into the future. To 2007 to be exact. But why? Apparently this time holds some significance and the audience is slowly let in on it as the film progresses. In 2007, he meets up with the same young girl turned young woman that he'd met alongside the road years before and helped get their truck started. A race to save those that he loves in the past soon takes place from what he learns in the future. But is it all real, or is it just another fracture in his mind?

    ******************************************************************************

    This film has been SERIOUSLY MISLABELED as a thriller. It is not a thriller or even a horror-stylized film. If you had to categorize it, I'd say it's a Sci Fi Drama. Even the insipid tagline for the film, "Terror has a new name," is horribly misleading.

    In the vein of MOMENTO and THE BUTTERFLY EFFECT, this film has a lot going for it, even above those two other movies (which I also enjoyed by the way). But where THE JACKET succeeds is in coherency, while MOMENTO and THE BUTTERFLY EFFECT kind of left me wanting.

    The acting was also stellar. Keira Knightley (PIRATES OF THE CARRIBEAN and BEND IT LIKE BECKHAM) plays the young woman who Jack meets in 2007 and begins to believe that he may very well be time-traveling. I never thought Knightley could perform in such a starkly different role than the upbeat films I've seen her in, but she does so very admirably here. Adrian Brody (THE PIANIST) plays the lead role of Jack Starks and does so with understated grace. Jennifer Jason Leigh, Kris Kristofferson, and Brad Renfro all pull in strong supporting roles, too.

    So if you're not a big thriller fan, don't worry about it. Pick up this film and enjoy it.

    This movie will impress...


    When this movie first came out I have to tell you that the trailer reminded me of every other horror/thriller on the market (need I grunt as I hint toward House of Wax?), but I must say having seen it that I'm thoroughly impressed. This film makes viewers THINK and that's what I like! From a storyline basis we are given a complex story that, although non-linear, doesn't confuse for too long. The result is a thrill ride of intrigue that I'll safely say most won't predict.

    The story is that of Jack Starks (Adrien Brody), who suffered a bullet to the head in the Gulf War and now has memory problems. Trouble is those memory problems are the basis as to why he is framed for murder and charged criminally insane. While at the Alpine Grove Institute Jack is subjected to a unique form of treatment involving a morgue locker and a strait jacket. When Jack starts traveling inbetween the future and the past, he begins to get the impression that reality doesn't always follow a distinct path.

    This movie all seemed to come together to make an impressive story, and for that I must tip my hat to Tom Bleeker and Marc Rocco, both talent that have had little or no experience with Hollywood (which probably explains the fresh idea). The screenplay from writer/producer Massy Tadjedin, also relatively new to the industry, flows naturally and fluidly. Director John Maybury, a talented and experienced director (although most of you won't know any of his previous works), again delivers lifelike characters and impressive symbolic shots to reveal not only moving pictures, but still life that tells a story. Adrien Brody delivers a strong performance as a supposedly sane man on the verge of cracking, while still offering a tenderness in the scenes of the past. Kris Kristofferson delivers another powerful performance, complete with a classic "moving" moment when he realizes his effect on patients. Kiera Knightley is the star of this show, however, with a powerful performance that fills you with lust, sorrow, and compassion for her character. As an admittedly avid Knightley fan I must say that I was digging for flaws in her performance to back my neutrality when reviewing, but I have to say in a world ridden with murder, loss, and death she breaks through and forces you to care for her character. All in all this movie impresses with a thrilling storyline, involving plot, emotional performances, and stands alone as one of the only movies invovling far-fetched ideas that doesn't divert my attention. Disregard the cheesy tagline, "Terror has a new name" and I cringe at the back of the box stating, "Jacob's Ladder meets One Flew Over the Cuckoo's Nest", this movie holds to none of those quotes (and thank god for that)!

    The DVD itself has relatively little to offer in the ways of "wow-me cutting edge technology", but then aren't movies supposed to be the meat and potatos themselves? We get a crystal clear Dolby 5.1 soundtrack (which really adds to the effect of being trapped in a morgue locker) as well as a few special features (nothing impressive, I tuned out within five minutes). In today's world we're too concerned with special effects and deleted scenes, however I am not. I remember seeing "The Abyss" and "Terminator 2" and thinking, "WOW, that was cool! I wonder how they did that?" but I also remember falling asleep to that free rental crappy VHS tape explaining the special effects in both movies. As far as deleted scenes, do we all realize at this point that these scenes were deleted for obvious reasons? I've yet to see a simple DVD like this show me a decent cut scene. Where's the interviews with the writers? That's a special feature I'd like to see!


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