a great movie about the misery, emptiness and lonliness of bourgeoisie substituting the true love with other false values...
from the movie :
"I realize now that I've never had any real interest in anything. I don't mean some special interest. Not even ordinary (piccoli e naturali) interests, like my husband's in his work, or my sun's in his studies, or Odetta's domestic cult (culto familiare). I had no interests. I don't know how I could lead such an empty life, but I did. I there was anything... some instinctive love of life it dried up like a garden where nobody goes (come un giardino dove non passa nessuno). That emptiness was filled with false, mean values (falsi e mischini valori) with an awful lot of wrong ideas (idee sbagliate). Now I realize it, you've filled my life with a total interest. So in parting, you're not destroying anything I had before, except perhaps my reputation for chastity, which matters... But what you yourself gave me, love in my empty life... by leaving me you're destroying it completely."
"By knowing me you made me a normal girl. You made me find the right solution for my life (soluzione guista della mia vita). Before I didn't know man, but I was afraid of them. I loved only my father (Amavo soltanto mio padre). But now, in leaving, you're making me worse than before. Did you want that? Now the pain of losing you will cause a relapse more dangerous than the sickness I had before this brief cure your presence brought. Before, I didn't understand this illness, but now I do. Through the love you gave me I've become aware of my illness. Now how can I replace you (e adesso come potro sostituirti)? Is there anyone else? I don't think I can go on living (Credo che io non potro vivire).
A summit meeting of great Italian directors of the era, Boccaccio '70 is an antipasto platter of vintage sex symbols and naughty material. Cooked up and bankrolled by Carlo Ponti and American producer Joseph E. Levine, the four-part film was meant to tap the international smash of Federico Fellini's La Dolce Vita, which gave audiences some refreshingly, you know, "mature" subject matter. Four directors were hired to create segments ostensibly based on the tales of Boccaccio: Fellini himself (in the lull between La Dolce Vita and 8-1/2), Luchino Visconti, Vittorio De Sica, and Mario Monicelli.
Writer/director Pedro Almodóvar's dark, sexy Hitchcock homage is his best work since his Oscar-winning All About My Mother, and deepened by a sun-dappled sadness. Handsome, enigmatic Ángel (Gael García Bernal) arrives at the Spanish movie offices of director Enrique Goded (Fele Martinez) and happily proclaims that he's actually Enrique's long-lost school chum Ignacio--an announcement that is both less than convincing and more than it seems. A novice actor, Ángel pitches a semi-autobiographical screenplay in which he's determined to star, a revenge-laden reflection of the doomed love he and Enrique shared as boys before a pedophile priest cruelly intervened. The script, and the lost days it recalls, carefully unfurls into a series of brooding movies-within-movies... More Info about this DVD Actor(s): Gael García Bernal - Fele Martínez - Javier Cámara Director(s): Pedro Almodóvar DVD Release Date: Released the 12 April 2005 Usually ships in 24 hours
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Part mystery, part wartime polemic, Lifeboat finds director Alfred Hitchcock tackling a cinematic challenge that foreshadows the self-imposed handicaps of Rope and Rear Window. As with those subsequent features, Hitchcock confines his action and characters to a single set, in this instance the lone surviving lifeboat from an Allied freighter sunk by a German U-boat in the North Atlantic. A less confident, ingenious filmmaker might have opened up John Steinbeck's dialogue-driven character study beyond the battered boat and its cargo of survivors, but Hitchcock instead revels in his predicament to exploit the enforced intimacy between his characters.
This silky smooth film noir pits gruff police detective Dana Andrews, stiff and blunt in his street-bred manners, against a cultured columnist and acidic wit (Clifton Webb at his prissiest) in a battle of wits during a murder investigation. The cop is a romantic hiding under a hard-boiled exterior who falls in love with the beautiful victim through the portrait that hangs in her apartment. Gene Tierney, whose heart-shaped face mixes the exotic with the girl next door, brings the poise and calm of a model to her role as the object of every man's gaze and the target of a killer. Laura, handsomely shot in dreamy black and white, is the first and best of Otto Preminger's cool, controlled murder mysteries. In the gritty world of film noir it remains the most refined and elegant example... More Info about this DVD Actor(s): Gene Tierney - Dana Andrews Director(s): Rouben Mamoulian - Otto Preminger DVD Release Date: Released the 15 March 2005 Usually ships in 24 hours
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Val Lewton's name is synonymous with the subtlest, most mysterious brand of horror filmmaking in Hollywood's golden age, and the nine horror classics he produced at RKO between 1942 and 1946 constitute the most remarkable cycle of creativity in B-movie history. (For the record, the Lewton/RKO legacy also includes two non-horror entries, Youth Runs Wild and Mademoiselle Fifi.)
Before becoming a film producer, the Russian-born Lewton was a prolific writer of pulp fiction, nonfiction, and a couple of pornographic novels. He also worked for years as assistant to David O. Selznick, a legendary producer with a distinctive personal signature--and a flair for grandiosity Lewton himself never emulated. It's ever so revealing that, on Selznick's Gone With the Wind, it was... More Info about this DVD Actor(s): Boris Karloff DVD Release Date: Released the 04 October 2005 Usually ships in 24 hours
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