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DVD Frank Miller's Sin City (Recut, Extended, Unrated)
The two-disc edition of Sin City easily makes the earlier single-disc theatrical-cut release obsolete by including the regular theatrical cut on the first disc, recutting the movie into four extended segments on the second disc (separated by story line), then piling on an impressive load of bonus features. But there's a catch. Billed as "Recut, Extended, Unrated," with "over 20 minutes" of new footage, the new set's four separate stories are extended by only about 6.5 total minutes of movie action (see details below in "What's New"); the rest of the added running time is the splashy new title shots (named by the title of the story or book) and the four minutes of credits that run at the end of each segment. Each addition makes the movie even closer to the comic books, and these extended segments are generally preferable to the theatrical equivalents (unfortunately, there's no Play All option), but don't expect the same impact as Peter Jackson's Lord of the Rings extended editions. And although this version is unrated, the only risqué addition is a bit of violence from Miho that's no worse than the rest of the crazy violence in the film.
How Are the Bonus Features? Robert Rodriguez has always loved DVDs, so the bonus features are extensive. On the first disc, there is somehow room for the theatrical cut of the film with its DTS track (the extended versions have only Dolby 5.1), two commentary tracks, an alternate audio track with a live audience in Austin, Texas, an interactive map of characters and locations, and 47 minutes of featurettes covering Frank Miller, Quentin Tarantino, cars, costumes, props, and special effects. The first commentary is Rodriguez and Miller discussing the concepts and the cast. The second commentary is mostly by Rodriguez, but Tarantino drops in briefly for the scene he directed (with Clive Owen and Benicio Del Toro in the car), as does an enthusiastic Bruce Willis for his segment.
The Tarantino scene gets a lot of attention on the second disc as well, in a 14-minute take in which he can be heard coaching the actors. Also on the disc are Rodriguez's usual "flic school" (among the topics is how scenes were created by merging footage of actors who never actually met), footage of Bruce Willis's band performing in Austin at the time of the shooting, and another Rodriguez cooking school (this time it's breakfast tacos). But the most interesting feature is the "green screen version" of the film: the entire film as it was shot in front of the green screen, sped up to play in only 12 minutes. You can see the actors (in color!) interacting only with the props and each other. Last, there's a DVD-sized complete comic book of The Hard Goodbye.
What's New in the Extended Version? "The Customer Is Always Right" (the opening sequence with Josh Hartnett and Marley Shelton) has no new footage, but now goes straight into the one-minute epilogue with Hartnett and Alexis Bledel that closed the theatrical cut. "The Hard Goodbye" (with Mickey Rourke as "Marv" ) has two new sequences totaling about two minutes: Marv encounters his mother and finds his gun, and talks to Weevil in the club. In "The Big Fat Kill" (with Clive Owen and Benicio Del Toro), some short dialogue is restored, along with another wicked slice by Miho (Devon Aoki)--about a minute total. "That Yellow Bastard" (with Bruce Willis and Jessica Alba) has about 3.5 new minutes: there are more visitors to Hartigan's hospital bed, including his wife and a nurse; Carla Gugino's Lucille character comes to assist Hartigan when he wants to get out of jail (probably the best addition); and Mr. Shlubb and Mr. Klump have some more lines. --David Horiuchi
Review(s): DVD Frank Miller's Sin City (Recut, Extended, Unrated)
It's a entertaining film but not everyone can embrace Sincity.
Sin city wasn't really the type of film that everyone would appreciate, one must remember this film comes right out a comic book, i love Bruce Willis is like one of my favorite actors and he had the perfect voice to do the story telling, his character role was let's say typical Bruce, it can be considered a simple story with a light twist, the plot was reasonable and all in all enjoyable at least for me, i say it's worth a watch laterz folks.
disgusting!
the viuals were good, the actors were bad and the story line just blows.
Great visuals but couldn't stomach the horrible dialogue
I am a big fan of Frank Miller's work and I loved reading the graphic novels the movie was adapted from. When I saw this film I was blown away by the visuals. It had an amazing graphic style that was very different than anything I had seen in a movie before.
Having mentioned it's good points I have to say I was enormously disappointed with the dialogue and some of the story adaptation to screen. It seems to me those involved in the screenplay and production were too concerned with adapting this in an overly faithful manner from the graphic novel to the big screen. For the most part the bad dialogue and some of the terrible acting in parts were just too painful to sit through. I had to keep checking to see if my ears were bleeding yet.
Each extraordinarily bad line or horribly acted sequence made we wince like I was being mugged. What works in a graphic novel doesn't necessarily work as well when adapted directly to screen without a bit more adaptation than you'll see here. All the characters were severely and tragically 2-dimensional with none of the depth you get from reading the graphic novel and very little attention was paid to developing better dialogue suitable for a big screen experience. Also, many of the big name actors in this movie were capable of much better performances than they displayed here.
Purists and rabid fans of the graphic novel may be capable of somehow finding a way to look past all the terrible acting and awful dialogue that is rife throughout the film. However, my bottom line opinion is it's a good film to watch for the visual look only, but you will almost certainly enjoy it far more if you keep the 'mute' button on. This film had the potential to be truly great but it is extremely disappointing that it fell so far short of that mark.
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