Category: Comedies - Comedy - Comedy Video - Feature Film-comedy - Movie
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DVD The Devil Wears Prada (Widescreen Edition)
This clever, funny big-screen adaptation of Lauren Weisberger's best-seller takes some of the snarky bite out of the chick lit book, but smoothes out the characters' boxy edges to make a more satisfying movie. There's no doubt The Devil Wears Prada belongs to Meryl Streep, who turns in an Oscar�-worthy (seriously!) strut as the monster editor-in-chief of Runway, an elite fashion magazine full of size-0, impossibly well-dressed plebes. This makes new second-assistant Andrea (Anne Hathaway), who's smart but an unacceptable size 6, stick out like a sore thumb. Streep has a ball sending her new slave on any whimsical errand, whether it's finding the seventh (unpublished) Harry Potter book or knowing what type she means when she wants "skirts." Though Andrea thumbs her nose at the shallow world of fashion (she's only doing the job to open doors to a position at The New Yorker someday), she finds herself dually disgusted yet seduced by the perks of the fast life. The film sends a basic message: Make work your priority, and you'll be rich and powerful... and lonely. Any other actress would have turned Miranda into a scenery-chewing Cruella, but Streep's underplayed, brilliant comic timing make her a fascinating, unapologetic character. Adding frills to the movie's fun are Stanley Tucci as Streep's second-in-command, Emily Blunt (My Summer of Love) as the overworked first assistant, Simon Baker as a sexy writer, and breathtaking couture designs any reader of Vogue would salivate over. -- Ellen A. Kim
Beyond The Devil Wears Prada
The Devil Wears Prada: A Novel
The Devil Wears Prada Soundtrack
Prada Handbags
Stills from The Devil Wears Prada (click for larger image)
Review(s): DVD The Devil Wears Prada (Widescreen Edition)
Never thought I'd like this
But Streep is gold. The lady actually builds some sympathy for a character that could have been a stereotype. Some decent laughs.
Sharp as a Pitchfork
Here goes. Call me a wimp. I don't usually indulge in chick flicks, but for my wife's sake I sat down for this movie--and found myself totally sucked into it.
From the pitch-perfect opening scenes of Andrea Sachs facing her potential boss, to the final showdown, we are dragged along with Andie into a world of vicious high fashion. Her journey is our journey, wondering why this is all so important, slowly coming to appreciate it, then realizing the seduction of its beauty and glamour. Some have complained that the situations she faces are contrived and no-win scenarios. While yes, they are set up to advance the story, they are scenes in which Andie could've faced down her boss. Instead, she sold her soul.
This is a witty film, sharp as a pitchfork, that has much to say but leaves most of it up to the viewers to figure out. The screenplay and direction are superb, but it's the acting that makes this thing sparkle. Hathaway (mostly believable as a frumpy wannabe journalist...she can't quite hide her natural beauty) shifts from frump to diva in convincing fashion, while never totally losing her heart of gold. Streep shifts from devil to somewhat sympathetic overlord, while never stepping too far from the dark side. Along the way, Emily Blunt and Stanley Tucci are great counterparts, providing humor and heart.
In the end, Andie's decision to chase her dreams or chase the career that "a million girls would kill for" propels this very likeable comedy into a story with sly wisdom running underneath. What a great film.
Enjoyable, but ...
... flawed by its inclusion of the usual cliches - missing significant other's birthday party because the boss needs you to do something actually relatively important, for instance - what kind of a choice is that? Does that really show that the protaganist is circling the drain? What is she supposed to choose? Is Hollywood insane? The self-righteous friends and requisite token minorities are also included. Except for the Asian contingent. They need to complain more, I suppose.
But it's an otherwise entertaining look at the world of fashion and fashion publishing, with Streep as a driven taskmaster whose every whim is catered to. This she plays to perfection. Stanley Tucci is endearing as the mentor figure. And the part of the "number one" aide is played to comedic perfection, especially a hilarious head-shaking response.
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This clever, funny big-screen adaptation of Lauren Weisberger's best-seller takes some of the snarky bite out of the chick lit book, but smoothes out the characters' boxy edges to make a more satisfying movie. There's no doubt The Devil Wears Prada belongs to Meryl Streep, who turns in an Oscar�-worthy (seriously!) strut as the monster editor-in-chief of Runway, an elite fashion magazine full of size-0, impossibly well-dressed plebes. This makes new second-assistant Andrea (Anne Hathaway), who's smart but an unacceptable size 6, stick out like a sore thumb. Streep has a ball sending her new slave on any whimsical errand, whether it's finding the seventh (unpublished) Harry Potter book or knowing what type she means when she wants "skirts." Though Andrea thumbs her nose at the shallow world of fashion (she's only doing the job to open doors to a position at The New Yorker someday), she finds herself dually disgusted yet seduced by the perks of the fast life. The film sends a basic message: Make work your priority, and you'll be rich and powerful... and lonely. Any other actress would have turned Miranda into a scenery-chewing Cruella, but Streep's underplayed, brilliant comic timing make her a fascinating, unapologetic character. Adding frills to the movie's fun are Stanley Tucci as Streep's second-in-command, Emily Blunt (My Summer of Love) as the overworked first assistant, Simon Baker as a sexy writer, and breathtaking couture designs any reader of Vogue would salivate over. -- Ellen A. Kim
