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DVD Boudu Saved From Drowning
Long before there were hippies, there was, sublimely, Boudu. In 1932 director Jean Renoir and French star Michel Simon, fresh from their early-sound triumph La Chienne, decided to re-team in adapting a stage farce about a derelict rescued from the river by a bookseller and groomed for bourgeois society. The bookseller's idea proves to be disastrous, though working through all the possibilities for disruption and catastrophe is a slow-gathering and hilarious process. Simon always seemed as much force of nature as mere actor, and his and Renoir's inspiration is to make Boudu the vagabond not a satyr or opportunist or noble savage or de facto sociopolitical anarchist, but simply an oversized manchild with no more guile or conscious agenda than the shaggy dog whose sudden defection led him to throw himself into the Seine. If his insistence on leaving a downy-soft bed to sleep in the hall happens to block the door to the maid's room, where his benefactor Lestingois is wont to sneak after the wife's asleep, well, Boudu doesn't really plan it that way. And if he leaves a wet lugie between the pages of a first-edition Balzac, well, they asked him not to spit on the floor, after all!
We can see that the original farce (by René Fauchois) was probably pretty funny to begin with, but Renoir makes of it much, much more. Boudu Saved from Drowning--arguably the first French New Wave film, nearly 30 years before there was a New Wave--is one of those cardinal works in which we can see, and experience anew, a great filmmaker inventing the cinema. Without jettisoning the formal qualities of the theatrical farce, Renoir opens his film to light, fresh air, and the teeming multifariousness of Parisian street life; the denizens of the city become unwitting extras in the movie as Boudu first shambles, then prances, among them. The deep-focus camerawork is exhilarating, but even the gregarious roughness of the production feels right, indeed essential. "I believe that perfection is even dangerous," Renoir remarked of his own movie. "If a film is perfect, the public has nothing to add.... The audience should always be trying to finish a picture, ... fill in the holes which we didn't fill." Collaborating on Boudu is a glorious experience. --Richard T. Jameson
Sophisticated And Warm, An Excellent Comedy By Jean Renoir
Turning off the water in the sink is as alien an idea to Boudu as not spitting on the dining room rug. Watching him try to clean bootblack from his hands is to watch the destruction of a kitchen. He's as oblivious to others as a strong wind blowing through a garden. One critic said the character of Boudu was like a ball in a pinball machine. Boudu (Michel Simon) is a scruffy tramp who jumps off a bridge in Paris when he loses his dog. Edouard Lestingois (Charles Granval) is a chubby, middle-aged bookseller, very much a member of the bourgeoisie, who rushes out of his shop, leaps into the river, saves Boudu and takes him into his home. Lestingois has a wife who is proper and cool. He employs a maid who is lusty and accommodating. Boudu will change their lives.
Boudu is an anarchic force of nature, stuffing his sardine dinner into his mouth with his hands and spitting his wine onto the floor. For Lestingois, who at first is pleased with himself for his heroism and with taking in such a specimen of the lower class, life becomes complicated and frustrating. He enjoys his trysts with the maid, Anne-Marie, but he recognizes he's getting a bit old. "She's charming," he says, "but last night I fell asleep before I could join her. No doubt about it, I'm growing old. My pipes are weary, and soon some shepherd will lure her with his youthful flute." Boudu, however, soon wearies of sleeping in a bed and takes to sleeping in the hall, next to Anne-Marie's door. "I get bored all alone in my room," Anne Marie tells Lestingois. "I'm not exactly jumping for joy in my room, either," he says. "Are you sorry you saved him?" she asks. "At night, I am."
Madame Lestingois, however, once Boudu is convinced to get a haircut and wear a proper suit, may not be quite the piece of ice she appears to be. When Boudu has the opportunity to closely inspect a small birthmark on Madame Lestingois' chest, well, it's not long before Madame Lestingois hears trumpets playing.
Boudu remains the same, wrapped up in his own world and with his own behavior, refusing a favor, turning back an innocent inquiry, tickling the bottom of Anne Marie, enjoying Madame Lestingois, making himself obliviously at home with Edouard Lestingois. He's a natural force that can't be controlled and, for some, barely endured. By the end of the movie it appears, however, that a lottery ticket and the prospect of lustful marriage to Anne Marie may finally tame Boudu. "For once, both modern morals and the laws of nature are satisfied," says a member of the wedding party. Fortunately, a lily floating on the river and a bad sense of balance bring Boudu back the life he had. He may have been saved from drowning at the start of the movie, but he's saved from bourgeois respectability at the end.
This is a marvelously sophisticated and warm comedy. Everybody has their foibles exposed and no one really gets hurt. Michel Simon as Boudu is simply unique. "I watch Boudu often," says Jean Renoir in a filmed introduction to the movie, "not because I revel in contemplation of my past work, but simply because of Michel Simon." Charles Granval as Lestingois is just about as good.
The Criterion DVD presentation is first rate. There are several extras which are interesting and informative, including an interview made 35 years later with Renoir and Simon discussing the movie.
The Dionysian anarchy !
After a suicide attempt, a beggar (Michel Simon) is saved from the waters by an antiquarian bestseller. The rest runs for you because the only fact to intend describe it it would break the magic spell.
A tour de force film, in the same line of Rene Clair' s Paris belongs us.
A magisterial masterpiece.
Thanks Again Criterion
I've been waiting for the DVD releases of the early 1930s Renoir films. As is standard for Criterion, the print quality of this release is beautiful and the extras are nice, especially the footage of Renoir, and Renoir with Simon, discussing the film. Great DVD release for Renoir and Simon fans; hopefully 'La Chienne' will follow soon.
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